Miss Carrott

Precocious orphan Anne Shirley comes to live with an old spinster and her brother in rural Canada. I grew up with the wonderful '80s TV miniseries Anne of Green Gables with Megan Follows. It's more faithful to the book and no doubt purists will prefer that. Still, this is an entertaining film with a charming performance from Anne Shirley, who took her stage name from this character. It's amusing that young Anne's being homely is referenced several times when the actress Anne Shirley is one of the prettiest to ever grace the screen. She's also one of classic Hollywood's most underrated talents. I've never seen a bad performance from her. She ended her career at the age of 27. Her last film was the classic Murder, My Sweet. Not a bad movie to go out on. As for this one, the last 15 minutes or so squeezes a lot in and it's not as strong as the start but it's still a very enjoyable film.

Similar to Pollyanna in its central character Anne Of Green Gables written in the Edwardian era by Canadian novelist Lucy Maud Montgomery has attained an enduring popularity the world over. It certainly has given Canada's smallest province Prince Edward Island its most famous identity.

In this adaption of the story young Anne Shirley played by Anne Shirley is sent by an orphanage to a sister and brother, Helen Westley and O.P. Heggie instead of a boy. It's a boy they want to help with the farm work as they're not spring chickens. But the orphanage sends a girl instead and Shirley has an innocence and bewitching charm and one lively imagination that captivates Heggie from the start. The crusty Westley takes a bit longer, but she grows to love her like a birth daughter though she takes great pains not to show it too much.

The novel has been adapted many times for the big and small screen and even for a mini-series. We get only the bare bones of a plot, but the skill of the players makes up for a lot of it. Tom Brown is in this too as Anne's boyfriend although their courtship is a bit rocky. They start with Anne busting her school slate on his noggin.

This is a good adaption that has held up well even for today. We'll no doubt see Anne Of Green Gables made many times over still, but this story is timeless as is this film.

Anne of Green Gables is directed by George Nichols Jr. and adapted to screenplay by Sam Mintz from the book of the same name written by Lucy Maud Montgomery. It stars Anne Shirley, Tom Brown, O.P. Heggie, Helen Westley & Sara Haden. Story sees Anne Shirley as an orphan girl who is adopted by farmer Matthew Cuthbert and his sister Marilla. That they were expecting a boy means it's quite a surprise, but in spite of Marilla's initial reservations, they accept her into the family home and a good family unit is formed. But can Anne ingratiate herself into school and the village way of life?

Having not read the book I personally have no frame of reference in which to judge this film adaptation. What is there for its modest running time is a charming little picture capturing a time period long since past. The acting and English language is very correct, while the innocence of the story, including that of young love blossoming, has a simplicity that's hard to dislike. There's some nice country shots to sample as well, while O.P. Heggie's performance is worthy of investment on its own. Old time film making with old time values, it's a film easily digestible for the undemanding film fan. 7/10

Vivacious & irrepressible, ANNE OF GREEN GABLES brings unlooked-for happiness into the lives of a lonely old sister & brother on Prince Edward Island.

Lucy Maud Montgomery's well-loved novel comes to life in this wonderful little movie. Excellent production values, a literate script and first class performances gives the story exactly the touch of quality it deserves.

Taking her professional name from the character she portrayed, actress Anne Shirley is a joy as the red-headed fourteen-year-old orphan who completely alters the lives of her new guardians. Completely assured in her starring role, Miss Shirley is a delight, entertaining the viewer with Anne's boundless imagination, quick temper and not-so-secret sorrows.

Playing the stern spinster who gives the girl a home, Helen Westley also completely commands her role; the viewer will enjoy seeing this sharp-tongued woman slowly unbend to Anne's affection and child-like innocence. Australian character actor O. P. Heggie gives one of his finest performances as Westley's shy, gentle brother who welcomes Anne into his heart from the moment he arrives to fetch her from the railroad station.

Tom Brown most agreeably plays the schoolboy who quickly grabs Anne's attention. Sara Haden is appropriately prickly as a nosy neighbor. Charley Grapewin makes the most of his few moments as Avonlea's doctor.

B-picture-level adaptation from RKO, modestly budgeted, with OK performances. Anne Shirley (who took her screen name from this role) looks rather older here than in some of her contemporary appearances. Film is much too rushed (the ending posits and wraps a major medical and romantic crisis in about 5 minutes), and the all-indoor shooting is no plus. No match whatever for the lovely Canadian miniseries version of 1985, whose leisurely pacing allowed better character development.