NOTE IMDb
6,9/10
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MA NOTE
Ajouter une intrigue dans votre langueCharlie visits a wealthy country home in England. Suspects in the murder range from a housekeeper, to a stableman, to a lawyer.Charlie visits a wealthy country home in England. Suspects in the murder range from a housekeeper, to a stableman, to a lawyer.Charlie visits a wealthy country home in England. Suspects in the murder range from a housekeeper, to a stableman, to a lawyer.
- Réalisation
- Scénario
- Casting principal
Ray Milland
- Neil Howard
- (as Raymond Milland)
Frank Baker
- Bobbie
- (non crédité)
William Begg
- Party Guest
- (non crédité)
Avis à la une
Of the first four Chan films in the Fox series, Charlie Chan Carries On (1931), Charlie Chan's Chance (1932), and Charlie Chan's Greatest Case (1933) have been lost; only the 1931 THE BLACK CAMEL remains to show the series in its early developmental stage. By the time of CHARLIE CHAN IN London the series has reached the standards that made it so widely beloved, a neat mixture of comedy and mystery, good production values, and solid acting.
As is typical of the Chan series, the cast is first rate, offering an early glimpse of future Oscar-winner Ray Milland as well as a memorable performance by character actor E.E. Clive, who graced such films of the era as THE INVISIBLE MAN and DRACULA'S DAUGHTER. In this episode, Chan has traveled to England to bring a criminal captured in Hawaii to British justice--and is on the point of departure when he asked to intervene in a notorious murder case. With a man already convicted, Chan has but sixty-some hours to unmask the real killer before the wrongly convicted Paul Gray (Douglas Walton) is sent to his death.
In some respects the film shows its era: it is very distinctly of the early sound period, and the camera is static and the performances often broad. But it captures all the essential elements of the Chan series as it starred Warner Oland, and (like THE BLACK CAMEL before it) it very specifically sets up Chan to use the racist attitudes of others to crime-solving effect. Warner Oland's Chan, and to a lesser extent Sidney Toler's Chan, would often encourage others to dismiss him as a "stupid Chinaman" all the better to trick the killer into carelessness--and the plot device is particularly apparent in the earliest Chan films.
While CHARLIE CHAN IN London will never make a critic's short list of great films, it is quite a bit of fun, and Chan fans will enjoy it. Unfortunately, the film is not available on either VHS or DVD in the United States, and since it is considered "politically incorrect" it is rarely broadcast; Chan fans will have a hard time tracking it down.
Gary F. Taylor, aka GFT, Amazon Reviewer
As is typical of the Chan series, the cast is first rate, offering an early glimpse of future Oscar-winner Ray Milland as well as a memorable performance by character actor E.E. Clive, who graced such films of the era as THE INVISIBLE MAN and DRACULA'S DAUGHTER. In this episode, Chan has traveled to England to bring a criminal captured in Hawaii to British justice--and is on the point of departure when he asked to intervene in a notorious murder case. With a man already convicted, Chan has but sixty-some hours to unmask the real killer before the wrongly convicted Paul Gray (Douglas Walton) is sent to his death.
In some respects the film shows its era: it is very distinctly of the early sound period, and the camera is static and the performances often broad. But it captures all the essential elements of the Chan series as it starred Warner Oland, and (like THE BLACK CAMEL before it) it very specifically sets up Chan to use the racist attitudes of others to crime-solving effect. Warner Oland's Chan, and to a lesser extent Sidney Toler's Chan, would often encourage others to dismiss him as a "stupid Chinaman" all the better to trick the killer into carelessness--and the plot device is particularly apparent in the earliest Chan films.
While CHARLIE CHAN IN London will never make a critic's short list of great films, it is quite a bit of fun, and Chan fans will enjoy it. Unfortunately, the film is not available on either VHS or DVD in the United States, and since it is considered "politically incorrect" it is rarely broadcast; Chan fans will have a hard time tracking it down.
Gary F. Taylor, aka GFT, Amazon Reviewer
This movie set in London has some great actors including Alan Mowbray whom I had first seen in Abbott and Costello Meets The Killer Boris Karloff and I love the way he plays very posh characters. In this outing, Charlie had already brought a criminal to justice when he is asked to take on the murder case of Paul Grey by Paul's sister Pamela. One of my favorite characters was Bunny Fothergill. Charlie reenacts the crime with the help of E.E. Clive and Ray Milland and there was tense moments because Charlie had to find the real murderer within 65 hours or if not, Paul Grey would be executed. The solving of the murder by a person whom you would least expect added more mystery plus some persons that were at the country estate were not whom they say they were. This is definitely a must see!!!!
Chan is in London returning a suspect he has captured to British authorities when he receives an appeal from Pamela Gray concerning her brother Hugh, who has been condemned to hang in three days for a murder she believes he did not commit. Chan takes the case and goes to the estate of Geoffrey Richmond (Alan Mowbrey), where the murder was committed. People at the estate say that Hugh and the victim, who never liked one another, were heard arguing about some unknown issue, and then later the body of the victim was found near the stables and Hugh was found walking from the stables towards the house. Does Charlie Chan solve the case? Of course he does! What a downer if he did not!
On top of the usual red herrings tossed into such detective films - the one person sneaking around menacingly, another protesting too loudly about the entire follow up investigation being a waste of time and so on, the maid is a piece of work. She's a shrieker plus she likes to hover over people even when they make it clear they want to be left alone. This film would have been more enjoyable without the barbaric practice of fox hunting being central to the plot, but then hindsight is 20/20.
The tension of the time ticking down to Hugh's execution is an added boost, and then there is a very young Ray Milland in a supporting role and E. E. Clive as a befuddled police inspector. And you have to wonder why law enforcement didn't ask the same basic questions that Chan asks during his investigation. Recommended.
On top of the usual red herrings tossed into such detective films - the one person sneaking around menacingly, another protesting too loudly about the entire follow up investigation being a waste of time and so on, the maid is a piece of work. She's a shrieker plus she likes to hover over people even when they make it clear they want to be left alone. This film would have been more enjoyable without the barbaric practice of fox hunting being central to the plot, but then hindsight is 20/20.
The tension of the time ticking down to Hugh's execution is an added boost, and then there is a very young Ray Milland in a supporting role and E. E. Clive as a befuddled police inspector. And you have to wonder why law enforcement didn't ask the same basic questions that Chan asks during his investigation. Recommended.
Paul Gray is going to die for a murder he has been sentenced for. Only one person believes he is innocent - his sister. His sister enlists the aid of honorable Honolulan detective Charlie Chan, who just happens to be in London for a brief stay. Chan is convinced to help the young lady secure her brother's freedom. This is a fine, creaky mystery with Warner Oland in top form as #1 detective Charlie Chan. The cast has several names in it with a very young Ray Milland as sister's boyfriend standing out the most. Veteran Character actor E. E. Clive gives a nice hammy performance as a police inspector unable to call Charlie Chan but rather Chang. Alan Mowbray also adds his distinguished persona to the mix. The mystery has a lot of red herrings, but I figured it out based on who had no herrings aimed at him/her. See if that helps you. Quite enjoyable!
I've been a Charlie Chan fan since the early 70s when, as a 9 year old, I can remember watching the movies on the Late Show. While I can find something to enjoy in every one of these films, Charlie Chan in London is one of my favorites of the series. In this one, Chan is in a race against time as he's only got three days to save the life of a man wrongly accused of murder. It's got everything a Chan fan could ask for - an interesting mystery, a boatload of suspects, actually good comic relief, nice production values, and, of course, Warner Oland. By the time Charlie Chan in London was made, Oland seems to have hit his stride playing the title role. He's confident, polite, and brilliant - all the personality traits I've always associated with Chan. The supporting cast is as good in this one as you'll find in any of the Chan films. Ray Milland may be the most recognizable name, but it's the performances of Alan Mowbray and the incredible, scene-stealing E.E. Clive that really standout. The mystery at the center of the plot is well thought and the clues lead to a logical conclusion. Charlie Chan in London is a good one to play along with. It doesn't "cheat" as much with the reveal as some of the other Chan films.
Le saviez-vous
- AnecdotesThis was the first of the Charlie Chan films with an original screenplay not based on one of the Earl Derr Biggers stories.
- GaffesThe character of Paul Gray, accused of the murder, is clearly identified by newspaper headlines as well as in the dialogue, but is billed at the end of the film as 'Hugh Gray'.
- Citations
Charlie Chan: Regret do not understand English - only American.
- ConnexionsEdited into Who Dunit Theater: Charlie Chan in London (2021)
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Détails
Box-office
- Budget
- 100 000 $US (estimé)
- Durée1 heure 19 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was Charlie Chan à Londres (1934) officially released in India in English?
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