Terreur dans la ville

On the surface this looks like a mundane 30s oater meant as a filler during matinees. But it really is much more than that. Besides the pleasure of seeing a young John Wayne after "The Big Trail" and before his breakout role in "Stagecoach", you have the talents of Yakima Canutt as Wayne's native American assistant, one of the best stunt men in the business who lived to the ripe old age of 90. Oh, and he wasn't actually native American, as many articles falsely say.

Wayne plays a federal man meant to clean out a gang led by "The Shadow" that has been brazenly carrying out all kinds of crimes in and around a town and killing all of the sheriffs. Wayne shows up and takes the job as The Shadow has just killed the last one. Strangely enough his henchmen talk to him through what looks like a wall safe in a back room in the jail house. You have to wonder how the first conversation between this guy and a criminal got started, but I guess that's another story.

The heroine is not just some helpless gal that shrieks, although Duke does have to rescue her from a runaway stage in the beginning. But later she shows her toughness as she is harassed through her bedroom window at night by a stranger. She just calmly gets out of bed, grabs her gun, shoots the peeping tom, and goes back to sleep. There's a little lady who knows how to handle a home invasion!

Oh, and some hints for evil doers. If you are caught in the act and asked in the plain light of day who the ring leader is don''t respond with a lengthy prologue like "OK, OK, I'll tell, I'll tell...". This gives the Shadow time to shoot you.

My title comes from the fact that the final chase on horseback - there always is one in these old westerns - has Duke and the men of the town all wearing white head scarves to differentiate themselves from the Shadow's gang that is coming to attack the town. The thing is, they are not scarves they are head bandages,so they all look like head injury victims. It really is a humorous scene.

Recommended for an early John Wayne, a rather clever plot with some unusual twists and turns, and the great Yakima Canutt, stuntman and second unit director extraordinaire.

The reason I like these matinée westerns from this era is probably because they make me feel like a kid again but I have other reasons that I think are pretty good. For one thing they are utterly without pretense. They do not pretend to be anything but entertainment for kids and unpretentiousness is real hard to find. There may be some out there but if you look for it you will find that it doesn't grow on trees. And they're just fun. The female lead is always charming, and the horsemanship, these films are always loaded with extras that are real cowboys. Apparently the reduction of manpower needed on the large cattle ranches coincided with the rise of the film industry so all these unemployed cowboys went to Hollywood. And could they ride. They just tore around like a house on fire and the ease and control that they demonstrate with these horses is a wonder to watch for a tenderfoot like me. But the plots get a little monotonous, I think there's only about two of them or three, maybe. You have to kind of overlook that. Anyway Star Packer is no exception. What makes it stand out is for one thing it has George "Gabby" Hayes one of the greatest character actors ever. But the main thing is that it has one of my Hollywood favorites, Pendleton Round-Up Rodeo champion and pioneer stuntman Yakima Canutt. Now John Wayne made a lot of westerns in this era and Yakima Canutt was in every one of them as Wayne's stunt double. He was also in practically every one of the as one of them as one of the bad guys, usually the leader. What makes this movie special is that, as far as I know, this is the only time he ever appears as a good guy.He has a very entertaining part as John Wayne's Tonto-like side kick. This includes an extremely charming and hilarious final scene in which he completely enthralls Wayne's young son with his Indian dancing and attempts to corrupt him into becoming an Indian himself. This is much to the amusement of Wayne and his wife, Verna Hillie. I have noticed that a bunch of these John Waynes have been colorized. My brother won't look at them but I think that as long as I have access to the original, I like having them. The landscapes are particularly beautiful. It's the sound that's bad. They dub in new voices that are terrible. And the music, it's some kind of spaghetti western sounding stuff that has nothing with the charm of the era. View at your peril.

As "B' westerns go for this period, this one isn't bad. In fact, in my opinion, it's one of the best of John Wayne's early "B" westerns. It has all of the right ingredients to make this an enjoyable hour.

First and foremost it has Yakima Canutt just emerging at this time as one of the premier stunt men, performing many of his landmark stunts. There are horse falls, saving the runaway stage, a wagon going over that ever present cliff and a bang up fight scene between Wayne's character and one of the bad guys.

Canutt also has a part in the picture and is a hoot as Wayne's faithful Indian companion "Yak". Wayne himself is better than usual for this time as an undercover government agent. Also. a clean shaven George (pre-Gabby) Hayes appears as the chief villain.

Another oddity for "B" westerns of this time, is that the hero ends up married to the heroine and has a son at the end of the film (no kissing though).

Several reviewers have praised the stunts. I hope they are referring to stunts done by the actors and not the horses. These were the days of trip wires being used to cause horses to fall. While running full speed they make dramatic falls on camera, but they often crippled or killed the horse. Fortunately, for the most part, the practice was stopped in the early 50s. (But I did see movie made in 1952 where a trip wire was used.) Other than this criticism, it was pretty standard early John Wayne stuff.

JOHN WAYNE is slim and lithe as a cowboy who anoints himself sheriff after the bad guys rub too many of the town's citizens out. From then on it's like watching a Hopalong Cassidy movie except this one is from Lone Star and is obviously a poverty row project with a few interesting moments for anyone who stays with it for 53 minutes.

The tree stump idea puzzled me, as did the wall vault which served as the device behind which The Shadow gave orders--and the whole plot is so rushed that there's little time to digest any of the backstory that leads up to the main storyline. A pretty girl is the romantic interest for Wayne but has little to do and GEORGE HAYES is beardless for this one before he grew his trademark stubble.

Actually, the slender story seems like something borrowed from a Zane Grey western--the one where the girl is part owner of a ranch, the bad guy is actually someone she knows but never suspects, and a cowboy with strong capabilities comes along and rescues her when she's in danger.

The covered wagon going over the cliff into water is a neat sight toward the end and some of the stunt work involving riders and horses is on the mark. YAKIMA CANUTT is fun to watch as Wayne's Indian sidekick, a sort of Tonto to Wayne who rides a white horse.

Passes the time quickly, but is clearly John Wayne as an apprentice actor.