The Case of the Howling Dog

"The Case of the Howling Dog," made in 1934, was the first Perry Mason film, and it's from an actual Erle Stanley Gardner Perry Mason novel. One way you can tell is that it's not an easy plot to follow. Mason becomes embroiled in defending a woman (Mary Astor) for the murder of her husband. Meanwhile, her husband and the dead man's wife are missing. And then there's that howling dog.

A really excellent story, but Erle Stanley Gardner loathed what the movies did to his passionate young Depression lawyer. Perry here has a huge office and is too big to take certain cases; Della is there, but not Paul Drake or even Gertie the switchboard operator. Warren William is a clever, serious Perry, and gives the impression of a lawyer to be reckoned with. He also has occasion touches of humor, though if memory serves, there's a lot more humor in the later films.

As one who read the original Perry Mason books, the character matures and becomes less given to speeches about the law - William would perhaps have been better as the later Perry, though Gardner himself never would have chosen him. He wanted Fred MacMurray until Raymond Burr walked in to read for the role of the D.A. He then said, "That's Perry Mason." Despite some of the stilted dialogue, this is still a very good story and well worth seeing. Mary Astor is lovely as the defendant.

As one of the comments pointed out, the very talented Lightning the Dog is uncredited, but to say more would give away the plot. Let's just say Lightning is a fine actor and leave it at that.

This was the first Perry Mason film ever made, with Warren William as Mason, who is superb in the part, much better than Raymond Burr, who always annoyed me so much I could not watch the later Perry Mason films. Mason's assistant Della Street is here played by Helen Trenholme, a beautiful and talented choice, but she inexplicably left the film business after making this and one other film in 1934, and that was it. The best performance in the film is by Gordon Westcott, as a distraught client in a state of high anxiety and 'aggravated melancholia'. Unfortunately, he died not long after in a polo accident, which deprived the screen of a real talent. The direction is excellent, with lots of retreating dolly shot 'pullbacks' to add dynamism to the action. Mary Astor does well, but then when did she not? Hats off to Lightning the Dog, who is seen howling splendidly like a wolf in the initial shots of the film. I'd like to have one like that around the house, wouldn't you? Lots of character, not anybody's poodle, not a wimp. The plot of this film is wonderfully complex, a true brain-teaser. This is a Perry Mason film with serious intent, and not a pastiche. It is well worth watching.

The Perry Mason series of mysteries from the 1930s are some of the best mysteries one could watch. One needs to pay attention to details throughout the film to follow the twists in the plot. The movies closely follow the Erle Stanley Gardner mystery novels on which they are based. The Case of the Howling Dog holds one's interest from beginning to end as Perry Mason cleverly addresses the case of a woman accused of murder. Warren William is a pleasure to watch as Perry Mason, and Helen Trehnolme expertly plays Perry's faithful and efficient secretary, Della Street. Mary Astor also stars in this selection from the series. If you are a fan of old, intriguing mysteries, you won't be disappointed with this gem.

Perry Mason runs a big operation: Windows all across the front of his office building feature his name printed in big letters. He's so successful he can't even handle every case personally. –Such is our introduction to the great lawyer before we even meet him.

Warren William is appropriately self-assured as the super-successful lawyer in this classy and well-plotted murder mystery.

The complicated story involves a very nervous-looking man named Cartwright (Gordon Westcott) who comes to Mason with questions about his will—and about a neighbor's dog that has been howling for 48 hours. We soon learn that that neighbor, Clinton Foley (Russell Hicks), had once run off with Cartwright's wife…Cartwright had sworn to get even with them both and tracked them down and moved in next door….and soon enough the man Foley is shot dead in his house.

The murder scene is particularly well done: We see Foley and his dog in the house, we see Mrs. Foley walk in, and we watch their brief confrontation. And then we hear the shots: We see Mrs. Foley's face and her reaction but not who fired the shots. A door swings shut….

Mary Astor is excellent as Mrs. Foley—her expressive face never quite giving away all she is thinking. Allen Jenkins is good as always as the skeptical police sergeant looking for answers. Warren William gives a smooth performance as the masterful investigator whose work and methods are in the interest of justice but not necessarily popular with the police.

It's well written and fast moving, too—with an ending that surprised me. Very enjoyable!

Wow, can't top the "Lightning" review, but here's more about the movie itself. I believe this was the first in a series of Perry Mason films starring Warren William.

What's odd is that this film has no other cast members in common with the subsequent films and in fact the whole tenor of the movie is quite different. In this film Perry has a huge office and staff of detectives. He makes no quips. Has no comic-relief sidekick. And the mystery itself is actually quite good.

Later films gave him a goofy detective sidekick ("Spudsey"), made more of the romance between Della Street and Perry, and had much less mystery in the plots. The appeal of these movies is Perry's string of one-liners he gives to the police, witnesses, etc.

But give this first film a look. There's no comic relief, but the plot is very involved and interesting.