Chanteuse de cabaret

This 1933 Paramount film, is a sophisticated and greatly acted drama, with the Depression as background and a powerful performance by the great comedienne and actress, Claudette Colbert, as a chic "fallen" woman. I'd even dare to say that this one pleased me even more than that other favorite 1934 tearjerker, "Imitation Of Life".

Awesome Miss Colbert's costumes, designed by the best Hollywood costume designer of all time, Travis Banton, to "showcase" her "conversion", when she turns into the successful "Torch" Singer-Mimi Benton-of the Title.

Great performance by latin-named, but European born, Ricardo Cortez, as Miss Colbert's lover and mentor and a good one too by David Manners, as the rich guy, who "unwantedly" & "unknowingly" disgraced Miss Colbert's life.

Nice acting by beautiful Mildred Washington, who plays Miss Colbert's maid, and "punchy" Lyda Roberti, who plays an earthy woman who befriends Colbert in the beginning of the film. Ethel Griffies, gives a good "nasty" performance, as Manners' stiff-upper-lip, aristocratic, embittered aunt.

Mention apart deserves Charley Grapewin as the mischievous sponsor of Miss Colbert's Radio Show. He delivers some great lines!

I won't add anything more about the plot of the movie, 'cos you oughta watch it for yourselves! A must see for Pre-Code and 1930's film lovers!

Hollywood sometimes went pretty far afield to find offbeat plots and Torch Singer is one the most offbeat you will see. It starts off soapy and ends up as a love story of sorts and in between there is some comedy and some musical numbers - something for everyone. I kept waiting for it to descend into bathos and tears but Claudette Colbert was so excellent that she singlehandedly kept the show afloat.

Ordinarily I don't care for Colbert much but I found new respect for her acting ability and was amazed to learn she sang her own songs in this picture. Other readers have rehashed the story but I just want to add a few words about the supporting cast. It was refreshing to see Ricardo Cortez in a role that was not sinister - in fact, he was kind-hearted and almost tender. I can never get enough of Lyda Roberti, who I thought had a future as a top film comedienne but died too soon. Here she's only on screen for about 15 minutes. In a night club scene you can get a glimpse of Dennis O'Keefe behind David Manners' shoulder.

This picture was headed for a sub-par rating from me as it is a very odd and contrived story, but as reported it was salvaged by Colbert's performance. Just enjoy it and don't ask too many questions.

An unwed TORCH SINGER uses her children's radio show to search for her illegitimate daughter.

Claudette Colbert has a fine time in this Pre-Code melodrama playing a distraught female who covers up for the necessary separation from her child by embracing a life of empty decadence. While highly fanciful--the heroine is both sultry nightclub chanteuse and kindly kiddy radio hostess--the plot is still most enjoyable, with Colbert wringing every bit of pathos from her character's plight.

Ricardo Cortez plays the refreshingly decent producer who assists Colbert to become a celebrity. David Manners ably plays her long-lost lover. Peppery Lydia Roberti is most enjoyable as a high-spirited young mother; her character is sorely missed when she disappears early in the film. Old Charley Grapewin adds some spark as the flirtatious breakfast cereal tycoon who sponsors Miss Colbert's radio show.

A quartet of character actresses lend able support in small roles: Florence Roberts as a sympathetic nun; Virginia Hammond as Grapewin's suspicious wife; Mildred Washington as Miss Colbert's energetic maid; and aristocratic Ethel Griffies as Manners' inflexible aunt. Baby LeRoy, nemesis of W.C. Fields, appears in only one scene as Miss Roberti's infant son.

Movie mavens will recognize unbilled Scots actress Margaret Mann as a nanny.

The soap suds reach almost to the ceiling in "Torch Singer" but that's part of the fun. Claudette Colbert and the rest of the excellent cast have a grand old time as they work their way through the somewhat rusty plot. Colbert sings a couple of songs and wears some smashing gowns as she portrays a chorus girl with a heart of gold who's forced to give up her baby daughter and become a torch singer to earn a living in Depression-era New York. In no time at all she's the toast of the town, with a fancy apartment, a maid, and a boy friend who's a big radio executive. She covers up her need for her daughter by drinking, dancing and carrying on, and does it ever look like fun. But it all works out in the end, and with only minutes to spare.

Look for Lyda Roberti, the Polish bombshell in the first part of the movie as Colbert's friend and roommate. Roberti died tragically young, with only a few films to her credit, notably "The Kid From Spain " and "Million Dollar Legs," in which she played Mata Machree, The Woman No Man Can Resist. "Torch Singer" is kind of tame for a pre-Code feature but it's fun and well worth watching.

For only a 72 minute movie Torch Singer packs quite a lot into the film with Claudette Colbert playing the starring role of an unwed mother who is forced to give up her daughter as she can't locate the baby's father David Manners and his rich family won't give her the time of day. She supports herself by becoming a nightclub singer and according to a recent biography of Claudette Colbert she actually sung her own numbers which were written by songwriting team of Leo Robin and Ralph Rainger for the film. Claudette's scenes with her child, her prospective in-laws and with the nuns running the adoption facility are heartbreaking and touching on melodrama.

A case of 'mike fright' scares off the prospective host of a children's radio program and sultry torch singer Claudette substitutes as the story lady who sings lullabies and tells fairy tales. Which gives her a day time career as well as a nighttime one as long as she can keep the secret. In the meantime the show affects her and decides to seek her child.

Claudette proves to have a nice style as a singer much as Susan Hayward did when played Lillian Roth in I'll Cry Tomorrow. And she treads on Barbara Stanwyck territory as a woman made hard by the circumstances of her life.

Ricardo Cortez who after the silent screen days ended where he played Latin lovers as a poor man's Rudolph Valentino, in sound either played smart alecks or downright heels. I was fully expecting him to be a heel in this film, but he turns out to be a nice guy as a radio executive who sympathizes with Colbert and her situation.

Lyda Roberti also makes an appearance here playing a fellow unwed mother who rooms with Colbert for a while. Her character has all too little time in Torch Singer, I wish we saw more of her.

Claudette Colbert whose career in 1933 was really beginning to take off moved a bit higher with this film. It holds up very well for today's audience.