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Stan & Ollie arrive in BONNIE SCOTLAND to claim Stan's inheritance. Through a series of mishaps, the Boys end up in the British Army, stationed in India & threatened with imminent death at the hands of a fierce tribal chief...

With rather more plot than usual in a typical Laurel & Hardy film - the romantic subplot has virtually nothing to do with Stan & Ollie - this is still a delight for fans of the Boys. By this point in their joint career they were past perfection & beyond praise. Seeing them act together is like watching an intricate piece of clockwork. Among the highlights here: the candle under the bed; the `invisible' accordion; and the dance to ‘A Hundred Pipers'.

Stan & Ollie are given fine support by the rest of the cast: Mary Gordon, as the hotel proprietress; David Torrence, as a crusty old lawyer; Daphne Pollard, as a feisty little maid; and James Finlayson, the Boys' eternal foil, as their long-suffering Sergeant Major. June Lang & William Janney supply the romantics.

The lovely opening shots of Village life set the mood beautifully; early scene where blacksmith Lionel Belmore hammers out the `Cuckoo Song' - while the Boys make their first appearance & march towards the camera - is a joy.

This Laurel and Hardy film is probably a spoof of a film called "The Lives of a Bengal Lancer" that was released earlier the same year. Even though it's titled "Bonnie Scotland" it has very little to do with Scotland. The boys show up in a Scottish village, located somewhere on the back lot of the Hal Roach Studios in Hollywood, after being informed that Stan is an heir to a portion of the estate of a deceased lord. They are disappointed in their hope for riches and in financial straits, so they join the British army. They wind up on the Northwest Frontier in British Colonial India, located just around the corner from Scotland somewhere on the back lot of the Hal Roach Studios in Hollywood. Stan and Ollie provide their usual high jinks and a good time is generally had by all, but the film suffers the same problems of most of their feature length films. The studio filled the script with alternative plots that didn't focus on Mr. Hardy and Mr. Laurel. The plot of "Bonnie Scotland" involves a thwarted romance between the heiress of the lord's estate and a penniless law clerk. It is rather boring and certainly interferes with the comedy. One of the funniest scenes involves Stanley, who is chronically incapable of staying in step with the rest of the soldiers. At one point he gets the soldier next to him to fall into step with him and this gradually spreads until the entire regiment is in step with Stanley. The climax involves a great deal of slapstick and ultimately nothing in the various plots is resolved.

This time, Laurel and Hardy are off to Scotland to collect an inheritance from Laurel's uncle Angus Ian McLaurel. This is one of their more elaborate features, as they proceed to joining the Indian Army and fighting off the Arabs who are invading the country. Directed by perennial L&H director, James Horne. Great score, culminating Scottish folk tunes and the usual classic score by Marvin Hatley.

This is a good film, but unfortunately some dunderhead insisted on adding a side love interest that did not in any way involve Stan and Ollie. Why, if you have the greatest comedy team ever would you insist on adding pointless subplots? Who cares if the boy gets the girl--I want more Stan and Ollie. And, because of this, the amount of funny stuff that the boys do is limited to probably a short's worth of humor--stretched out to feature length! When Stan and Ollie ARE on film, they are good--not great. But, even good Laurel and Hardy is well worth watching.

For a better full-length Laurel and Hardy movie, try PARDON US, A CHUMP AT OXFORD or especially SONS OF THE DESERT. And, try to avoid the musical Laurel and Hardy full-length films such as THE DEVIL'S BROTHER or BABES IN TOYLAND. Once again, I want JUST Laurel and Hardy--no love stories, subplots or music--just 100% pure Stan and Ollie!

Stan and Ollie travel all the way to Bonnie Scotland to collect on an inheritance left by Stan MacLaurel's late grandfather. Both he and his cousin June Lang are provided, but she's not of age and she's under the firm guardianship of Colonel Vernon Steele and his scheming Mrs., Anne Grey.

William Janney, the clerk in lawyer David Torrence's office is in love with June Lang, but she's spirited off to India during the British Raj. Never mind, Stan and Ollie and poor young Janney also find their way there as the scene of the plot shifts from Bonnie Scotland to India with the Highlanders.

It's all a pretty thin plot, but good enough to hang some of Stan and Ollie's best screen moments on. One of my all time favorites is when Ollie has an encounter with a snuff box which was half of Laurel's inheritance the other half being a set of bagpipes. Another is when Stan and Ollie try to use the bedsprings in their hotel to grill some fish and nearly burn poor Mary Gordon's establishment down.

After the boys go into the Indian Army they become the bane of the existence of their old nemesis, Sergeant James Finlayson. In the end Janney, Finlayson, and the boys provide a hilarious ending to a tribal rebellion.

Films like Lives of a Bengal Lancer and Charge of the Light Brigade about the British Raj take one good beating from producer Hal Roach and his intrepid and incomparable stars. For fans of Stan and Ollie the world over.