Capitaine Blood

CAPTAIN BLOOD, Warners' 1935 remake of a popular 1924 silent film, is best remembered today as Errol Flynn's springboard to stardom, and the first of a series of classic swashbucklers from the studio. Yet the film was nearly shelved, and it's story is as entertaining as the film.

Intended to attract the same audience that had made MUTINY ON THE BOUNTY and TREASURE ISLAND box office hits, the film boasted great production values, a talented director (Michael Curtiz), a musical score from Hollywood's greatest composer (Erich Wolfgang Korngold, although time limitations forced him to borrow heavily from Franz Liszt), the captivating beauty of young Olivia de Havilland (in only her fourth film), and, originally, the respected British actor (and future Oscar winner) Robert Donat as physician-turned-pirate Peter Blood. Donat, however, had chronic health problems (which would, sadly, eventually curtail his film career), and Warners faced a major production starting date with no leading man.

Legend has it that Jack Warner's wife recommended young Errol Flynn (just 26 at the time) for the role; she had described him as the most "gorgeous" man she'd ever seen, and helped convince the studio to bring him from England, where he was doing repertory theater, after several years of hell-raising around the world. His largest American role, to date, had been as a corpse in a Perry Mason B-movie, but his sexual conquests and social life were already becoming legendary, and he and new wife, actress Lili Damita, were constantly promoting the young actor around town. The studio finally decided to take a chance on the untested actor in the lead (budget-wise, picking a low-paid contract player was a smart financial move)...but it initially appeared to be a MAJOR blunder, as Flynn looked tense and amateurish in the dailies. Director Curtiz was unfazed, however, and worked with him, and gradually the actor developed confidence. Word spread around the studio that a charismatic new star was emerging, and the first few days' scenes were scrapped and re-shot. By the end of the hugely favorable test screenings, Warners knew it had finally had a bona-fide sex symbol of their own, who could compete for female audiences against Gable, Cooper, and Cary Grant. Errol Flynn had inherited Douglas Fairbanks' title of premier swashbuckler, and had done it with only one film!

CAPTAIN BLOOD may lack the opulence of THE ADVENTURES OF ROBIN HOOD and THE CHARGE OF THE LIGHT BRIGADE, and the pure adventure value of THE SEA HAWK, but without this pirate saga, and the dynamic star it introduced, the 'Golden Age' of Hollywood may never have seen these subsequent classics reach the screen. CAPTAIN BLOOD has earned a place in film history that cannot be underrated.

Practically the same cast that made magic in the later ADVENTURES OF ROBIN HOOD, but magic just the same -- they never made a pirate film that could equal this one, much less surpass it, though Hollywood certainly tried. If you only ever see two Flynn movies, watch this and ROBIN HOOD and you'll be the richer for it.

'Captain Blood' made stars of Errol Flynn and Olivia de Havilland when it was released, both winning their roles by default when other casting attempts failed. It's a rousing pirate adventure tale, told as only Rafael Sabatini in his novel could do. Aside from a splendid script, it has Michael Curtiz at the directorial helm and Erich Wolfgang Korngold supplying the stirring background music. The Flynn-de Havilland-Korngold-Curtiz package would be repeated many times by Warner Bros. since the ingredients proved a smash hit, most notably in 'The Adventures of Robin Hood'.

Peter Blood (Errol Flynn) is a physician wrongly accused of being a traitor and sent to the West Indies into a life of slavery. He is purchased at the auction block by a spirited beauty (Olivia de Havilland) whose father happens to be the Governor (Lionel Atwil). When he leads other prisoners in an escape plan and succeeds, he becomes a pirate on the high seas. Eventually he is involved in a fight, a duel to the death with another pirate (Basil Rathbone) in order to win the fair heroine. The climactic duel between Flynn and Rathbone is on par with their other famous duel in 'Robin Hood'.

Fans of either Errol Flynn or Olivia de Havilland cannot fail to enjoy this romantic adventure done in the grand style by a studio that knew it had two future stars in the making.

I'm not that big on pirate movies and I thought this might be overrated.....but I was wrong. This is good stuff and I wonder if a more realistic pirate movie has ever been made.

This was Errol Flynn's first starring role and it sure got him off to a flying start. Few actors have ever played the "dashing hero" as well as Flynn. Despite being almost "worship idol" status by women, he is still comes across as a "man's man," and that all started with this film.

What I liked best about this was that the story stood out more than the action or the romance. Many times classic films overdid the latter, producing lulls in what was considered an adventure story. That's not the case here. It also isn't the typical clichéd pirate film in which the captain is seen with an eye patch and a parrot on his shoulder.

This is nothing fancy, just a just solid story.....period, which is probably why it holds up so well over 70 years later!

Nearly 80 years old and `Captain Blood' still is one of the greatest sea-adventures ever made. It initially served as an appropriate answer to `Mutiny on the Bounty', also released in 1935 and starring Clark Gable. This film launched the terrific career of Errol Flynn, who only appeared uncredited in other film until then. Captain Blood is a compelling and versatile story about a young Irish doctor, named Peter Blood. After giving medical attention to rebellions, he's sold as a slave to the wondrously beautiful Arabella Bishop (Olivia de Havilland)…niece of the rancorous Colonel Bishop (Lionel Atwill). Blood escapes slavery and, together with his faithful crew, he starts a successful and diverse career as a pirate in the Caribbean sea. Yet, the unanswered love he feels for Arabella never really allows him to be fully free. Naturally, this film doesn't feature as many outrageous swordfights as in later pirate movies, but the decors and scenery are breath-taking and very inspired. Some neutral sequences (mainly in the beginning of the film) can be considered tedious, but long and delightful patriot speeches and exiting battles make up for those. Errol Flynn does a great job as the rebellious captain, even though his handsome looks don't really match the image of a feared pirate. Special mention goes out to Basil Rathbone, flawlessly cast as a French corsair. Highly recommended if you're a fan of classic and nostalgic cinema.