Ajouter une intrigue dans votre langueTwo out-of-work magicians help lovelorn Jerry adopt little Spanky. When Jerry makes up and elopes, the duo are stuck with the brat. Then Spanky inherits a fortune, so they all head to Kentuc... Tout lireTwo out-of-work magicians help lovelorn Jerry adopt little Spanky. When Jerry makes up and elopes, the duo are stuck with the brat. Then Spanky inherits a fortune, so they all head to Kentucky and get caught between two feuding clans.Two out-of-work magicians help lovelorn Jerry adopt little Spanky. When Jerry makes up and elopes, the duo are stuck with the brat. Then Spanky inherits a fortune, so they all head to Kentucky and get caught between two feuding clans.
- Réalisation
- Scénario
- Casting principal
George 'Spanky' McFarland
- Spanky Milford
- (as 'Spanky' McFarland)
Lucille La Verne
- Aunt Hannah Milfor
- (as Lucille LaVerne)
Willie Best
- Buckshot
- (as Sleep 'n' Eat)
Harry Bernard
- Destitute Man
- (non crédité)
Edgar Dearing
- Policeman
- (non crédité)
Jack A. Goodrich
- Double
- (non crédité)
William Gould
- One of the Milfords
- (non crédité)
Dorothy Granger
- Ethel - Baxter's Secretary
- (non crédité)
Avis à la une
Any enjoyment you get from KENTUCKY KERNELS will depend on whether or not you can view the film in the context of its time and accept all of the foolishness with that in mind. Otherwise, it's not a particularly rewarding way to view Wheeler and Woolsey. Surely, their reputation was based on better material than this.
The thin plot has the boys adopting SPANKY McFARLAND from an orphanage run by MARGARET DUMONT. He's a cute little bundle but has a penchant for breaking glass at every opportunity--and the script gives him plenty of excuses. Unfortunately, most of the gags are the kind of one-liners that must have killed vaudeville, delivered in brisk style but corny nevertheless.
LUCILLE LaVERNE shows up as an old dowager (she was the voice for The Wicked Queen in Disney's "Snow White"), and MARY CARLISLE is the love interest for one of the boys. The politically correct will be insulted by the WILLIE BEST racial humor in scenes where the boys go south.
Strictly a product of its time, ending in a skirmish between a Hatfield and McCoy type of family feud.
The thin plot has the boys adopting SPANKY McFARLAND from an orphanage run by MARGARET DUMONT. He's a cute little bundle but has a penchant for breaking glass at every opportunity--and the script gives him plenty of excuses. Unfortunately, most of the gags are the kind of one-liners that must have killed vaudeville, delivered in brisk style but corny nevertheless.
LUCILLE LaVERNE shows up as an old dowager (she was the voice for The Wicked Queen in Disney's "Snow White"), and MARY CARLISLE is the love interest for one of the boys. The politically correct will be insulted by the WILLIE BEST racial humor in scenes where the boys go south.
Strictly a product of its time, ending in a skirmish between a Hatfield and McCoy type of family feud.
Kentucky Kernels is another Wheeler/Woolsey comedy, where they decide to adopt Spanky (the same Spanky McFarland from the "Our Gang" show.) They go down south to visit the Colonel (Noah Beery) and Aunt Hannah ( Lucille LaVerne ) and meet up with the lovely Gloria Wakefield (Mary Carlisle) and the feuding Milfords. The plot is kind of all over the place, but we do get a good dose of Wheeler and Woolsey's standup comedy act along the way. Cast includes Willie Best ( Sleep N Eat ) as Buckshot; Director George Stevens sure did some of the great ones (A Place in the Sun, Diary of Anne Frank, Gunga Din). Some other interesting film connections - Viewers will spot Margaret Dumont (as Mrs. Baxter, head of the Children Welfare League), who made all those movies with the Marx Brothers. Writers Kalmar and Ruby had also written material for the Marx Brothers. Also, Mary Carlisle and Noah Beery's brother Wallace were both in Grand Hotel in 1932. Fun comedy, but pretty wacky and zany. Made at the beginning cusp of the production code in 1934, there are quite a few scenes and jokes that show two men are living together, sleeping in the same bed, keeping house, and adopting a child... pretty far ahead of its time!
Always enjoy Wheeler & Woolsey, even if their movie output is uneven; some are very funny, some are not so. I thought this one was pretty funny and that it succeeds due to the professional direction of George Stevens.
It is old-fashioned in that much of the humor consists of what must be old corny vaudeville jokes, sight gags and outrageous puns, all of which might not go over with today's audiences. Speaking for myself I can appreciate such antiquated antics, and I can also put into context outdated racial humor, such as found here in Willie Best's character. He plays his usual slow-talking, pop-eyed servant ("feets, do yo' duty!") by which he became famous.
Spanky McFarland was always a cute little kid and doesn't disappoint here. And this maybe the only time Noah Beery,Sr. sings on screen, and takes a turn along with everybody else singing a Kalmar-Ruby song "One Little Kiss", a very tuneful number written for this picture. Some reviewers take issue with the inane plot, about two feuding Kentucky families, but c'mon, folks. It's just a Wheeler & Woolsey comedy; were you expecting Ingmar Bergman?
It is old-fashioned in that much of the humor consists of what must be old corny vaudeville jokes, sight gags and outrageous puns, all of which might not go over with today's audiences. Speaking for myself I can appreciate such antiquated antics, and I can also put into context outdated racial humor, such as found here in Willie Best's character. He plays his usual slow-talking, pop-eyed servant ("feets, do yo' duty!") by which he became famous.
Spanky McFarland was always a cute little kid and doesn't disappoint here. And this maybe the only time Noah Beery,Sr. sings on screen, and takes a turn along with everybody else singing a Kalmar-Ruby song "One Little Kiss", a very tuneful number written for this picture. Some reviewers take issue with the inane plot, about two feuding Kentucky families, but c'mon, folks. It's just a Wheeler & Woolsey comedy; were you expecting Ingmar Bergman?
Bert Wheeler and Robert Woolsey get themselves stuck with little Spanky McFarland. They're a couple of itinerant magicians and the last thing they need is a kid. But this might be a pot of gold because Spanky just could be the heir of the Milford estate in Kentucky.
But what the boys don't know is that in passing themselves off as Milfords as well, they're inheriting an old mountain feud with another clan called the Wakefields. Made even worse by the fact that poor Bert has fallen for Mary Carlisle the daughter of Wakefield family patriarch Noah Beery, Sr.
The boys are pretty resourceful though and the last twenty minutes or so with them, Willie Best and Spanky holding off a horde of Wakefields is pretty funny. Sad to say though that Willie Best's portrayal of Buckshot probably keeps Kentucky Kernels from having been shown too much on television for years.
Although Kentucky Kernels is funny, I'd see Abbott&Costello's Comin' Round the Mountain. A similar story without the racism.
But what the boys don't know is that in passing themselves off as Milfords as well, they're inheriting an old mountain feud with another clan called the Wakefields. Made even worse by the fact that poor Bert has fallen for Mary Carlisle the daughter of Wakefield family patriarch Noah Beery, Sr.
The boys are pretty resourceful though and the last twenty minutes or so with them, Willie Best and Spanky holding off a horde of Wakefields is pretty funny. Sad to say though that Willie Best's portrayal of Buckshot probably keeps Kentucky Kernels from having been shown too much on television for years.
Although Kentucky Kernels is funny, I'd see Abbott&Costello's Comin' Round the Mountain. A similar story without the racism.
Willie Doyle (Bert Wheeler) and Elmer Dugan (Robert Woolsey) are out-of-work magicians. They are The Great Elmer and Company. They help Jerry Bronson adopt Spanky Milford, but Jerry elopes with his girlfriend leaving Spanky behind with the two magicians. Then they are told that Spanky has inherited a large estate. The trio head out to Banesville, Kentucky. At the train station, Willie and fellow passenger Gloria Wakefield (Mary Carlisle) fall for each other. Unbeknownst to the guys, the Milfords and Wakefields are embroiled in a generational blood feud.
Initially, I am amused by Wheeler and Woolsey and the kid. The kid is a bit too bratty and not quite cute enough. The glass breaking is a funny gag at first, but it gets more annoying over time. The guys never really get beyond mildly amusing. I don't hate these guys, but I'm not really laughing either.
Initially, I am amused by Wheeler and Woolsey and the kid. The kid is a bit too bratty and not quite cute enough. The glass breaking is a funny gag at first, but it gets more annoying over time. The guys never really get beyond mildly amusing. I don't hate these guys, but I'm not really laughing either.
Le saviez-vous
- Anecdotes"RKO" borrowed George 'Spanky' McFarland from "Hal Roach Studios" for this film.
- ConnexionsFeatured in Hollywood the Golden Years: The RKO Story: Birth of a Titan (1987)
- Bandes originalesOne Little Kiss
(1934) (uncredited)
Written by Bert Kalmar, Harry Ruby
Performed by Bert Wheeler, Noah Beery, George 'Spanky' McFarland,
Robert Woolsey, Mary Carlisle and negro servants
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Kentucky Corn
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 15min(75 min)
- Couleur
- Rapport de forme
- 1.37 : 1
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