La Cucaracha

It's pretty lightweight, but "La Cucaracha" is fun to watch, and it is not without a couple of clever touches to go with the colorful setting, the likable characters, and the simple story. The early Technicolor still looks pretty good, and it has held up better than the sound (as the other reviewers here have mentioned, the sound is sometimes a bit muddled). It also has a good energy level and an upbeat feel to it.

Steffi Duna stars as a café singer in love with the dancer who also performs there. She becomes worried when a visiting impresario considers taking the dancer to the city to give him his big break, so she makes plans to disrupt his visit. Duna works well in the part, since she is attractive in a mischievous sort of way, and she makes the simple character believable. Paul Porcasi, so often cast in tiny parts, gets a chance to play a larger role here, and he is well cast as Martinez.

The story is somewhat predictable, but pleasant, and it has some funny moments. The whole movie works pretty well for a short feature of its era and genre.

... even if the film is rather pointless. Made by RKO to show off the sumptuous three-strip Technicolor process for the first time (after several two-strip bits and full-length features had been made through the period of 1929-1933), La Cucaracha is very thin on story - it is mostly set in a bar with dancing, singing (the title song, obviously), and a bit of fighting.

The sound quality wasn't brilliant but the visual quality can't be faulted. This movie is on DVD as an extra to RKO's Dixiana (itself boasting beautiful two-strip colour in the final sequences) but is really on worth a look for historical interest.

Well worth finding a copy; the first live-action 3-strip Technicolor film is very pretty to watch (note in particular the beautiful blues in some of the costumes), is well-timed, and has a funny set piece in which the pompous theatre owner gets a well-deserved commupance from the fiery lady. The only problem is that the sound quality of the Roan DVD, which I have, was not very good, and made it very difficult to understand some of the dialogue. I probably would have given this a higher rating than the 7 I gave it, if the sound quality had been better. All the same, I recommend it.

La Cucaracha (1934)

** (out of 4)

This Oscar-nominated film is rather short on story, which takes a backseat to the studio's use of Technicolor. The film tells the story of a Spanish singer (Steffi Duna) who is worried that her lover/dancer (Don Alvarado) is about to be taken away for a bigger gig so she goes out of her way to ruin his meeting with the producer (Paul Porcasi). This short is certainly very hit and miss because while the story is rather bland, the performances and look of the movie are top notch. I really enjoyed the visual look of the film and the print quality is still strong enough to show off the rather good looking colors. Just take a look early in the film at a greenish colored cape, which just looks marvelous. I also enjoyed all three of the main characters due in large part to the fun performances with Duna really sticking out with her beauty and charm. With that said, the story is pretty weak and the movie goes by at a snail's pace.

"La Cucaracha" is a short that features lots of singing and dancing....and about a billion choruses of the song! Yes, THAT song...the one about cockroaches. Señor Martinez comes to the cantina looking for talent for his shows. Conchita is afraid that Martinez will take away Pancho, so she spends most of the film annoying Martinez--to drive him off!

"La Cucaracha" is a film that would have been completely forgotten over the years except for one thing--it's the first color film made using true color. Let me explain. In the early part of the 20th century, a few films actually were hand-painted--and the results were color...or sorts. Later, two-color processed (such as Two Color Technicolor and Cinecolor) were developed and the results were fair. The problem was that the films looked very orange and very green and a true spectrum of colors was absent. So, for example, true blues were not possible with the films. Now when you see "La Cucaracha", you might not be very impressed with the color. It looks garish--and a lot like it's been colorized but with much more vibrant colors (particularly blues and yellows). I am not sure if this ugly look is because of the effects of time and degradation on the film stock, the quality of the new Three Color Technicolor or because the 'experts' just didn't know what they were doing since it was such a new thing. But, regardless, the film is mega-important from a historical perspective. And, by the way, some might think "Becky Sharp" was the first full-color film. It's actually the first full-color FULL-LENGTH film--"La Cucaracha" was a short. Overall, the film is mildly entertaining and moderately funny--but nothing more. It's only fair entertainment but for film buffs it's a must-see.