Frères dans la mort

Remake of 1927 silent western has a young John Wayne (riding his horse Duke) repaying a favor to a friend (Henry B. Walthall) by going across the border to Sonora, Mexico to locate the man's son (Paul Fix). To find him he has to go undercover in the gang of notorious outlaw Monte Black, a perfect name for a western bad guy. Some nice rodeo stock footage. It's apparently pronounced "ro-day-o" as one character admonishes another. Wayne's accompanied by two comic relief sidekicks, played by Frank Rice and Bill Franey. They are responsible for most of the movie's best parts. There's also two annoying girls who keep popping up and seem to share one brain cell. Pretty routine '30s B western.

John Wayne FINALLY got his oscar for True Grit, years after making Sonora. Wayne had mostly un-credited roles up to about 1930. here, in 1933, he's still early in his cowboy career; doesn't have the slow, bigger than life swagger yet. He's Bishop, trying to show off for the girls at the rodeo. but when there's an accident, he is framed for it, and is sent to jail. stuff happens, and now Bishop is off to mexico to look for a cowboy friend of the family, who may have joined a rough gang. adventures along the way... the same girls that Bishop had spoken with at the rodeo pop up down south, and cause him trouble. Bishop and his pals have stumbled into a plot to rob a mine, owned by the girl's dad. although it feels like the girls and Bishops' two cowpoke pals are just along for laughs... they get all the jokes, while Bishop plays it pretty seriously. and Joe Dominguez has quite a few lines as Captain Ramirez, but he only gets uncredited! it's just a shortie film from Warner Brothers. Original story by Will Comfort. Directed by Mack Wright. worked his way up as actor, AD, then director. filmed in the alabama hills, like SO many other films. amazing landscape. Wayne would go on to get his big break in Stagecoach.

"Somewhere In Sonora" was one of six "B" westerns starring John Wayne and his horse "Duke" made for Warner Bros. for the 1932-33 season.

Set in the "present", two city gals, Mary Burton (Shirley Palmer) and Patsy Ellis (Ann Faye) drive onto Bob Leadly's (Henry B. Walthall) spread where John Bishop (Wayne) is the foreman. Mary is on her way to visit her father somewhere in Sonora (get it?). As it happens a rodeo (courtesy of some stock footage) is about to take place. Bishop invites the girls to stay over. He participates in the rodeo and drives in the stagecoach race for Leadly.

An "accident" happens to the rival stagecoach, a man is seriously hurt and Bishop is blamed and arrested. Leadly and Bishop's two sidekicks, Riley (Frank Rice) and Shorty (Billy Franey) manage to help him escape. Bishop learns that Leadly's son Bart (Paul Fix) wrongfully accused of murder, is running with a gang...now wait for it...somewhere in Sonora.

Bishop goes to Sonora and meets up with Mary at her father's (Ralph Lewis) ranch. Bishop and his sidekicks learn that Bart Leadly is running with a gang led by the notorious Monte Black (J.P. McGowan). Bishop infiltrates the gang and befriends Bart. While the gang attempts to rob Mr. Burton's silver mine Bishop............................

This film was arguably the weakest of the six WB features. Wayne's inexperience in the acting department really shows here. A lot of time is devoted to the dumb antics of the two sidekicks. However, Wayne does get to embrace the heroine rather than his horse.

This was Wayne's first of many films over the next 40 or so years with his friend Paul Fix. Henry B. Walthall had been in films since the early silents and made over 300 pictures. He is probably best remembered for his role as "The Little Colonel" in D.W. Griffiths "The Birth of a Nation" (1915). Also, watch for "B" favorites Slim Whitaker, Bud Osborne and Glenn Strange as members of McGowan's gang.

After an old man helps John Wayne in the face of a rodeo accident frame-up, he travels to Mexico and town of the title, to find the man's long-lost (also framed) son, in order to tell him that he'd been exonerated. However, the young man is part of a gang of gringo bandits that only allow members to quit feet first.

One of six B-movies the Duke made for Warner Brothers' Four Star Westerns, this isn't quite as memorable as other films in the series. It is okay though and really looks good, with some nice location photography.

The action is a little weak this time around, but Somewhere In Sonora picks up a bit when Wayne infiltrates the gang, leading to a climax featuring stock-footage from one of Ken Maynard's old silent vehicles, possibly the 1927 of the same film.

It's in these early films that you see how middle-class John Wayne really is before he assumed the immortal identity of the American cowboy. He was obviously socialised into high society through his university connections and has a healthy interest in women. Thanks to John Ford he was just churning out the B-pictures one after the other. However, as a self-contained project, the film looks quite stagy as though it was fresh from the theatre. The dialogue is stilted and clumsy, but then that's down to the writing. I don't think that screenwriters and directors got to grips with the new medium that is cinema at this point, making this offering painful to watch.