Ajouter une intrigue dans votre langueAn orphaned girl is taken in by a snobbish family at the insistence of their rich, crotchety uncle, even as her devoted aviator godfather fights for custody.An orphaned girl is taken in by a snobbish family at the insistence of their rich, crotchety uncle, even as her devoted aviator godfather fights for custody.An orphaned girl is taken in by a snobbish family at the insistence of their rich, crotchety uncle, even as her devoted aviator godfather fights for custody.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire au total
- J. Wellington Smythe
- (as Theodor von Eltz)
- Detective
- (non crédité)
- Minor Role
- (non crédité)
- Aviator and Mechanic
- (non crédité)
- Aviator and Mechanic
- (non crédité)
- Aviator
- (non crédité)
- Aviator and Mechanic
- (non crédité)
Avis à la une
This movie was a very big hit for Shirley Temple, who certainly deserved all the attention: she is adorable. Although the film tends to lag into melodramatics during the final half hour, Shirley brightens everything considerably when she appears. With her undeniable talent & elfin smile, it's easy to see why she became Hollywood's top box office star.
However, the Mighty Mite does have competition. Jane Withers is on hand as the Ultimate Brat, a dreadful child who likes to play with imaginary machine guns and amputate body parts off of dolls. Although she looks alarmingly like OUR GANG's Alfalfa in drag, Withers is wonderful and the perfect antidote for those who may find Miss Temple a tad bit icky sticky. To say that Miss Withers practically plunders the picture from The Moppet is high praise, indeed.
James Dunn appeared in four films with Shirley in 1934; in BRIGHT EYES he has his finest scenes with her. As her dead father's best buddy, Dunn is quite touching in his devotion to the child. Elderly character actor Charles Sellon has some funny scenes as a most obstreperous old blister. His contempt for Miss Withers is a joy to behold.
Jane Darwell was always a welcome addition to any cast; here she plays a lovable Irish cook. Brandon Hurst as her prim English butler husband, Judith Allen as Dunn's love interest, Lois Wilson as Shirley's doomed mother, and Theodore von Eltz & Dorothy Christy as Withers' pestilential parents all add to the movie's enjoyment.
Shirley sings what was to become her signature song - On The Good Ship Lollipop' - and it is a highlight of the film. Many first time viewers, having heard the song all their lives, may be surprised to learn it's about a plane, not a boat - in this case, from American Airlines.
Co-stars James Dunn as the kid's godfather and personal pilot, Charles Sellon is Ned Sparks on wheels, the hard-shelled uncle with a soft center, and little Jane Withers amuses as baby Blake's nemesis, cleverly named, Joy. Directed for 20CF by Temple believer, David Butler (4) (Leave It to Beaver), I think Mr Spade would've agreed, this one has all the "stuff(ing) that dreams are made of (3/4)."
"Bright Eyes" was a very successful early vehicle for Temple. The cartoon-like film captures all of her adorableness. Temple sings "On the Good Ship Lollipop" with the girlish innocence (some say sexuality) of a bygone era. Her amateurish vocals balance the perfect doll-like looks. The film has all the subtext depression-weary audiences loved – most importantly, undeserving and insufferable rich characters are put in their place by the angelic, suffering poor. Temple won an "Academy Award" for her cumulative work in 1934; this film has been mentioned as the one most responsible for bringing her the juvenile acting award, but contemporary reviews and research give the honor to "Little Miss Marker" (1934). In the earlier film, "The New York Times" rated Temple's performance higher than co-star Adolphe Menjou. Until the end of the decade, Temple would play variations of her "Bright Eyes" character, ringing up box office cash registers like no other child star, before or since.
****** Bright Eyes (12/20/34) David Butler ~ Shirley Temple, James Dunn, Jane Withers, Charles Sellon
Le saviez-vous
- AnecdotesTerry (Rags) is the same dog that played Toto in Le Magicien d'Oz (1939).
- GaffesWhen Shirley is out with Joy giving their dolls buggy rides and Joy wants to operate on Shirley's doll, Shirley says she doesn't want Mary Lou to be operated on. But the doll she actually has is not the small one she named Mary Lou; it's the larger one named Loopy given to her by the aviators.
- Citations
Joy Smythe: What are you gonna get for Christmas? I'm gonna get a pink dollhouse with real furniture and a real piano and a tennis racket and a great big doll.
Shirley Blake: I asked Santa Claus to bring me a doll.
Joy Smythe: There ain't any Santa Claus!
Shirley Blake: There is too!
Joy Smythe: There is not! My psychoanalyst told me there ain't any Santa Claus or fairies or giants or anything like that.
Shirley Blake: I'll bet you'd feel pretty bad tomorrow morning if you woke up and you didn't have any presents.
Joy Smythe: Well, I won't. Wanna know why? 'Cause I already peeked in the closet and saw 'em.
Shirley Blake: I don't care what you saw. There is a Santa Claus!
Joy Smythe: There ain't!
Shirley Blake: Mr. Smith, there is a Santa Claus, isn't there?
Uncle Ned Smith: What did she say?
Shirley Blake: She said there isn't.
Uncle Ned Smith: Then there is.
- Versions alternativesIn 2005 a second colorized version was prepared by Legend Films, replacing the old version previously syndicated to television and released on VHS.
- ConnexionsFeatured in Il était une fois l'Amérique (1976)
- Bandes originalesOn the Good Ship Lollipop
(1934) (uncredited)
Music by Richard A. Whiting
Lyrics by Sidney Clare
Played during the opening credits and at the end
Performed by Shirley Temple and Chorus to music on a radio
Reprised a cappella by her during a flight
Meilleurs choix
- How long is Bright Eyes?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Bright Eyes
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 25min(85 min)
- Couleur
- Rapport de forme
- 1.37 : 1