Lady Lou

Mae West is another one of those actresses that played the same role time after time. She played Mae West. What distinguishes the movies are the lines and she was a masterful created of double entendre with a big load of sex. She would surround herself with the actors of the day, like Gilbert Roland and Wallace Beery. The one that benefited the most here was Cary Grant. It's hard to realize that he goes back so far. I have to admit that for mot of my life I found West's thing to be off handed and tiresome. But now I know that she had great timing and and interesting stage presence. She could deliver a "dirty" line like no other. This gave us the famous like, "Come up and see me sometime."

It appears that some modern day critics have forgotten what a great period film is all about. This very authentic replica of the Gay Nineties (1890s) is accurate right down to the horse hair furniture, gas lamps, Brooklyn accents and costumes. It was adapted from Mae West's Broadway hit "Diamond Lil" and coupled with West's other 1933 hit (I'm No Angel), saved Paramount from bankruptcy. The film was so loved by audiences that midnight showings were needed to accommodate the crowds, and it was so lurid that seven countries banned the film altogether. It was nominated for the best picture of 1933 and was West's favorite of all her twelve films. The film introduced the famed line (although it's uttered slightly different in the movie) "Come up and see me sometime." Some of Mae's funniest work is here, and she sings three great tunes. Edith Head did all the costumes and Lowell Sherman directed. Modern times have dulled the bluntness of this film, but be assured, it was an eye-popper in 1933.

After a supporting role in the George Raft film Night After Night, Paramount films realized what a gold mine they had in Mae West. Between her and a young radio singer named Bing Crosby, they pulled Paramount from the brink of bankruptcy, the white mountain studio nearly went under in the early Thirties.

After this the studio gave Mae her head in choosing material and she decided to use one of her own original plays, She Done Him Wrong. The story is set in the Bowery district of the 1890s and New York of the 1890s is where Mae grew up, she had a good ear and a good memory for character types she uses in the film.

Mae always plays Mae West and would you really want her as anyone else? She's a Bowery entertainer of the period, working in this case for Noah Beery's club as the main attraction. Beery's into some really shady business, he doubles in white slavery and nearly gets innocent Rochelle Hudson who tries to kill herself in his club. Mae saves her, but turns her over to Beery because she doesn't know about his other sideline. All she knows is that he pays off in diamonds as well as cash.

Besides Beery panting after her, we've got silent screen star Owen Moore, young Gilbert Roland who is the assistant to white slaver Rafaela Ottiana and in the film that would be his breakthrough, Cary Grant as a Salvation Army worker who's not all he seems. Mae personally picked Grant for his role, he was a young Paramount contract player beginning to get some notice. But as I said before in my review of I'm No Angel, this is not a Cary Grant film, this is a Mae West film.

Mae besides being one of the great sex symbols of the last century had a great memory and eye for detail of the bawdy Bowery of her youth. Good thing she came along before The Code was put in place. Her first films are her best, The Code definitely hampered her style.

And Mae West if she had anything, had style.

Mae West is certainly entertaining with her wisecracks and sexual innuendo. Unfortunately, she's the only entertaining thing about this whole film. The other actors, even a young Cary Grant, aren't given terribly interesting characters to inhabit. The whole thing is set-bound and the story is nonsense.

Okay, maybe not nonsense, but it is cluttered with too many subplots and one-note characters which fail to hold interest. The first ten minutes are a pain to sit through, mainly because West isn't there to enliven the proceedings. That should not be.

She Done Him Wrong (1933) is an interesting curio and a showcase for Mae West, but as entertainment, it is lacking.

She Done Him Wrong (1933)

*** (out of 4)

Set during the "Gay Ninetiest," Mae West stars as Lady Lou, a nightclub singer who pretty much seduces and vamps over any man that enters the club. Since she has her pick of the litter she sets her sights on the handsome Captain Cummings (Cary Grant).

To say SHE DONE HIM WRONG was 100% Mae West would be an understatement. The actress was a smash on Broadway and her sexual act was quite legendary even during a time when that type of thing wasn't always wanted or allowed. Her stage play was attempted to get on the big screen for a couple years before this film finally did it even though it had to be watered down some. With that said, there's still plenty of sexuality on display here, although you can't help but think this is one of the films that helped eventually bring on the Production Code.

As far as the film goes, it was a smash when it was originally released and it even got a Best Picture Oscar nomination. Watching it today the film is obviously not as strong but at the same time you can't help but watch it and just imagine how people must have felt about it in 1933. The main reason to watch this is of course for the performance of West who is pretty much playing herself. The over-the-top, heated sexuality is actually a lot of fun to watch. You know, I've never found her to be an "attractive" woman but the way she forces her sexuality is just something that works.

The supporting cast is quite good including Grant in another early role where he's pretty much playing that good looking guy that's the object of the main characters affection. Owen Moore, Noah Beery, Sr. and Gilbert Roland are all good as well. The screenplay is another plus or at least the dialogue spoken by West is. She gets a couple classic lines and her delivery is certainly a plus. With that said, the story itself is pretty hit and miss but the 66-minute running time does fly by.