Ajouter une intrigue dans votre langueA trainload of silk puts Neil Hamilton on the fast track to murder in this full-throttle thrill ride costarring Sheila Terry and Guy Kibbee. As the demand for raw silk goes sky high, crooked... Tout lireA trainload of silk puts Neil Hamilton on the fast track to murder in this full-throttle thrill ride costarring Sheila Terry and Guy Kibbee. As the demand for raw silk goes sky high, crooked businessman Wallace Myton (Arthur Hohl) corners the market with plans to drive up the pri... Tout lireA trainload of silk puts Neil Hamilton on the fast track to murder in this full-throttle thrill ride costarring Sheila Terry and Guy Kibbee. As the demand for raw silk goes sky high, crooked businessman Wallace Myton (Arthur Hohl) corners the market with plans to drive up the price. Determined to fulfill his contracts, manufacturer Donald Kilgore (Hamilton) imports $3... Tout lire
- Réalisation
- Scénario
- Casting principal
- Harry Burns -Train Guard
- (as George Pat Collins)
- Johnson - Kilgore's Secretary
- (as Ivan Simpson)
- Silk Man on Phone
- (non crédité)
- Myton Associate
- (non crédité)
- Mill Owner in Association
- (non crédité)
- Myton Associate
- (non crédité)
- Garson
- (non crédité)
- Silk Man on Phone
- (non crédité)
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** (out of 4)
A rather bizarre murder/mystery about a businessman who makes the price of silk go sky high on the market so Donald Kilgore (Neil Hamilton) calls him into his office and threatens that if he doesn't bring the price down everyone's going to start importing from Japan. The business owners decide to import the product so it boards a train in Seatle and makes the journey to New York but along a way a murder occurs and it's clear someone doesn't want the train to arrive. Whenever one of these murder/mysteries show up on Turner Classic Movies I try to watch them and quite often it appears that most of them are working off the same formula so I'll at least give THE SILK EXPRESS some credit because I can't think of another movie where the battle is over imported silk. Outside of that there's very little in this film that works because it really drags along with a poor pace even at just 61-miutes. I think the biggest problem is the actual story and that includes the silk. While this might be an original topic I can't say it's an entertaining one. The entire time it's hard to get caught up in the story simply because you really don't care about what's at the heart of it. Even worse is that there's simply not enough reason to care about who the killer is and the number of red herrings is more than the actual running time. Hamilton is energetic in the lead but he's not given much to do. Arthur Byron plays the part as if he's angry at the world. Sheila Terry is the quick love interest. Guy Kibbee plays a redneck detective who is exited at finally getting to solve a murder. Several other Warner contract players show up but the most interesting casting is that of Allen Jenkins. I won't spoil what he plays but it's quite a twist and especially the look he has going for himself.
Silk is a weird McGuffin for a gangland movie. I guess a story could make it into anything and real world fashion business could be this ruthless. One does have to overlook a lot of the specific details. It all boils down to a gangland murder thriller on the enclosed setting of a train. It is fine.
Donald Kilgore (Neil Hamilton) and his silk consortium needed to get a silk shipment from Seattle to New York in three days or less. The entire train was at Kilgore's disposal. At the same time an unscrupulous businessman named Wallace Myton (Arthur Hohl) was trying to prevent that train from ever reaching New York. He and his consortium of businessmen purchased all the available silk in the area which gave them a monopoly on the product. Silk clothing manufacturers would have to buy from them at their price or have no silk at all. The only way around Myton was to buy from Japan and have it shipped to New York. Of course, that takes time and ran the risk of Kilgore not fulfilling his contracts which meant financial ruin.
What it came down to was one set of businessmen versus another set of businessmen. Wealthy businessmen are not necessarily the ideal protagonists which is one of the two quibbles I had with this movie. The other had to do with the ending and the feeling that it was unresolved.
As viewers we knew that Myton had a few agents of his on the train to either prevent it from reaching New York or disrupt it so that it didn't reach New York on time. What we didn't know was who the three agents were. Two of them were readily identified while the third, his ace up his sleeve, was unknown.
As things happened (even a murder) it wasn't clear who was causing the disruptions. It could've been any number of people. There was Clark (Arthur Byron), the conductor, Prof. Axel Nyberg (Dudley Digges) who was supposedly suffering from sleeping sickness, Dr. Harold Rolph (Vernon Steele), the professor's doctor, Robert Griffith (Allen Jenkins), the tramp, or Mr. Calhoun (Robert Barrat), the attorney hired by Kilgore. It was hard to know who was working for Myton which made the movie interesting.
Also of note in the movie were Sheila Terry and Guy Kibbee. Sheila Terry played the daughter of the professor and Guy Kibbee played McDuff, a railway detective who was aboard the train to investigate a murder. He was only doing his job, but he was a direct impedance to Kilgore's progress.
I liked this murder mystery because of the added element of the timeline. Sure, there was a murder to solve, but at the same time the train had to reach New York by a certain time to avoid a financial catastrophe.
Free on Internet Archive.
Hamilton is determined and spunky as the lead, a far departure from his fate in a film from 1944 (SINCE YOU WENT AWAY) where he was only shown in a photo within a picture frame as Claudette Colbert's husband.
The supporting cast has a number of familiar Warner Bros. faces: Allen Jenkins, Guy Kibbe, Robert Barratt, Vernon Steele--but the round-up of suspects by detective Guy Kibbe is just one of the many clichés in the script which is riddled with just such moments. It comes across as Agatha Christie, without the wit, not that this is from a Christie play or novel.
Guy Kibbe as the detective is overly emphatic in his gruffness, as are just about all of the performances. It's strictly for movie buffs who aren't fussy about how over-baked acting was back in 1933 melodramas.
This film has so many dopey clichés--a paralyzed man who is 100% frozen except for his eyes is about to use them to identify the killer when HE is murdered, a black guy called 'Snowflake' (uggh!) and much more that make this seem like an ultra-low budget Agatha Christie knock-off. None of it is particularly inspired or well written. The only thing that interested me in the least was seeing Guy Kibbee playing a person who wasn't stupid--a real departure for this character actor! Silly non-sense.
Le saviez-vous
- AnecdotesMordaunt Hall of The New York Times praised Ray Enright's direction, characterizing the film as "neatly measured and nicely balanced," as well as the cast's acting.
- GaffesIt's hard to believe two hardened and seemingly smart crooks like Craft and Burns would be more afraid of a potential frame-up of a crime they know they didn't commit than of the certain wrath of the racketeers who hired them if they failed to stop the train.
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Mysteriet på Silkeexpressen
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 1min(61 min)
- Couleur
- Mixage
- Rapport de forme
- 1.37 : 1