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Ajouter une intrigue dans votre langueThe Grim Reaper takes the form of a Prince in an attempt to relate to humans and, along the way, also learns what it is to love.The Grim Reaper takes the form of a Prince in an attempt to relate to humans and, along the way, also learns what it is to love.The Grim Reaper takes the form of a Prince in an attempt to relate to humans and, along the way, also learns what it is to love.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires et 1 nomination au total
Guy Standing
- Duke Lambert
- (as Sir Guy Standing)
G.P. Huntley
- Eric
- (as G. P. Huntley Jr.)
Otto Hoffman
- Fedele
- (as Otto Hoffmann)
Anna De Linsky
- Cora
- (non crédité)
Moroni Olsen
- Religious Dignitary
- (non crédité)
Hector V. Sarno
- Pietro
- (non crédité)
Phillips Smalley
- Casino Manager
- (non crédité)
Frank Yaconelli
- Flower Vendor
- (non crédité)
Avis à la une
This film has been remade several times but the original is the one to see. Frederic March is outstanding as Prince Sirki (Death) and is at the height of his matinee idol looks. Evelyn Venable is innocent and vulnerable as Grazia who loves Death in both of his forms. There is a bit of "humor" in the film that seems out of place. The acting is surprisingly good for an early film and the supporting players are solid. My favorite scene is when Death takes Grazia into the gazebo at the end of the film and places his cape around her. It is very romantic and is not the usual "cop out" that you might expect. This is an unusual film that is highly recommended.
I have watched this movie many times over the years and I continue to love it, even more than the remake `Meet Joe Black' with Brad Pitt and Anthony Hopkins (On it's own a great movie with wonderful actors).
However, In this original movie, `Death Takes A Holiday' the title role is played by the incredibly talented Fredric March, as he portrays an intensely charismatic Death/Prince Sirki. Here you will find an innocent, charming stranger who is learning from his host and the guests surrounding him yet is also imparting his own knowledge and wisdom.
The path Death has taken is a journey in which all of us partake. What makes us human? What brings us joy and happiness in this lifetime? All that Death has ever seen of our world is fear as he greets those who enter his world. So, he enters our world to see and feel what more there is to our existence. In fact, we could learn a great deal from the character Death, for he reminds us of that which we take for granted in this life, and is denied to him as Death.
`Death Takes A Holiday' may seem dark and forbidding but it is filled with hope that is encouraging; and love which should follow us past this life and into the next.
However, In this original movie, `Death Takes A Holiday' the title role is played by the incredibly talented Fredric March, as he portrays an intensely charismatic Death/Prince Sirki. Here you will find an innocent, charming stranger who is learning from his host and the guests surrounding him yet is also imparting his own knowledge and wisdom.
The path Death has taken is a journey in which all of us partake. What makes us human? What brings us joy and happiness in this lifetime? All that Death has ever seen of our world is fear as he greets those who enter his world. So, he enters our world to see and feel what more there is to our existence. In fact, we could learn a great deal from the character Death, for he reminds us of that which we take for granted in this life, and is denied to him as Death.
`Death Takes A Holiday' may seem dark and forbidding but it is filled with hope that is encouraging; and love which should follow us past this life and into the next.
First of all, the director of this film, Mitchell Leisen is one of the most underrated talents of 30's and 40's. He's acquired something of a bad reputation because of pretty vicious remarks made about him by Preston Sturges and Billy Wilder when talking about the films he directed from their scripts in the days before they were allowed to direct their *own* scripts. However, he doesn't deserve the derision. He's made some fluff films, for sure, but he's a consistently entertaining filmmaker who, more often than not, really delivers.
Anyway, Death Takes a Holiday is sort of his "art film" and it has a lot of great things in it. Fredric March's performance as Death is wonderful, the atmosphere is thick, the humor works, the scene setting is smart and romantic, and the opening titles are fun and weird, immediately presenting the film as something that's going to be a little unusual.
The problem with the film lies in Fredric March's romance with Evelyn Venable. The idea of Death falling in love with a human is great, but it's just not convincing here, mostly due to Venabale turning in a wooden performance that almost suggests she might be hypnotized. Also, the dialogue between them, particularly in the closing scene, is melodramatic and pseudo poetic beyond belief. You almost want to laugh at it.
It's a shame this most important aspect of the movie was handled so badly because just about everything else in film is great, particularly the interaction between Fredric March and just about everyone else in film who isn't Evelyn Venable. All of the good stuff just bursts with intruiging ideas.
And for that I would recommend the film to all potential viewers. The film is not without it's problems, but the good stuff is just good enough for me to say that the proverbial glass is definitely half full.
Anyway, Death Takes a Holiday is sort of his "art film" and it has a lot of great things in it. Fredric March's performance as Death is wonderful, the atmosphere is thick, the humor works, the scene setting is smart and romantic, and the opening titles are fun and weird, immediately presenting the film as something that's going to be a little unusual.
The problem with the film lies in Fredric March's romance with Evelyn Venable. The idea of Death falling in love with a human is great, but it's just not convincing here, mostly due to Venabale turning in a wooden performance that almost suggests she might be hypnotized. Also, the dialogue between them, particularly in the closing scene, is melodramatic and pseudo poetic beyond belief. You almost want to laugh at it.
It's a shame this most important aspect of the movie was handled so badly because just about everything else in film is great, particularly the interaction between Fredric March and just about everyone else in film who isn't Evelyn Venable. All of the good stuff just bursts with intruiging ideas.
And for that I would recommend the film to all potential viewers. The film is not without it's problems, but the good stuff is just good enough for me to say that the proverbial glass is definitely half full.
Based on an Italian play that performed on Broadway in 1929, the 1934 DEATH TAKES A HOLIDAY would be the inspiration for the 1998 Brad Pitt film MEET JOE BLACK--but whereas MEET JOE BLACK proved a highly literal interpretation of the theme, DEATH TAKES A HOLIDAY is unexpectedly lyric in tone.
The story is a fantasy. Death has grown weary of the fear he inspires in human beings, and in an effort to understand the tenacity to which they cling to life he decides to take a three day "holiday." He accordingly presents himself at the house of an Italian nobleman as "Prince Sirki," and soon discovers that human beings pass their lives in games, none of them of any great importance or interest. But there is one "game" he has yet to play: love.
Like many films of the early 1930s, the script is a bit talky and the cinematography a bit static; with the exception of Evelyn Venable (as Grazia) and Henry Travers (as Baron Cesarea) the cast, including the usually subtle Frederic March, tend to play in a somewhat theatrical manner. Even so, the overall tone of the film is unexpectedly touching, lyrical, and strangely lovely. It is also, on occasion, gently humorous. And before Death resumes his true identity and returns to the business of mortality, we receive unexpected food for thought.
The film is not widely available on either DVD or VHS, nor is it frequently televised. That is unfortunate, for fans of 1930s cinema will find it darkly charming. Worth seeking out!
Gary F. Taylor, aka GFT, Amazon Reviewer
The story is a fantasy. Death has grown weary of the fear he inspires in human beings, and in an effort to understand the tenacity to which they cling to life he decides to take a three day "holiday." He accordingly presents himself at the house of an Italian nobleman as "Prince Sirki," and soon discovers that human beings pass their lives in games, none of them of any great importance or interest. But there is one "game" he has yet to play: love.
Like many films of the early 1930s, the script is a bit talky and the cinematography a bit static; with the exception of Evelyn Venable (as Grazia) and Henry Travers (as Baron Cesarea) the cast, including the usually subtle Frederic March, tend to play in a somewhat theatrical manner. Even so, the overall tone of the film is unexpectedly touching, lyrical, and strangely lovely. It is also, on occasion, gently humorous. And before Death resumes his true identity and returns to the business of mortality, we receive unexpected food for thought.
The film is not widely available on either DVD or VHS, nor is it frequently televised. That is unfortunate, for fans of 1930s cinema will find it darkly charming. Worth seeking out!
Gary F. Taylor, aka GFT, Amazon Reviewer
A tuckered out Death (Fredric March) decides to take some time off and allow life spring eternal over a three day vacation. Taking the identity of a recently expired prince he shacks up with a group of upper crust at an Italian Villa amusing and edifying himself while mystifying and fascinating others. The prince quickly charms the ladies while intimidating them at the same time. One, Grazia ( wonderfully performed by Evelyn Venable) falls completely under his unintentional spell however and contemplates seeing her existence through with him.
March flirts with going full Bela Lugosi in moments but charms and tones down enough to pose some interesting viewpoints and inquiries on this thing called life. Retaining his suave cold demeanor throughout he linchpins both the terror and humor of the film while director Mitchell Leisen tarts matters up with his usual lavish set design. And who could fault death for hanging with the conspicuous consumption crowd as opposed to the skid row consumptive crowd? A disturbingly entertaining film.
March flirts with going full Bela Lugosi in moments but charms and tones down enough to pose some interesting viewpoints and inquiries on this thing called life. Retaining his suave cold demeanor throughout he linchpins both the terror and humor of the film while director Mitchell Leisen tarts matters up with his usual lavish set design. And who could fault death for hanging with the conspicuous consumption crowd as opposed to the skid row consumptive crowd? A disturbingly entertaining film.
Le saviez-vous
- AnecdotesClaudette Colbert was initially slated for the role of Grazia.
- GaffesIn one of the opening scenes, Grazia is praying in a Catholic Church. She makes the Sign of the Cross and is meditating when Corrado joins her. When leaving, she fails to genuflect , something they both would have done in real life.
- Citations
Prince Sirki: I wish that we may never meet when you are less beautiful, and I must be less kind.
- ConnexionsEdited from La fille sans dieu (1928)
- Bandes originalesValse Triste
(uncredited)
from "Kuolema, Op. 44"
Composed by Jean Sibelius
[Performed offscreen by an orchestra, and also during the end credits]
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- How long is Death Takes a Holiday?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- La Mort prend des vacances
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 19min(79 min)
- Couleur
- Rapport de forme
- 1.37 : 1
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