She Loves Me Not

Miriam Hopkins is the whole show here as a nightclub singer who witnesses a murder and gets out of town. She ends up in Princeton, NJ and is taken in by students, Bing Crosby and Edward Nugent. They cut her hair and pass her off as Crosby's nephew. Meanwhile Bing falls for the dean's daughter, Kitty Carlisle and they sing "Love in Bloom" and "Straight from the Heart." Lots of plot twists but the film runs out of steam before it's over, still it's fun.

From the hotcha number Hopkins sings and dances during the opening credits to the sequence where the movie studio head and crew descend on Princeton to put Hopkins in the movies, she proves herself a delightful comedienne.

Despite first billing, Crosby has little to do outside of his songs. Hopkins steals every scene she's in (not unusual) and is terrific in the singing and dancing numbers. Carlisle is solid in her second film and so is the underrated Nugent.

Henry Stephenson, Henry Kolker, George Barbier, Warrem Hymer, Lynne Overman, Judith Allen, Maude Turner Gordon, Vince Barnett co-star.

Basically remade in 1942 with Judy Canova and again in 1955 with Betty Grable.

One of the many little 1930's musical comedies that Bing made in his first decade in films, not the best, to me that would be 'Sing You Sinners' a few years later, but this is still enjoyable fare. I disagree with another reviewer who claimed Bing had no sex appeal, and I think a couple of million girls from the era would too. He certainly had a great sense of comedy timing, and was a more than competent actor. But, most people went to hear him sing, and when he does he never disappoints, Although 'Love in Bloom' is the big hit from this movie, I like 'I'm Humming, I'm Whistling and I'm Singing' best, no one could put over a rhythm song as well as Bing! Thankfully, Universal have finally released this film on DVD, so I applaud them, but they still have a few to go from Bing's 30's catalogue!

SHE LOVES ME NOT (Paramount, 1934), directed by Elliott Nugent, based upon the hit play by Howard Lindsay, is a college farce with music that has comic similarities to play and motion picture titled CHARLEY'S AUNT, only in reverse, where a girl in this production, played by the unlikely Miriam Hopkins, hiding on campus disguised as a boy.

The movie begins with the opening titles and credits over the view of a Princeton University in which off-screen students are heard singing "Three Cheers for All, That's All." Then while the credits are still imposed on the screen, the scene changes focus to a nightclub in Philadelphia where Curly Flagg (Miriam Hopkins) is singing and dancing to a jive number, "Put a Little Rhythm in Every Little Thing You Do." While she is doing her tap dance, gun shots are heard and a man falls dead, causing excitement and screaming among the patrons. Because Curly happens to be the closest one to witness it, and not wanting to get mixed up in a gangland killing, she sneaks away from the nightclub and heads straight to the nearby train station. With only 75 cents to her name, Curly uses it to buy a ticket going as far as Princeton University. After arriving at the university, Curly, quite hungry, comes upon an open window where she finds Paul Lawton (Bing Crosby), a student who not only writes songs, but is studying to become a surgeon. Paul then encounters Curly, and with the help of his roommate, "Buzz" Jones (Edward J. Nugent), the two young men decide to help Curly by cutting her hair and dressing her up as one of the boys. Complications ensue in trying to keep Curly from giving herself away. Later, Lawton meets Midge Mercer (Kitty Carlisle), the dean's (Henry Stephenson) daughter, and becomes very much interested in her, in spite of he being engaged another girl, the snobbish Frances Arbuthnot (Judith Allen). The rest of the plot focuses on the gangsters who, after learning of Curly's whereabouts, coming to Princeton to try and kidnap her, and Lawton and Jones trying to prevent themselves from getting expelled shortly before graduation after the dean learns of what's happening.

SHE LOVES ME NOT was a highly successful comedy upon its release, but for now, comes somewhat forced, especially by Miriam Hopkins who is sometimes hilarious in her role, but then again her occasional screeching and screaming growing tiresome after a while. Aside from the usual college hi-jinx, the movie is presented with some nice tunes, mostly sung in good voice by Bing Crosby on the piano. In the supporting the cast are Lynne Overman, George Barbier, Ralf Harolde, Vince Barnett and Warren Hymer. Barnett and Hymer play gangster stooges hired by Harolde to kidnap Curly. Hymer's kidnapping methods comes off a bit strange here, for which he not only tries to get his victim unconscious by strapping a pillow over the girl's face, but for the men, forces them at gunpoint to drop their pants and leaving them in boxer shorts! Judith Allen, who was Crosby's featured co-star in TOO MUCH HARMONY (Paramount, 1933), appears in a secondary role as his fiancée as well as a kidnapping victim mistaken for Curly (Hopkins).

The songs composed for the movie include: "Put a Little Rhythm in Every Little Thing You Do" (by Mack Gordon and Harry Revel); "Cocktails for Two" (by Johnny Burke, Sam Coslow and Arthur Johnston, instrumental/ danced by Miriam Hopkins); "Straight From the Shoulder, Right From the Heart" (by Gordon and Revel); "Love in Bloom" (by Leo Robin and Ralph Rainger, both sung by Crosby and Kitty Carlisle); "I'm Humming, I'm Whistling, I'm Singing" (by Gordon and Revel, sung by Crosby); "Love in Bloom" (reprise); "Three Cheers for All, That's All," followed by other traditional college songs; and "I'm Humming, I'm Whistling, I'm Singing" (reprise by Crosby). Of all the melodies heard in this production, only "Love in Bloom" became a solid hit. So popular, it was nominated for an Academy Award for the initial Best Song category of 1934. While it did not win that honor, losing to "The Continental" from THE GAY Divorcée (RKO), it soon became comedian Jack Benny's lifelong theme song in both his radio and television shows. Plugged twice in the story by Crosby and Carlisle, the reprise comes off quite memorable as the couple converse on the telephone in a split screen view with a telephone pole between them as the two decide to sing their love song together.

SHE LOVES ME NOT was remade by Paramount in 1942 as TRUE TO THE ARMY starring Judy Canova, Allan Jones and Ann Miller, in the Hopkins, Crosby and Carlisle roles; and again by 20th Century-Fox in 1955 as HOW TO BE VERY, VERY POPULAR with Betty Grable, Robert Cummings and Sherre North. All three are seldom seen these days, but to watch and compare all three, start with the original. (***)

There is not much by way of originality to this rather overlong comedy but it does give Bing Crosby a chance to croon his way through the charming "Love in Bloom" with his amiable co-star Kitty Carlisle. You see, "Curly" (Miriam Hopkins) is a dancehall gal who's gone and got herself mixed up in a murder. Having the sense not to want to get involved, she flees the scene and ends up in some rooms amidst the Ivy League's finest. She's quite an adaptable young woman, and surrounded in this all-male environment by pin-stripes galore, she decides that being a boy for the duration might be her best line of defence. Certainly from the pursuing "Mugg" (Warren Hymer) but also, she quickly realises, it might help her against the more hormonal students at the university. Fortunately she hooks up with "Paul" (Bing Crosby) and his pal "Buzz" (Edward J. Nugent) who give her a short back and sides before she becomes a bit of a bass-baritone. The question is: for how long can this not very cunning wheeze keep her safe? Things become a darned sight more awkward when the Hollywood producing dad of "Buzz" sends his minions to recruit her for a film, and then when the fiancée of "Paul" (that's Miss Carlisle) starts to put two and two together and get 22. Trying to keep this all out of the glaring eye of publicity is the dean (Henry Stephenson) who just happens to be the father of "Midge". Still with me? Well once we've established the rather slapstick-light credentials of this comedy, the thing rather stutters along mixing it's genres and showcasing some fairly mediocre writing and flat characterisations as "Curly" et al leap from comedic frying pan to fire just once too predictably often. If there is a star, then it has to be Hopkins as she looks like she is having fun throughout, but sadly it's not really contagious. It is watchable enough, and it doesn't hang about - but it's really only that song that stands out.

I thought this movie was going to be really cute, given the synopsis. Miriam Hopkins is a witness to a murder, so in order to hide herself from the mafia, she dresses in drag at a college fraternity. Looking back, maybe my synopsis-judgment skills weren't working very well.

She Loves Me Not isn't the cutest movie in the world, and it wasn't half as cute as I thought it was going to be. It's always fun to see Miriam Hopkins early in her career, prancing around in her underwear, but most of the plot and gags rely on the audience being too stunned by her near-nudity to pay attention to anything else. For example, she sits Bing Crosby down and gives him a 1934 version of a lap dance, and all he does is scold her and run out of the room. The screenwriters could have given him so many funny jokes during that scene!

Also, Miriam's character is very clearly written to be a nightclub floozie who has no shot at getting the guy. Bing serenades Kitty Carlisle with "Love in Bloom" and never really looks twice at Miriam; therefore, there's no tension in the plot. So, unless you want to see Miriam Hopkins in her underwear, you don't have to watch this one. There are plenty of other movies where you can catch her in her skivvies, or less.