Men in White

CLARK GABLE is a dedicated doctor conflicted by feelings involving the workplace and romance--almost the forerunner of the character ROBERT MITCHUM would play twenty years later (Luke) in NOT AS A STRANGER. The film deals with medicine much the way Stanley Kramer's film did, but it's based on a stage play and the static quality owes something to that and the lack of background music on the soundtrack.

Of course it's all very dated--a giveaway is interns supposedly making $20 a week!! MYRNA LOY is a selfish, wealthy young woman who wishes Gable would give her his undivided attention instead of dedicating himself to work. Gable has to assert himself at the hospital when an older physician overrules his instructions on insulin and puts a patient into shock. Gable's character here is reminiscent of Lucas Marsh in Morton Thompson's best-seller NOT AS A STRANGER as he pulls the syringe from the doctor's hand and takes charge of the procedure.

There are weak moments of comedy relief, mostly from WALLACE FORD, and a maudlin performance from OTTO KRUGER that is painfully overplayed. The dialog too, tends to be preachy about the medical profession.

Self-doubting and lonely, Gable shares some romantic scenes with pretty nurse ELIZABETH ALLAN who confides in him about her own uneasy feelings as a nurse dealing daily with life and death situations. The love scene is handled with such discretion it's hard to determine the plot developments that come swiftly afterwards, but after Allan's tragic death Gable resumes his romance with Loy, who realizes his work will always come first in his life.

Nothing deep here, just a routine medical drama with all of its stage bound ingredients intact. Music is only used once for a restaurant scene where violins are playing a Viennese waltz, which leaves a lot of the drama feeling flat and one-dimensional.

JEAN HERSHOLT has his usual role of an avuncular medical man under whom Gable intends to study abroad, but the focal point is the Gable/Loy/Allan romantic triangle.

Summing up: From any standpoint, a trifle in Gable's career and notable only in that he plays a more sensitive role than usual.

This movie is best known in film history as the inspiration for the Three Stooges' comedy short "Men in Black", although there is really no comparison between the two. This is a well-paced little hospital drama made right before the production code began to be enforced. Dr. George Forrest (Clark Gable) is an intern at a busy hospital and Laura Hudson (Myrna Loy) is his socialite fiancée. Forrest wants to study under Dr. Hochberg (Jean Hersholt) when his time is up as an intern, but it means only twenty dollars a week and long indefinite hours. Laura wants her fiancée to go into private practice so that they can have a normal life together after their marriage. Laura may be a bit of a spoiled brat, but she knows it, so it makes her more likable. Forrest is torn between wanting to please Laura and wanting the great chance to work with Hochberg. A fight between the couple one night sets up the scene for a scandal that has the opportunity to derail both Forrest's career and personal life. That is pretty much the crux of the movie.

What keeps it interesting is the pacing and the performances. I found it to be the most believable of the Gable/Loy pairings I've seen. Plus, unlike so many MGM dramas of the 30's, there is no unreasonable bad guy in sight - only the fight to advance medicine. Another matter of interest is the art deco interior design of the hospital. For example, there is a staircase in the main lobby of the hospital that is out of this world.

This is one darn good movie. Clark Gable (pre-GWTW) gives a super performance, and Myrna Loy never looked lovelier (and puts in a good performance herself). The story is compelling without being maudlin, and the comic relief doesn't get in the way (as it usually does). Hospital chaos is well depicted, and not everything turns out rosey. We of our era didn't invent "realistic" hospital drama -- we just think we did. Dated? Of course it's dated -- it was made over 60 years ago. However, sixty years from now, they'll be laughing at the stuff we're putting on TV, but they'll still be riveted to "Men in White."

Firstoff, I wonder if these comments will ever be read! I never even heard of it until it was shown on TCM tonight. I almost changed the channel but went ahead an stayed with it because it had this black and white quality like Citizen Kane and the lack of a single note of music made it seem like a stage play. As obscure a movie as this is, it is a very relevant movie because it was probably the first big city hospital drama about the lives of the doctors " Men in White", ever put on celluloid! I kept saying as I watched this black&white masterpiece of film, directing and acting, that this show was just like the modern 2000's TV series ER! Right down to Clark Gables character "Dr. George" who played a character just like George Clooneys! He was a young goodlooking idealistic doctor educated in the new medicine and he was rufffling the feathers of the old school practitioners and thier outdated methods! He was loved by his patients and fellow workers and had an uncommon softness towards his child patients, just like Clooney in ER! Although he wanted a social life, it kept getting in the way of his first love, medicine. It was uncannily like ER! It deserves to be seen by anyone who likes good moviemaking because this flick was ahead

Although this treatment of Sidney Kingsley's first Broadway play tends to be melodramatic in spots, Men In White holds up very well for a work almost 80 years old. Men In White ran during the 1933-34 season on Broadway for 351 performances and made Sidney Kingsley a force to be reckoned with. His next play was Dead End, destined to be another screen classic.

A year later Clark Gable would not have gotten this part. His fellow MGM star Robert Taylor got his first big break playing a doctor in Magnificent Obsession and shortly afterward Taylor could not get out of hospital whites as Louis B. Mayer kept casting him as an idealistic young physician that Gable is in this film.

Gable is considered to have a brilliant future as world respected doctor Jean Hersholt has taken him under his wing. His long hours and low pay at this point is cramping the style of his society girl friend Myrna Loy. When he's forced to stay at the hospital on a case one time too many for her they quarrel and Gable is attracted to Elizabeth Allan a nurse who just worships the ground he walks on. One quick evening and she's pregnant. That leads to tragedy.

Although Gable and Loy are good, this film belongs to Elizabeth Allan who came over from the United Kingdom and would be going back in a few years as well. Her most famous role was as the mother of David Copperfield over at MGM. Although it gets melodramatic at times, I guarantee her predicament and how she handles it will moisten many an eye when you see Men In White.

With her pregnancy out of wedlock as it were the Code now in place gave MGM some strict parameters. Nevertheless this film still is a reminder of what women faced in dealing with back alley abortionists, not a subject often dealt with in films. Sidney Kingsley would return again to it when he wrote The Detective Story.

Jean Hersholt gave film fans a preview of what to expect when he played the brilliant Dr. Hochberg. Later on he would be the movies Dr. Christian and while Christian was a simple country physician and Hochberg one of medicine's elite, Hersholt was simple, unaffected, and dedicated.

Men In White probably could use a remake as the Code is now lifted and certain subjects can be discussed more freely. But it would be hard to get a cast as good, especially Elizabeth Allan.