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Stanwyck shines with her usual talent and beauty as she brightens up another slightly disappointing story. This time she's a trained gambler playing high-stakes poker for the mob. They trick her into cheating and when naive bachelor McCrea leads the cops to her, she's busted. This leads to a set of confusing circumstances, but eventually their marriage, which Stanwyck is willing to sacrifice to free her friend O'Brien.

Doesn't make much sense? Neither does this movie, but it's pretty OK fun and a suitable vehicle for all three stars.

So I'm actually averaging a 5/10 story with 9/10 performances to give this one a 7. Barbara Stanwyck (Lady Lee) is well cast as the daughter of an honest gambler who has been raised to be an honest gambler. When her dad, Mike Lee (Paul Barrat) is being pressured by the syndicate to join their dishonest rackets, he kills himself rather than give in.

So Lady Lee is on her own, using what her dad taught her and the motto of "honesty,always" in gambling to make money for herself and her backers. She cleans up in every game using honest methods. Along the way she meets a rich young man, Garry Madison (Joel McCrea) who falls for her and wants to marry her. So far this is the stuff of any mundane 30's programmer.

What makes it unique are the performances. This film is still technically a precode, released just a few months before the code, and I had to look it up to see. It rides both sides of the fence. It makes gambling look like an honorable pursuit, as long as you are honest about it. Heck, by the end of the film you even don't look badly at the criminal gambling syndicate that drove Mike Lee to suicide and likely killed one other person besides that. The person you want to hiss at is Claire Dodd as one of Gary's rich ex girlfriends. She really makes some underhanded moves.

An oddball performance comes from C. Aubrey Smith as Garry Madison's dad, Peter. He gambles, he knew Lee's dad, and he likes Lee, yet he is willing to pay her off to not marry Garry. He has the audacity to want to cut cards over whether they marry or not, AND ask Lady "isn't that how Mike would have handled it"? OK, you rub the suicide of a girl's father in her face AND you think that your son would be better off in the clutches of some underhanded hussy like Clair Dodd's character? Color me bewildered by Garry's dad. It's just weird to see such unlikable words and attitudes coming from a character who is largely playing someone cuddly and paternal.

I'd give this film a shot. At 66 minutes it moves at a very brisk pace with good performances by everybody involved. Just be prepared to scratch your head a great deal and ask "Why did THAT person just do THAT???".

Stanwyck plays an honest gambler and she steals the movie. After she ("Lady" Lee) realizes she can't rely on her gambling father, she meets wealthy Joel McCrea, who is, well, young and smitten. Find acting by all, including Pat O'Brien as Stanwyck's buddy and Sir C. Aubrey Smith as a father figure.

I just saw this movie shortly after seeing "But the Flesh Is Weak" on Turner Classic Movies. Sir C. Aubrey Smith is also in that movie, in which he plays the gambling father of young Robert Montgomery, who is smitten by wealthy Nora Gregor and is buddies with wealthy Heather Thatcher. Both movies have a similar parent-child duo wanting to strike it rich, and the start of each movie is similar. But from there on, they are two very different movies, "Gambling Lady" being a more thoughtful, dramatic film, and "But the Flesh Is Weak" being a romantic romp.

Barbara Stanwyck, Joel McCrea, Pat O'Brien, and C. Aubrey Smith star in "Gambling Lady," a 1934 film directed by Archie Mayo.

Stanwyck plays "Lady" Lee, the daughter of Mike Lee, who runs the only honest gambling joint in town. The rest are owned by a syndicate.

After Mike kills himself, Lady Lee gets a job with the syndicate, but she will only play honestly. She turns out to be quite the card shark.

Lady attracts a wealthy man, Garry Madison (McCrea) and the two marry. But jealousy enters the picture when Sheila Aiken (Claire Dodd) shows up and tries to get Garry away from Lady.

Nice film, on the short side, with good performances from Stanwyck, McCrea, O'Brien as Lady's friend, and C. Aubrey Smith as Garry's father.

Stanwyck is very young here, with the edge and toughness that will make her one of the great stars. McCrea is as handsome and likable as ever.

Recommended for the performances.

A high-minded GAMBLING LADY runs into trouble when she becomes connected with a society family.

Breezy & entertaining, this was the sort of film which Warner Brothers created with such ease. Blessed with good acting & fine production values, these pictures were generally guaranteed to be crowd pleasers.

As always, Barbara Stanwyck is utterly fascinating to watch. Not only talented & lovely, Stanwyck's great forte was her utter believability in any role she undertook. Here, she looks perfectly natural with a deck of cards in her hand, playing & dealing. Her authenticity is matched by the passion which she displayed with every performance.

Her leading men are two of the best: rich boy Joel McCrea & genial crook Pat O'Brien - both do well by their roles. Given equal billing, the viewer is left guessing for quite a while which one will finish the film in Stanwyck's arms.

Excellent support is given by marvelous old Sir C. Aubrey Smith as a kindly gentleman who befriends Stanwyck, Arthur Vinton as the head of a notorious Gambling Syndicate & eccentric little Ferdinand Gottschalk as Sir Aubrey's lawyer.

Movie mavens will recognize Willie Fung as a member of the Syndicate, and Arthur Treacher & Louise Beavers as Sir Aubrey's butler & cook - all uncredited.