Catherine de Russie

Alexander Korda produced this lavish film, "The Rise of Catherine the Great," starring Elizabeth Bergner, Flora Robson, and Douglas Fairbanks, Jr. It's the story, not wholly accurate but still interesting, of, as the title suggests, Catherine the Great's (Bergner)ascension to the throne as it was wrested from her crazy husband Peter (Fairbanks). Though in the film this all seems to happen somewhat quickly, Catherine and Peter were married for 17 years and had children before the Empress Elizabeth dies and Peter becomes tsar.

In the film, Peter cheats on Catherine on their wedding night, and she pretends to take many lovers. This makes him jealous, and the two reconcile. However, after the Empress Elizabeth dies, the decisions that he makes as tsar on behalf of Mother Russia are outrageous, and Catherine is encouraged to go along with a coup.

Wide-eyed, girlish Bergner is Catherine. Bergner was a noted stage actress in Europe who unfortunately never caught on in Hollywood; nevertheless, she worked in Europe until she was 87 years old. Supposedly an incident in her life was the inspiration for "All About Eve." Tiny, she nevertheless had authority as an actress, with line readings that were at times reminiscent of Garbo. She is a good Catherine. The showier roles were those of the Empress Elizabeth and Grand Duke Peter. Flora Robson is a wonderful Empress Elizabeth, and Fairbanks, always an underrated actor, is brilliant as the volatile, mad Duke.

Worth seeing for the performances.

Some actors just emit a sort of magnetism through the camera - and Douglas Fairbanks Jr (Grand Duke Peter) does it in spades in this rather prosaic depiction of the early life of Catherine II of Russia. When Princess Sophie (Elisabeth Bergner) is chosen to marry the young Grand Duke by his aunt, Empress Elisabeth (Flora Robson) and the Kaiser, she arrives in a court where it isn't just the weather that is ice cold. Their relationship develops, in fits and starts, as she decides she is not going to simply be his trophy bride. Bergner depicts the young woman well, combining the personas of naive flightiness soon tempered by a steeliness of character. There is a strong, lively, performance from Robson as the Empress with her own coterie of lovers and a rather fun contribution from Gibb McLaughlin as Bestujhev. Overall, however, the film lacks the intrigue and the chemistry of Von Sternberg's "The Scarlet Empress" - It is a little dry; but the dark cinematography lends much to the integrity of the depiction of 18th Century Russian court life and the narrative does engender some sympathy for the young woman who was in no way equipped for what destiny had in store for her.

The alternative title "The Rise of Catherine the Great" is much more accurate since the picture ends with her getting the throne.

The costumes and sets are Grade A Hollywood (compliment).

Flora Robson (Empress Elisabeth) has the best lines and delivers them impressively. Elisabeth Bergner (Catherine) does well in her scenes with the Empress. Douglas Fairbanks Jr. (Grand Duke Peter) seems out of his depth.

The story of Catherine the Great's rise to power in 18th Century Russia. Von Sternberg covered much of the same ground as Paul Czinner's British biopic, but he had Marlene Dietrich whereas Czinner had only Elisabeth Bergner, who has little of Dietrich's magnetism but at least manages to keep Catherine sympathetic. Douglas Fairbanks Jr gives the film's stand-out performance as the psychologically frail heir apparent (a far different interpretation to Sam Jaffe's in Von Sternberg's picture), although a young Flora Robson is a hoot as his feisty Aunt. A satisfying movie with an unexpectedly downbeat ending which sews the seeds of Catherine's unseen downfall.

Yet more intrigue from the court of imperial Russia, which (at least according to movie history) must have functioned entirely on plots, counter-plots, rumors, gossip and scandal. Produced in England by the celebrated Alexander Korda, this handsome spectacle stars Douglas Fairbanks Jr. (less dynamic but a better actor than his father) as the petulant heir to the royal throne who marries the petite German princess Catherine more or less against his will. Favored by the Queen Mother and beloved by her subjects, the sensible and modest Catherine has only one flaw in her character: an unquenchable love for her power-mad, playboy husband. Their bittersweet love/hate rivalry must have seemed quite sophisticated to a 1934 audience, and seen today the film still possesses a freshness rarely seen in early sound productions, thanks in large part to a quality script and some lively, natural performances.