Le Texan chanceux

John Wayne and Gabby Hayes strike it rich with a gold mine. Inevitably some villains want to take it from them. This is one of the most interesting of the many B westerns Duke made in the '30s. For one thing, there are surprisingly few gunshots fired in this one. Everyone seems to settle their problems by fisticuffs or by chasing one another. There's a lot of chasing in this one. This leads to some good Yakima Canutt stunts, though.

Also, I'm not sure what era this was supposed to take place in. Lone Star wasn't known for caring about historical accuracy in these cheap B westerns. There were usually shots of telephone poles and the like in the background. In this one we not only have the usual background stuff but we have a Keystone Kops-style climax that features Gabby Hayes driving a car after the bad guys! This western, like the other B's made in the '30s, will seem pretty much like kids stuff today. But there is some fun to be had with it.

This film opens with young man Jerry Mason reuniting with Jake Benson, a friend of his late father, who he hasn't seen since he was a child. Jake tells how he is no longer ranching due to rustlers but is thinking of opening a blacksmiths. Soon they are working at it together. When they re-shoe a horse they find a stone in its hoof that contains gold; from what the rider said they establish which creek it was in. They find plenty of gold there and take it to local assay office... not realising the man running it was responsible for stealing his cattle and now plans to take Benson's ranch and gold strike... first he needs to find where the gold is. Around the same time Benson's granddaughter returns to live with him.

Despite a somewhat weak opening and pantomime villain this film turned out really well. The plot is basic but provides an excuse for some good stunts. As well as the expected fisticuffs and horse chases there are some fairly original stunts; the most obvious being as Jerry rides down a fast flowing sluice to catch a bad guy and a final chase that features Jerry on a horse and Jake in a car chasing the villains who are aboard a small, powered railway workers vehicle. Most of these feature regular stuntman Yakima Cannut who as was often the case also plays a henchman. John Wayne is solid as Jerry but it is George 'Gabby' Hayes who steals the show as Jake; especially in an hilarious courtroom scene where he turns up in drag! Barbara Sheldon okay as Betty Benson but isn't really used enough to justify her second billing. Overall I'd say this is well worth watching if you are a fan of early westerns.

Unlike with most major film stars, John Wayne spent such a long apprenticeship in B westerns that you can't really put his pre-Stagecoach work with Stagecoach and beyond. It's like two different players altogether.

Bearing in mind that you can't apply the same standards of Lucky Texan with that of The Searchers, Lucky Texan was good Saturday afternoon matinée fair for the kiddies of 1934.

John Wayne and Gabby Hayes are partners in a blacksmith shop and they discover gold. Panning for it turns out to be quite profitable and they follow the advice of Walter Huston in Treasure of the Sierra Madre about not filing any claims. At least not too soon.

But the bad guys want to get their hands on the gold source and they dry gulch Gabby and they think they've killed him.

Unbeknownst to them, Gabby back in the day was an actor and did a turn in Charley's Aunt. Wayne and Gabby devise a plan to expose the villains and save the day.

Bear in mind that it was the lead in Charley's Aunt that Gabby played and you'll understand what Gabby does.

That bit put Lucky Texan a cut above the usual stuff John Wayne was doing before Stagecoach. It's still pretty amusing.

Looks like our friends at Lone Star put this one together on the fly. It's like they've got two plots going at the same time, and then decide to drop the one with bank robber Al (Eddie Parker) in favor of the other with Jake (Hayes) and his daughter (Sheldon). Nonetheless, there are some entertaining touches. The street fight with Wayne and Parker is especially energetic, two young guys in tip-top shape and well matched. I guess producers decided we Front Row kids had seen enough hard riding, so instead there's that nifty 3-way chase pitting horse against flivver against rail-car. The latter two are faster, but then the horse can go anywhere and we know who's got the horse. And is that Hayes actually duking it out with the bad guy. We only see the back of his head, at a time when the one-and-only Hayes was already pushing 50. Then there's that headlong slide down the sluice chute that looks like an Old West version of an E-ride at Disneyland. And what kid wouldn't have given his proverbial i- teeth to have been along on that one.

One reason I still like these Lone Star oaters is because of the young Wayne. Note how loose and relaxed he is; he's having fun out there in LA's outskirts with all his buddies in the crew and cast. He's just perfect for these matinée specials. But pity poor Barbara Sheldon as Betty. Director Bradbury has his hands full with the guys and the script, so here she is floundering around, doing her best, but looking like a confused puppy. Sadly, it appears she quit the business following this movie's wrap-up. No, this is not top-rank Lone Star, but then it's not every entry where we get to see knobby-knee Hayes in drag and his underwear. So there are compensations.

In passing—note how the assayer in his office quotes Hayes a price of $16 an ounce for gold. That was the price in 1933, and the trouble is it stayed at that price for the next 40 or so years because of gov't fiat. At the same time, the costs of mining gold were rising yearly. So the industry went into eclipse and that's why the metal that had so much to do with opening the West fell off the public's radar screen for so many years following WWII. Ironic.

Gabby Hayes irascible sidekick performance and Yakima Canutt's excellent stunt work make this one quite watchable. Gabby is delightful, especially when he puts on a dress to testify at his own trial. The horse transfer stunt that doesn't work is really special. Yakima (doubling for Wayne) jumps on a fleeing horse from his own galloping horse, he misses and ends up rolling down a hill. One gasps and hopes he wasn't hurt.

With likable characters and a plot that keeps moving, this one is quite professional and on a par with a good Lone Ranger episode two decades later.