Le Chemin du destin

Road to Ruin, The (1934)

** (out of 4)

A good girl that never even been kissed falls in with the wrong crowd and soon she's staying out past eight, smoking drinking and eventually..........building suspense .....having sex. Soon she starts seeing a local thug who gets her pregnant and then forces her to have an abortion. Will she straighten up in time? **suspense builds even more** Here's another forgotten exploitation film that isn't too bad but even its short 62-minute running time seems a tad bit long. The over-dramatic ending gets a few laughs but for the most part the film plays rather straight, which means we don't get any major laughs like other films from its genre.

This is a sound remake by Mrs Wallace Reid (who appears uncredited near the end in her accustomed role seated at a desk wearing a tie and a concerned expression as the voice of caring, socially responsible authority) of an earlier, apparently much racier, silent film she had made also starring Helen Foster. The 1928 version, according to Variety's reviewer 'Chic' "was crude and hotly sexed", but had now been "denatured and with the action greatly restrained...toned down to the point of mildness. The director apparently worked with one eye on the censors and the other on the box office, with astigmatism resulting."

Considering that the film is called 'The Road to Ruin', the film certainly spends an inordinate amount of its running time on the road - devoting an awful lot of footage, for example, to a wild pre-Code party which ends with the participants joining in a type of strip poker before all ending up in a swimming pool - before at long last arriving rather abruptly at its final tragic destination. There's also the little matter of Miss Foster's age. She still brings a sweet innocence to her role, but in the earlier version she was already 21 years old; and was by now 27, yet still playing a schoolgirl.

As is usual in such films, one wonders why the slimeball who plies Ann with booze and drugs and then pressures her into an abortion didn't just pick on a more robust girl with looser morals in the first place - of whom there seems no shortage in the film - rather than corrupting this delicate young flower. Nell O'Day as Ann's worldly blonde schoolfriend Eve Monroe, for example (resembling a prettier version of the young Bette Davis), despite obviously already having been round the block a few times as a 'sex delinquent' comes out of the film relatively unscathed; thus raising the possibility that if Ann had gone to her for advice about birth control the final tragedy might have been averted. (Eve obviously gets her glamorous, worldly-wise blonde good looks from Mommy, by the way, as played by an unbilled Mae Busch).

Pre-Code exploitation flick about a teenage girl (27 year-old Helen Foster) whose life unravels when she gets involved with the wrong crowd. Booze, drugs, sex, unwanted pregnancy, and abortion are some of the highlights. Provocative for its time no doubt, today it's little more than a curiosity piece worth some giggles. Probably the most titilating scene is a dice game with women stripping to their undies. Maybe of interest to those who want to see what passed for youth culture in the early '30s. Or at least the Hollywood version of it. Remake of an earlier silent that also starred Foster.

... from First Division Pictures, and written, produced and co-directed (with Melville Shyer) by Mrs. Wallace Reid (Dorothy Davenport). High school student Ann (Helen Foster) falls in with a bad crowd that's into drinking, smoking, and dancing poorly. Her new goofball boyfriend Tommy (Glen Boles) likes booze as much as he likes pawing Ann, so she gets bored and starts seeing shady character Ralph (Paul Page), who leads her into even darker depravity, like skinny-dipping in the backyard pool, strip dice games, and more poor dancing. Also featuring Nell O'Day as Ann's best gal pal (they read naughty books together).

Routine fare for this genre, this was a remake of a 1928 silent of the same name. There's a lengthy nightclub scene in the middle of the film featuring 3 bad singing performances (accompanied by the aforementioned bad dancing) that made me wish that this one was silent, too. Of course, the ultimate culprit for Ann's degeneracy is her parents inattention, since they're too busy heading out to the "Cotton Club". This morality lesson/time capsule is good for some unintentional laughs. It rates higher than what I have given it if you judge it on the so bad it is good scale.

The usual definition for this is a film that takes a sensationalistic issue and uses it to gain notoriety and attention, by being scandalous or presenting something not normally seen in conventional films.

This is more a sincere morality tale. The co-director, Dorothy Davenport (credited as Mrs. Wallace Reid) was the widow of an actor who died of drug addiction, and then set out expose the dangers of vice.

That distinction is pretty crucial in understanding why it was made and what its context is.

That said, had this not been made right before the Hays office came in and cracked down, it could not have been made. It covers all sorts of issues that soon after would not have been allowed, irrespective of how much they were condemned.