The Case of the Howling Dog

This is the movie that got me interested in the character Perry Mason and I began watching the old television series because of this film. It's a shame that Warren William didn't make more of these films because he was great in this. I like the little comic bits in the movie. I think it's a classic. I have it in my collection. Warren William was a very good character actor and it's a shame we don't see more of his films shown on tv.

Case of the Howling Dog, The (1934)

** 1/2 (out of 4)

Warren William plays Perry Mason in Warner's first film in the series. In the film, an apparent crazy man shows up at Perry's office complaining about his neighbor's dog who keep barking through the night. The following day the man making the complaint disappears and the dog and its owner are dead. A woman (Mary Astor) takes the blame but Perry thinks there's more to the story. This film really isn't too much different than the countless other mysteries of the period. The first fifty-five minutes has Mason investigating the case and then the final fifteen take place in the court room. The story is pretty difficult to figure out but it leads to a very good ending when the case is finally unraveled. William is his typical good self and Astor makes for a good client, although she isn't given a lot to do. Allen Jenkins and Grant Mitchell co-star.

This was the first Perry Mason film ever made, with Warren William as Mason, who is superb in the part, much better than Raymond Burr, who always annoyed me so much I could not watch the later Perry Mason films. Mason's assistant Della Street is here played by Helen Trenholme, a beautiful and talented choice, but she inexplicably left the film business after making this and one other film in 1934, and that was it. The best performance in the film is by Gordon Westcott, as a distraught client in a state of high anxiety and 'aggravated melancholia'. Unfortunately, he died not long after in a polo accident, which deprived the screen of a real talent. The direction is excellent, with lots of retreating dolly shot 'pullbacks' to add dynamism to the action. Mary Astor does well, but then when did she not? Hats off to Lightning the Dog, who is seen howling splendidly like a wolf in the initial shots of the film. I'd like to have one like that around the house, wouldn't you? Lots of character, not anybody's poodle, not a wimp. The plot of this film is wonderfully complex, a true brain-teaser. This is a Perry Mason film with serious intent, and not a pastiche. It is well worth watching.

I liked this one because it was mysterious - and mysteries should be mysterious, don't you think? Lots of pictures billed as mysteries really aren't, especially when they give away the murderer too soon. That doesn't happen with "The Howling Dog", which goes right down to the wire before all is revealed.

Warren William makes his debut in this, the very first Perry Mason movie, He is very good, especially with his authoritative, stentorian voice. Most everyone else is just a supporting cast member, including Mary Astor, who is better than the rest.

Warning: if you watch this movie, pay attention! You will be lost if you get up and go to the fridge, as the plot is intricate and can be a chore to follow. There are two couples involved but they become so intertwined you will need a road map to keep things straight. There a couple of curves and knuckleballs toward the end - information we didn't have while the story was unfolding. Ordinarily, you could yell foul, but the picture is so entertaining and the mystery so confounding that, if you are like me, you'll just go with it.

Perry Mason sprang into screen life through 6 Warner Bros. films made from 1934, one year after his inception in book form by Erle Stanley Gardner. The movie series started out well, but as with so many other detective series of this type gradually petered out in quality almost film by film until fizzling out a few years later. Also it's not like Raymond Burr's Perry Mason I grew up with, Warren William has a vast organisation behind him, contrary to his future occupation as the Lone Wolf!

Complicated story of a dog's howling driving a neighbour crackers leads to a sorry and sordid tale of multiple murder - and the howling is central to the plot too. You have to concentrate to follow the history of partner-swapping (after all, some of the Foley's and Cartwright's weren't even married!) but all is wonderfully resolved by Mason by the end. William was perfect for these kind of roles, his efficient and reassuring presence of mind imparting to cast and audience from the beginning that all will be eventually all right, even if in this case only if you don't say anything without him being present! How come Mary Astor landed the part of the woman with the shady past and inability to tell the truth so often? Allen Jenkins as a flatfoot doesn't get much of a part, but at least he got a chance to show off a rather natty moustache.

Well worth watching and a pleasant opener for an attorney with a long career ahead of him.