Ajouter une intrigue dans votre langueAn elderly detective sets out to find who murdered a stage actor.An elderly detective sets out to find who murdered a stage actor.An elderly detective sets out to find who murdered a stage actor.
- Réalisation
- Scénario
- Casting principal
- Alma Jenkins Thornton
- (as Natalie Moorehead)
- 'Lovely' Holmes
- (non crédité)
- Sam - Producer
- (non crédité)
- Silent Detective
- (non crédité)
- Mr. Alison - Actor in Play
- (non crédité)
- Actress in Play
- (non crédité)
- Morgan - Actor in Play
- (non crédité)
Avis à la une
Hanvey was created by prolific short-story writer Roy Octavus Cohen, and he later appeared in several mysteries in which Guy Kibbee took on the role. I really like the way Smith plays the role. I'm so used to seeing him as the elderly, gruff but ultimately kindhearted avatar of the British Empire, that when I see him playing far afield his usual casting, he's a constant surprise. Here, he's doddering, unsure of himself, methodical constantly muttering, seedy, and three steps ahead of Hardy.
In the end, it's not much of a mystery. Director E. Mason Hopper tells the audience who did it even before the murder takes place. Still, Smith keeps things interesting throughout.
On the other hand, maybe it's a blessing it was wrapped up quickly, as the production in general and the acting in particular is too stagey. There were no exterior shots and I thought that Sam Hardy, as the Detective Captain, nearly sank the whole picture with his outrageous overacting and obnoxious demeanor. He detracted from every scene he was in. C. Aubrey Smith and the female actresses were quite good, and the women were attractive (always enjoy watching Dorothy Mackaill), given that this was 1933, and this was an early 30's production through and through.
The mystery was above average and accounted for my rating - after all, the play's the thing, right? It was a whodunnit right up until the final scene, and with lots of suspects to choose from.
Interesting and marginally entertaining.
The plot of this film is interesting, and is what kept me watching. But a number of disconnects makes it difficult to follow at times. It jumps around between abrupt scene breaks and suffers from lack of cohesion. Again, that may be the editing. The ending is rather abrupt as well. And though it leaves us with a sense of justice having been achieved, it also reinforces doubt about the police work. And, the character of the police. The production quality is very poor, and even a digital remastering of this film couldn't improve it enough to make it a good movie to recommend.
One other reviewer noted the retort by the reporter, Terry Mooney (played by Russell Hopton), to a boastful comment by Gallagher. "Says Hitler!?" surely says a lot about the times. Hitler had only just risen to power in Germany the previous year. The press on him was obviously good enough that the folks in Hollywood already perceived him as a liar and untrustworthy. But then, we should remember that a number of entertainers, writers and other artists were among the early people to flee the Nazis, in the early 1930s.
Le saviez-vous
- AnecdotesThe earliest documented telecasts of this film took place on the East Coast in New York City Thursday 26 August 1948 on WCBS (Channel 2) and on the West Coast in Los Angeles Thursday 23 November 1950 on KTLA (Channel 5).
- Citations
Alma Jenkins Thornton: A wife has some rights, particularly an undivorced wife.
Wylie Thornton - Actor: If Doris Manning smelled a rat, she'd back out like that
[he snaps his fingers]
Alma Jenkins Thornton: And we can't afford to lose the Manning millions, can we, Dear?
Wylie Thornton - Actor: Keep on, keep on, you'll throw a monkey wrench into the whole works.
Alma Jenkins Thornton: Oh, you'd find words to soothe the troubled waters. Your lips fairly drool honey when they want to. That's how you got me.
Wylie Thornton - Actor: I wish some of the same could get rid of you.
Alma Jenkins Thornton: [mockingly] Ah, what is life without you, my Sweet? Each hour away from you is a nightmare, torn with despair. Each day a Purgatory of waiting, waiting for night and the sweet caress of your tender lips. You cackling boudoir rooster!
Alma Jenkins Thornton: [she resumes mocking him] I was the only woman in your life. The glorious sunburst on the dark horizon of your lonely days. And the very night you married me, you had dates with two of your ex-sweeties!
Alma Jenkins Thornton: [still mocking him] Oh, but Darling, don't you understand, these other women, they mean nothing to me. They're just stepping stones on the pathway to our happiness. And I fell for it. I believed you, you bedroom Ananias. I loved you. I laugh myself sick when I think about it now. But I used to sit in my room and cry over you. Till I got next to him and me. You big Baboon! But you're going to pay for every bit of unhappiness you caused me and you're going to pay for it the only way it hurts you - through your pocketbook.
Wylie Thornton - Actor: Alright, alright. You're getting yours, aren't you?
Alma Jenkins Thornton: You've held out on my cut for the last four weeks. And unless you kick in, I'm going to move in and stay in. Now what about my dough, Big Boy, what about it?
Wylie Thornton - Actor: I had to pay...
Alma Jenkins Thornton: Oh, don't lie to me. You gambled it away. I know when, how and with whom. You've lost three salary cheques, one after another. And last night, you gave a certain well-known gentleman a cheque that'll still be bouncing when Gabriel toots his horn!
Wylie Thornton - Actor: Listen, Alma...
Alma Jenkins Thornton: I'll do the talking, you flannel-mouthed Romeo. Wylie Thornton, matinee idol, pride of every kitchen mechanic and points south. Why you worn out Adonis, pull any fast stuff on me and I'll lay you out among the lilies - and little Alma Thornton is the one that can do it!
- ConnexionsFollowed by Jim Hanvey, Detective (1937)
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Détails
- Durée1 heure 8 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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