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Lorsque Stan et Ollie font croire à leurs épouses qu'ils partent en croisière pour des raisons médicales alors qu'ils se rendent à un congrès, les épouses découvrent la vérité à leurs dépens... Tout lireLorsque Stan et Ollie font croire à leurs épouses qu'ils partent en croisière pour des raisons médicales alors qu'ils se rendent à un congrès, les épouses découvrent la vérité à leurs dépens.Lorsque Stan et Ollie font croire à leurs épouses qu'ils partent en croisière pour des raisons médicales alors qu'ils se rendent à un congrès, les épouses découvrent la vérité à leurs dépens.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire au total
Charita Alden
- Lead Hula Dancer
- (non crédité)
Ernie Alexander
- Waiter
- (non crédité)
Jimmy Aubrey
- Son of the Desert
- (non crédité)
Eddie Baker
- Son of the Desert
- (non crédité)
Brooks Benedict
- Son of the Desert
- (non crédité)
Harry Bernard
- Bartender
- (non crédité)
- …
Stanley Blystone
- Brawny Speakeasy Manager
- (non crédité)
Chet Brandenburg
- Son of the Desert
- (non crédité)
Don Brodie
- Son of the Desert
- (non crédité)
Bobby Burns
- Son of the Desert
- (non crédité)
Tony Campanaro
- Steamship Announcement Witness
- (non crédité)
Baldwin Cooke
- Man Introducing Steamship Official
- (non crédité)
- …
Avis à la une
It's not easy to keep the Laurel and Hardy brand of humor going for a full-length feature, but here they accomplish it pretty well. Although the premise would have been tailor-made for one of their two-reelers, they successfully stretch it out into over an hour's worth of material, providing plenty of laughs and using some clever ideas.
The story has Stanley and Oliver as two members of the "Sons of the Desert", who are preparing for their national convention. This gets the two into difficulty with their wives, and from there things build up into the kinds of predicaments that are familiar from their shorter features. What's rather impressive is how well they keep things going for so long. There's nothing that's forced or pointless, and the pacing is generally just right. As the wives, Mae Busch and Dorothy Christy have relatively easy roles, but they (and also Charley Chase) have a few good moments.
Anyone who enjoys Laurel and Hardy's shorter features will probably also joining the "Sons of the Desert" in this amusing movie.
The story has Stanley and Oliver as two members of the "Sons of the Desert", who are preparing for their national convention. This gets the two into difficulty with their wives, and from there things build up into the kinds of predicaments that are familiar from their shorter features. What's rather impressive is how well they keep things going for so long. There's nothing that's forced or pointless, and the pacing is generally just right. As the wives, Mae Busch and Dorothy Christy have relatively easy roles, but they (and also Charley Chase) have a few good moments.
Anyone who enjoys Laurel and Hardy's shorter features will probably also joining the "Sons of the Desert" in this amusing movie.
Stan Laurel and Oliver Hardy want to go to their 87th annual "Sons of the Desert" convention in Chicago, which no member has ever missed. But, domineering wives Mae Busch (as Lottie) and Dorothy Christy (as Betty) have other ideas. The women want to vacation in the mountains. While Ms. Christy gives permission for Mr. Laurel to attend the convention, Ms. Busch isn't so accommodating. So, Mr. Hardy decides to play sick, which (somewhat inexplicably) earns he and Laurel a trip to Hawaii (Chicago), without the wives.
Laurel & Hardy perform the old story smoothly; this film surely earns them the plot's patent. Clever scripting (Frank Craven) and direction (William A. Seiter) keeps things moving, and bits are well chosen. The slapstick hits a little too hard, sometimes; with the coming of sound, some of the physical comedy would look better in moderation (with a silly sound effect). Busch is one of the best Laurel & Hardy "wives". The duo's convention appearance, with the riotous Charley Chase is fantastic -- it includes a great theme song, "Honolulu Baby", performed by Ty Parvis and his hilarious hula dancers. Oh, lei!
Laurel & Hardy perform the old story smoothly; this film surely earns them the plot's patent. Clever scripting (Frank Craven) and direction (William A. Seiter) keeps things moving, and bits are well chosen. The slapstick hits a little too hard, sometimes; with the coming of sound, some of the physical comedy would look better in moderation (with a silly sound effect). Busch is one of the best Laurel & Hardy "wives". The duo's convention appearance, with the riotous Charley Chase is fantastic -- it includes a great theme song, "Honolulu Baby", performed by Ty Parvis and his hilarious hula dancers. Oh, lei!
It's really the only good full-length Laurel & Hardy movie that isn't distracted by a sub-plot, therefore an interesting story develops, and we get to see more of Laurel & Hardy. This movie more than any other just lets us laugh at the two characters we love best: Stan and Ollie. We see them as kids, sneaking around to a juvenile convention to escape the clutches of their motherly, domineering wives. There are some great sequences, and some truly hilarious moments. Stan is especially at his best, and the sequence where Ollie is sick is classic. "Why did you get a veterinarian?" "I didn't think his religion would make any difference."
A must for any Laurel & Hardy fan, and indeed a must for everyone who enjoys an utterly pleasant experience and a truly divine comedy.
A must for any Laurel & Hardy fan, and indeed a must for everyone who enjoys an utterly pleasant experience and a truly divine comedy.
Ollie wants to attend the annual convention of THE SONS OF THE DESERT in Chicago & have lodge brother Stan go with him. Their wives, however, have other plans. From such tiny acorns of humor do mighty oaks of hilarity grow...
This is a wonderfully funny film, with the Boys at their very best. Watch Stan's face as he eats the wax apple, or Ollie as he attempts to stand-up to his formidable spouse. The Sons themselves are a spoof of every fraternal organization that's ever taken itself too seriously.
Hilarious Charley Chase is the epitome of every obnoxious conventioneer you've ever tried to avoid. Mae Busch & Dorothy Christy are good fun as the Boys' wives, while Lucien Littlefield scores as a veterinarian called in to doctor Ollie.
Extra-sharp movie mavens will spot Charlie Hall as one of the waiters at the beginning of the 'Honolulu Baby' sequence; they will also recognize the voice of Billy Gilbert as the steamship official giving the announcement about the shipwreck survivors.
This is a wonderfully funny film, with the Boys at their very best. Watch Stan's face as he eats the wax apple, or Ollie as he attempts to stand-up to his formidable spouse. The Sons themselves are a spoof of every fraternal organization that's ever taken itself too seriously.
Hilarious Charley Chase is the epitome of every obnoxious conventioneer you've ever tried to avoid. Mae Busch & Dorothy Christy are good fun as the Boys' wives, while Lucien Littlefield scores as a veterinarian called in to doctor Ollie.
Extra-sharp movie mavens will spot Charlie Hall as one of the waiters at the beginning of the 'Honolulu Baby' sequence; they will also recognize the voice of Billy Gilbert as the steamship official giving the announcement about the shipwreck survivors.
Laurel & Hardy have sworn an oath to their brotherhood, the Sons of the Desert to attend their convention in Chicago. The trouble is their wives are against the idea so they need to find an excuse.
Hardy pretends to be ill and Laurel gets a vet who tells Mrs Hardy that he needs a sea voyage to Honolulu.
Once they arrive in Chicago they get involved in all sorts of pranks courtesy by an obnoxious funster who turns out to be Hardy's long lost brother in law.
Our duo have failed to keep themselves inconspicuous in Chicago as the Sons of the Desert march has been filmed and unbeknown to them their return ship from Honolulu has sunk and their wives worried that they are lost at sea. Laurel & Hardy are in trouble when they return home and do not realise that honesty is the best politics.
Lots of fun here as Hardy boasts that he rules the roost in his house when we know he does not. Charley Chase pops up at the convention scenes as an obnoxious reveller with Hardy always falling for his pranks. A memorable song with Honolulu Baby and a great one line response delivered by Laurel when questioned why he got a veterinarian over. 'I didn't think the man's religion should have any bearing.'
Hardy pretends to be ill and Laurel gets a vet who tells Mrs Hardy that he needs a sea voyage to Honolulu.
Once they arrive in Chicago they get involved in all sorts of pranks courtesy by an obnoxious funster who turns out to be Hardy's long lost brother in law.
Our duo have failed to keep themselves inconspicuous in Chicago as the Sons of the Desert march has been filmed and unbeknown to them their return ship from Honolulu has sunk and their wives worried that they are lost at sea. Laurel & Hardy are in trouble when they return home and do not realise that honesty is the best politics.
Lots of fun here as Hardy boasts that he rules the roost in his house when we know he does not. Charley Chase pops up at the convention scenes as an obnoxious reveller with Hardy always falling for his pranks. A memorable song with Honolulu Baby and a great one line response delivered by Laurel when questioned why he got a veterinarian over. 'I didn't think the man's religion should have any bearing.'
Le saviez-vous
- AnecdotesAccording to studio publicity releases, scenes had to be re shot frequently because director and crew would often break up in laughter over the stars' antics. The story went on to assert that Stan Laurel's expression in the scene with Charley Chase was so funny "that it completely upset the equanimity of Hardy, and it was several minutes before the latter was able to regain his composure." According to film historian Richard W. Bann (a specialist on the films produced by Hal Roach Studios), Hal Roach recalled in 1979 how often such things happened on set. "I was never upset that it was costing me money," he said. "I was upset that we couldn't use some of the funniest scenes we saw every day," the ones that were ruined by cast or crew members breaking up.
- GaffesWhen Laurel and Hardy are returned to their wives by the police officer, as they are led inside the house, the camera tilts back slightly and the boom mic is visible at the top of the frame as they walk toward the couch.
- Versions alternativesThere is an Italian edition of this film on DVD, "I FIGLI DEL DESERTO (1933) - New Widescreen Edition + I DUE LEGIONARI (Legione straniera, 1931)", re-edited in double version (1.33:1 and 1.78:1) with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
- ConnexionsEdited into Dance of the Cookoos (1982)
- Bandes originalesHonolulu Baby
(uncredited)
Written by Marvin Hatley
Sung by Ty Parvis and danced by Charita Alden and others
Also Performed by Oliver Hardy (vocal and guitar) and sung a cappella by Stan Laurel
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- How long is Sons of the Desert?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Hijos del desierto
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 8 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was Les compagnons de la Nouba (1933) officially released in India in English?
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