NOTE IMDb
6,4/10
1,7 k
MA NOTE
Ajouter une intrigue dans votre langueWhen Mary's fiance elopes with another woman, her friend Jeff seizes his chance with the jilted bride. Her ex returns, forcing a choice between the men.When Mary's fiance elopes with another woman, her friend Jeff seizes his chance with the jilted bride. Her ex returns, forcing a choice between the men.When Mary's fiance elopes with another woman, her friend Jeff seizes his chance with the jilted bride. Her ex returns, forcing a choice between the men.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Ernie Alexander
- Telegram Messenger
- (non crédité)
Sidney Bracey
- Paula's Chauffeur
- (non crédité)
Oliver Cross
- Party Guest
- (non crédité)
Jan Duggan
- Mrs. Cobal - Customer
- (non crédité)
Jay Eaton
- Party Guest
- (non crédité)
Avis à la une
A better than average comedy that certainly entertains. Plot is believable and somewhat unusual. Clark Gable returns from Madrid (we are not told what he was doing there nor really what anyone does for a living) in order to propose to Joan Crawford. Clark has secretly loved Joan since they were children but in his absence, Joan has agreed to marry Robert Montgomery who she has loved since they were children. Enter the old flame, Frances Drake, who whisks Montgomery away on the eve of his nuptial leaving Crawford standing at the alter. The marriage does not work and soon Crawford steps out with Montgomery on the side. Gable criticizes and consoles Crawford eventually making plans to return to Spain. Good performances by Crawford (opening shot with cream on her face is in contrast to other stars who preferred glamorous introductions), Montgomery (he really is funny), Gable, Billie Burke (who can do "flustered" any better), Rosalind Russell (does well in one of her early films) and a very droll Charles Butterworth. I never thought Frances Drake was believable as the lower class wife but this can easily be overlooked. Recommended as an evenings good entertainment.
Although the plot didn't sound that special, with it being quite old hat and predictable, there were a couple of interest points. Namely the cast, being somebody who has liked very much a lot of the work of Joan Crawford and Clark Gable individually and Robert Montgomery is good when in the right role. Not to mention Charles Butterworth, Rosalind Russell and Billie Burke. WS Van Dyke was a very talented director who was hardly out of his depth in this sort of film and golden age comedy with touches of romance are my kind of film.
'Forsaking All Others' is not one of the best of the genre. Have also seen everybody in the cast give better performances than here, though they do come off very well still and are the main reason for seeing the film. 'Forsaking All Others' is one of those films that starts off very well but runs out of steam in the latter stages in material and momentum. It is certainly not a bad film, let alone terrible, but considering the talent it had potential to be much better.
Beginning with the good, it looks good with some lovely shots and Crawford's typically knockout wardrobe. Van Dyke's direction is slick and accomplished for the first half. Really liked the song choices for the soundtrack, some real classics here and all used appropriately and it was surprising to hear a few of the songs sung by the cast a capella. The script is very witty and sophisticated in the first half and is also very funny.
The first half also moves at a lively pace and has fun and charm. Crawford clearly enjoys herself while not playing her role too heavily, which she did do in some of her comedies, and has nice comic timing. Gable despite being underused later is charming and dashing, didn't like how his character was written in the second half but Gable really makes the most of what he is given. Montgomery also has great comic timing and is suitably caddish, though again his character didn't appeal to me. Butterworth and Russell are very amusing.
However, 'Forsaking All Others' could have been better. The second half for me was not near as good as the first, it drags in pace, any turns are predictable and the material becomes tired and contrived. It actually felt like a different film. The ending comes over as hokey and would have made more sense and rang true if Gable's character was written better in the second half and didn't make such an unwarranted and out of the blue decision.
The character does come over as simpering and too easily fooled and Montgomery's character's negative character traits are also overblown to the extent that his appeal gets lost on the viewer. Van Dyke's direction also isn't as focused and it was like he lost control or gave up. Burke has too little to do to shine.
In conclusion, uneven but just about above average. 6/10.
'Forsaking All Others' is not one of the best of the genre. Have also seen everybody in the cast give better performances than here, though they do come off very well still and are the main reason for seeing the film. 'Forsaking All Others' is one of those films that starts off very well but runs out of steam in the latter stages in material and momentum. It is certainly not a bad film, let alone terrible, but considering the talent it had potential to be much better.
Beginning with the good, it looks good with some lovely shots and Crawford's typically knockout wardrobe. Van Dyke's direction is slick and accomplished for the first half. Really liked the song choices for the soundtrack, some real classics here and all used appropriately and it was surprising to hear a few of the songs sung by the cast a capella. The script is very witty and sophisticated in the first half and is also very funny.
The first half also moves at a lively pace and has fun and charm. Crawford clearly enjoys herself while not playing her role too heavily, which she did do in some of her comedies, and has nice comic timing. Gable despite being underused later is charming and dashing, didn't like how his character was written in the second half but Gable really makes the most of what he is given. Montgomery also has great comic timing and is suitably caddish, though again his character didn't appeal to me. Butterworth and Russell are very amusing.
However, 'Forsaking All Others' could have been better. The second half for me was not near as good as the first, it drags in pace, any turns are predictable and the material becomes tired and contrived. It actually felt like a different film. The ending comes over as hokey and would have made more sense and rang true if Gable's character was written better in the second half and didn't make such an unwarranted and out of the blue decision.
The character does come over as simpering and too easily fooled and Montgomery's character's negative character traits are also overblown to the extent that his appeal gets lost on the viewer. Van Dyke's direction also isn't as focused and it was like he lost control or gave up. Burke has too little to do to shine.
In conclusion, uneven but just about above average. 6/10.
This is one of more than a dozen 1930's films which were blockbusters for Crawford. She is nothing less than hilarious in this film and it paved the way for I Live My Life and Susan and God. She and Gable had major chemistry, although her acting skills made his look inferior, which of course they were. Rosalind Russell and Crawford work very well together.
An ideal vehicle for Joan Crawford, and a role to which she applies herself consummately! The chemistry between Ms. Crawford and Clark Gable is palpable and registers like a blister. The ever-clever and witty Robert Montgomery is in fine form as the character of "Dill", and an apt foil for the combine of Ms. Crawford and Mr. Gable. I particularly enjoyed Frances Drake's portrayal of Connie, as her elegant piquancy in this characterization is right on the nose.
A witty film that benefits mostly from the pairing of Clark Gable and Joan Crawford. After a brisk and entertaining first half, things start to drag a bit when Gable is absent from the screen for a protracted period. Nevertheless, its well worth seeing.
Le saviez-vous
- AnecdotesThe screenplay was written for Loretta Young, George Brent, and Joel McCrea but later was given to Clark Gable, Joan Crawford, and Robert Montgomery.
- GaffesWhen Dill and Mary are driving in the Rolls Royce, the camera pans up from the grill, and the "Spirit of Ecstasy" hood ornament is not there. However, moments later when the camera view changes to the car interior, the ornament can be seen through the windshield.
- Citations
Mary Clay: Jeff, has it ever occurred to you that this is none of your business?
Jeffrey 'Jeff': It's none of my business when I see a dog being whipped, but I'll stop it every time.
- Crédits fousIn the opening credits the three stars of the film, Joan Crawford, Clark Gable, and Robert Montgomery are seen walking hand in hand.
- Versions alternativesThere is an Italian edition of this film on DVD, distributed by DNA Srl: "LA DONNA È MOBILE - Widescreen Edition" (in double version 1.33:1 and 1.78:1), re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
- ConnexionsFeatured in Thou Shalt Not: Sex, Sin and Censorship in Pre-Code Hollywood (2008)
- Bandes originalesForsaking All Others
(1934) (uncredited)
Music by Walter Donaldson
Lyrics by Gus Kahn
Written for the movie and possibly played as background music
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- How long is Forsaking All Others?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Forsaking All Others
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 420 069 $US (estimé)
- Durée
- 1h 23min(83 min)
- Couleur
- Rapport de forme
- 1.37 : 1
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