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7,1/10
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Ajouter une intrigue dans votre langueTwo killers stop at Olga's gas station alongside a California highway.Two killers stop at Olga's gas station alongside a California highway.Two killers stop at Olga's gas station alongside a California highway.
- Réalisation
- Scénario
- Casting principal
Jill Dennett
- Girl with Black Bangs
- (non crédité)
Sam Hayes
- Radio Announcer
- (voix)
- (non crédité)
Chris-Pin Martin
- Mexican Husband with Family
- (non crédité)
Margareta Montez
- Mexican Wife
- (non crédité)
Avis à la une
I was very fortunate to DVR a pristine copy of this many years ago on TCM and I have watched it probably 30 times since.
My dad made several auto trips across the US in the twenties and earlier. Though this was 1934, it provides me with a visual perspective on some of what he may have encountered before there was a national system of highways, or many paved roads for that matter.
My enjoyment of this film comes mostly from the glimpses into early motoring. As a kid in the early fifties I made many a trip from California to Iowa with my folks on route 66. Motoring was not all that sophisticated even in the early fifties and that plays into it as well.
This review/comment is not so much about the finer points of the movie as it is a statement on how enjoyable it is for me because of the time in which it was made.
The fact that there is a great little drama playing out and lots of ventures into quirky personalities and side plots, is just icing on the cake.
My dad made several auto trips across the US in the twenties and earlier. Though this was 1934, it provides me with a visual perspective on some of what he may have encountered before there was a national system of highways, or many paved roads for that matter.
My enjoyment of this film comes mostly from the glimpses into early motoring. As a kid in the early fifties I made many a trip from California to Iowa with my folks on route 66. Motoring was not all that sophisticated even in the early fifties and that plays into it as well.
This review/comment is not so much about the finer points of the movie as it is a statement on how enjoyable it is for me because of the time in which it was made.
The fact that there is a great little drama playing out and lots of ventures into quirky personalities and side plots, is just icing on the cake.
This predecessor of The Petrified Forest (criminals on the lam change the lives of assorted characters at an isolated lunchroom) shows its origin as a Broadway play, but it's faster moving, less pretentious, and a lot less talky than the better known movie. The large cast is wonderful, especially the great Aline MacMahon; their characters well defined; and the direction and cinematography are crisp and professional. It's well worth the hour it takes to watch it.
In the Mohave Desert, Olga and her younger sister Myra run a gas station with diner in the middle of nowhere. Olga is perfectly happy with the isolation but Myra would like to go someplace, any place. The remote outpost gets a surprising number of visitors over a day's time including two bank robbers. One of them is Olga's former boyfriend Jerry and she knows he's up to no good. Then two rich dames stop by when their driver schemes for a rest.
I like the chaos of people keep showing up at this little place. I would like the filming to take place in the openness of the desert. It could have been epic in cinematography. I would also like for a more epic shootout. The story builds up so much possibility. It's almost anti-climatic but there is a bit of poetry in its execution. I really like the width of characters in this movie, even with some of side characters. From the first bickering couple to the two female hitchhikers, this movie is filled with great characters. I would love to see this remade with more noir touches.
I like the chaos of people keep showing up at this little place. I would like the filming to take place in the openness of the desert. It could have been epic in cinematography. I would also like for a more epic shootout. The story builds up so much possibility. It's almost anti-climatic but there is a bit of poetry in its execution. I really like the width of characters in this movie, even with some of side characters. From the first bickering couple to the two female hitchhikers, this movie is filled with great characters. I would love to see this remade with more noir touches.
Nice, noir-ish 1934 quickie, with a highly likeable Lyle Talbot in the lineup, no less. The switch from location shooting to stage settings is a bit jarring, but no less so than most TV shows of the 1960s and 1970s, which went from on-site filming to a fake backdrop, sometimes within the same scene (from Gunsmoke to Mannix to the Wild, Wild West). And the sets, while not convincing, are quite artistically conceived, with a memorable heat lightning effect. The swift pacing is rather remarkable for the era, and Aline MacMahon gives a mesmerizing performance, though her character seems to shift from weak to iron-willed a little too casually. But that's where the swift pacing makes any doubtful character motivation irrelevant--the viewer is too caught up in the fascinating, nonstop story (laced with comedy bits which have held up amazingly well). Lyle Talbot makes a superb wimpy sidekick, though a couple of times he seemed to be on the verge of laughter. A gem!
After reading several reviews that enjoyed the film, I almost did not write a comment.
However, after reading the one comparing it to a poor man's Petrified Forest, I wanted to say that's just plain unfair.
I, was not around for the New York Times drab review in 1934, like the previous reviewer, but I can form my own opinion. I really liked the movie. Aline McMahon, pulled off the difficult character of playing a woman mechanic/business owner, and Preston Foster played the crook on the lam quite believable for the situation he was in.
I personally wish Ann Dvorak had more of a developed part, I always like her, but sadly hers was the least developed of the several interesting characters in the film. Obviously made on a small budget, it's just unfair to compare this to Petrified Forest. They are not the same film at all.
However, after reading the one comparing it to a poor man's Petrified Forest, I wanted to say that's just plain unfair.
I, was not around for the New York Times drab review in 1934, like the previous reviewer, but I can form my own opinion. I really liked the movie. Aline McMahon, pulled off the difficult character of playing a woman mechanic/business owner, and Preston Foster played the crook on the lam quite believable for the situation he was in.
I personally wish Ann Dvorak had more of a developed part, I always like her, but sadly hers was the least developed of the several interesting characters in the film. Obviously made on a small budget, it's just unfair to compare this to Petrified Forest. They are not the same film at all.
Le saviez-vous
- AnecdotesCondemned by the Catholic Legion of Decency just before it changed its name to the National Legion of Decency in April, 1934. It was added to their first list of banned films, published in the May 14, 1934 edition of Motion Picture Daily. They particularly objected to the scene in which "George" leaves "Olga's" room in the morning and buttons his coat. The Office also objected to a line of dialogue delivered by one of the showgirls to her gold-digging companion, "Say, it's your turn to sit up front with that old thigh-pincher."
- GaffesFrank, the chauffeur, carries a tub of water for one of the rich lady's baths as if it weren't heavy.
- ConnexionsReferenced in Film is Dead. Long Live Film! (2024)
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Détails
- Durée
- 1h 3min(63 min)
- Couleur
- Mixage
- Rapport de forme
- 1.37 : 1
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