NOTE IMDb
5,4/10
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MA NOTE
Ajouter une intrigue dans votre langueLoner rider Singin' Sandy Saunders rides into town to discover local ranchers are being victimized by a land-grabbing villain who controls the water supply and wants their land.Loner rider Singin' Sandy Saunders rides into town to discover local ranchers are being victimized by a land-grabbing villain who controls the water supply and wants their land.Loner rider Singin' Sandy Saunders rides into town to discover local ranchers are being victimized by a land-grabbing villain who controls the water supply and wants their land.
- Réalisation
- Scénario
- Casting principal
George 'Gabby' Hayes
- Charlie Denton
- (as George Hayes)
Horace B. Carpenter
- Rancher
- (non crédité)
William Dyer
- Rancher
- (non crédité)
Anne Howard
- Bather's Wife
- (non crédité)
Wally Howe
- Rancher
- (non crédité)
Bert Lindley
- Rancher
- (non crédité)
Herman Nowlin
- Guard at Dam
- (non crédité)
Tex Palmer
- Henchman
- (non crédité)
Avis à la une
"Riders of Destiny" was the first of several westerns Wayne made for the Lone Star arm of Monogram Pictures between 1933 and 1935. In this entry, the producers try to make the Duke into a singing cowboy called "Singin' Sandy Saunders with hilarious results. Any Wayne fan knows that the Duke couldn't have carried a tune if his life had depended on it. His voice was apparently dubbed by Smith Ballew whose deep baritone sounds nothing like Wayne. Wayne looks awkward and uncomfortable in "performing" the musical numbers. Thank heavens the singing cowboy experiment soon ended.
As for the movie itself, it contains a standard "B" western plot of the fight over water rights between the villain (Forrest Taylor) and the local ranchers. Duke, of course plays the hero. He had not yet developed his on screen character and still looked like a poverty row cowboy.
Also cast in the film were George (pre-Gabby) Hayes as the heroine's father, Cecilia Parker as the heroine and Yakima Canutt as "one of the boys" who performs his "falling from the racing horses under the wagon" stunt while doubling Wayne. Both Canutt and Hayes would go on to appear with Wayne in most of the other entries in the series. Canutt, in particular would have a profound effect on Wayne's future development teaching him, among other things, how to move, fight and look comfortable on a horse.
As "B" westerns go this one isn't too bad, however, I have to give it a failing grade because of the "singing".
As for the movie itself, it contains a standard "B" western plot of the fight over water rights between the villain (Forrest Taylor) and the local ranchers. Duke, of course plays the hero. He had not yet developed his on screen character and still looked like a poverty row cowboy.
Also cast in the film were George (pre-Gabby) Hayes as the heroine's father, Cecilia Parker as the heroine and Yakima Canutt as "one of the boys" who performs his "falling from the racing horses under the wagon" stunt while doubling Wayne. Both Canutt and Hayes would go on to appear with Wayne in most of the other entries in the series. Canutt, in particular would have a profound effect on Wayne's future development teaching him, among other things, how to move, fight and look comfortable on a horse.
As "B" westerns go this one isn't too bad, however, I have to give it a failing grade because of the "singing".
First of all, joeytheBrit says that Cecilia Parker "...bakes cookies too." No, no, no. She does NOT bake cookies in this movie she bakes BISQUITS! Bisquits are entirely different from cookies! In the old west, biscuits were usually made with buttermilk and were eaten primarily with breakfast. Anyway, Joey is certainly correct in saying that Cecilia Parker is impossibly cute, I wish I could meet someone like her! As for the film itself the story is actually quite good and told in a fairly entertaining manner. Remember, this was filmed in 1933! The acting is just passable. Yakima Cannutt should have stayed with the stunt work as he was certainly no actor! John Wayne as "Singing Sandy" is ridiculous. The songs are just silly and don't belong in the movie. It is very obvious that Wayne did NOT do the singing. The voice in the songs sounds nothing like Wayne's voice. The songs only detract from the otherwise fairly decent story.
Had the good folks at Lone Star Productions only decided not to dub John Wayne's voice with some forgettable cowboy ballads this would have been a far better western than it turned out to be.
Of course Wayne in later years would cringe at the mention of these films. If you want a good idea of how he really sounded listen to him in McLintock singing a favorite ballad of his, The Moon Shines Tonight on Pretty Redwing. The Lone Star people might have even looked for a young band singer working day to day in clubs in New Jersey around this time named Frank Sinatra who over 30 years later actually had his voice come out of Wayne's mouth during a Dean Martin show.
If they could have cut out the singing gimmick, Riders of Destiny is not a bad film, in fact a cut above some of the westerns the Duke was doing at the time. Ranchers in the valley are being squeezed out by a greedy villain played by Forrest Taylor. He's built a dam and controls all the water and it's either sell to him outright or pay his exorbitant prices for water. Gabby Hayes and his daughter Cecelia Parker happen to have the only other water around because they dug a well. Taylor especially wants their land.
The citizens have written to the federal government in Washington for intervention and they get it in the form of John Wayne. I don't think I have to go any farther. The Duke finds a very clever solution for the water problem which you should see the film to find out.
But don't lose your lunch hearing that Nelson Eddy wannabe voice coming out of Mr. Wayne's mouth.
Of course Wayne in later years would cringe at the mention of these films. If you want a good idea of how he really sounded listen to him in McLintock singing a favorite ballad of his, The Moon Shines Tonight on Pretty Redwing. The Lone Star people might have even looked for a young band singer working day to day in clubs in New Jersey around this time named Frank Sinatra who over 30 years later actually had his voice come out of Wayne's mouth during a Dean Martin show.
If they could have cut out the singing gimmick, Riders of Destiny is not a bad film, in fact a cut above some of the westerns the Duke was doing at the time. Ranchers in the valley are being squeezed out by a greedy villain played by Forrest Taylor. He's built a dam and controls all the water and it's either sell to him outright or pay his exorbitant prices for water. Gabby Hayes and his daughter Cecelia Parker happen to have the only other water around because they dug a well. Taylor especially wants their land.
The citizens have written to the federal government in Washington for intervention and they get it in the form of John Wayne. I don't think I have to go any farther. The Duke finds a very clever solution for the water problem which you should see the film to find out.
But don't lose your lunch hearing that Nelson Eddy wannabe voice coming out of Mr. Wayne's mouth.
Please don't judge this film by the first 10 min.. John Wayne, alias Singin' Sandy Saunders, gets out his guitar in two spots, including the opening scene, and lip syncs to two very different sounding singing voices. Please spare us any more of this!
It's pretty bad when you have to hold up the stage in order to beat the bandits you know, from experience, are going to hold it up a little later and take the money being sent to you. But, that's the predicament striking blond Cecilia Parker found herself in when Wayne saw her horse shot out from under her by the stage driver. Seems the expected bandits were part of the same criminal outfit, headed by a Mr. Kincaid, as the stage drivers. Actually, their main racket was hoarding nearly all the regional water and selling it dear to the ranchers. The ranch owned by Gabby Hayes and daughter Cecelia has a well, the only other water source in this region. Thus, Kincaid especially wants to acquire this property for a full water monopoly, while threatening to cut off his water to the other ranchers unless they sell their land to him for next to nothing. Nice guy, Eh? Well, ole John has a plan how to get the ranchers out of this impossible situation. Kincaid falls for it like Cecilia falls for Wayne and vice versa. During the follow up horse chase of Kincaid by Wayne, poetic justice is served, and the valley ranchers presumably live happily ever after. See the movie to learn the rather unexpected details. Clever man, that Singin' Sandy Saunders. Clever, but sneaky.
It's pretty bad when you have to hold up the stage in order to beat the bandits you know, from experience, are going to hold it up a little later and take the money being sent to you. But, that's the predicament striking blond Cecilia Parker found herself in when Wayne saw her horse shot out from under her by the stage driver. Seems the expected bandits were part of the same criminal outfit, headed by a Mr. Kincaid, as the stage drivers. Actually, their main racket was hoarding nearly all the regional water and selling it dear to the ranchers. The ranch owned by Gabby Hayes and daughter Cecelia has a well, the only other water source in this region. Thus, Kincaid especially wants to acquire this property for a full water monopoly, while threatening to cut off his water to the other ranchers unless they sell their land to him for next to nothing. Nice guy, Eh? Well, ole John has a plan how to get the ranchers out of this impossible situation. Kincaid falls for it like Cecilia falls for Wayne and vice versa. During the follow up horse chase of Kincaid by Wayne, poetic justice is served, and the valley ranchers presumably live happily ever after. See the movie to learn the rather unexpected details. Clever man, that Singin' Sandy Saunders. Clever, but sneaky.
I recently purchased this film on a special triple bill DVD from an overly cheap discount store, in fact it was so cheap that the three movie disc cost me just one single pound of my hard earned British currency.
This film was both fantastic and atrocious in one. An exciting plot, but with laughable performances from the entire cast.
We know that all great actors have to start somewhere and the lone star westerns of the early thirties were what John 'The Duke' Wayne cut his teeth on.
To look at his work in his final film The Shootist in 1976, you can see just how much he had learnt over his 40 years in the business and what a great actor he did eventually become, but to look at his performances in these early days, you can understand why he spent most of the 1930's in relative obscurity.
Although Wayne looks uncomfortable throughout most of these films and his acting is wooden to say the least, it can't all be blamed on him.
These movies were the product of their day and cannot be judged by todays standards. Intended only as supporting features, these long forgotten studios turned out these 'B' movies by the shed load. Badly formed scripts with badly shaped characters must have poured though these fledgling studios like water through a hoop and with a stock company of actors who's style was still formed in the pantomime silent era, they were bound to be a bit cheesy. In fact if in 1933 there were Oscars awarded for the greatest achievement in over acting then this would be the motion picture with greatest ever hoard.
Wayne's character is a notorious gunman with a name that must have put the fear of God into whoever crossed his path, Singing Sandy Saunders.
Laugh? I damn near wet my pants.
And if that wasn't enough to give me the biggest gut wrencher of the century, then George 'Gabby' Hayes certainly iced the cake.
After an appalling song that sounded like two cats fighting over a piece of fish in a metal barrel, the great Gabby uttered the line, "Mmmm. I could listen to that all night." The line itself is worthy of side stitching surgery, but the look of peace and serenity on his face was just too much for the old chuckle muscles which then went on to explode.
I can honestly say that a truly inspired and well written comedy has never made me laugh as much as this film did.
However the story is a good one, with the corrupt businessman holding the town's ranchers to ransom over his monopoly in the water market with a view of buying up all the farms etc.
It survives today as nothing more than a nostalgic glimpse into the past, not only at a bygone era in cinema making, but as a chance to see a real Hollywood legend finding his feet. This alone makes it worth every penny of the thirty-three pence I in effect paid for it.
This film was both fantastic and atrocious in one. An exciting plot, but with laughable performances from the entire cast.
We know that all great actors have to start somewhere and the lone star westerns of the early thirties were what John 'The Duke' Wayne cut his teeth on.
To look at his work in his final film The Shootist in 1976, you can see just how much he had learnt over his 40 years in the business and what a great actor he did eventually become, but to look at his performances in these early days, you can understand why he spent most of the 1930's in relative obscurity.
Although Wayne looks uncomfortable throughout most of these films and his acting is wooden to say the least, it can't all be blamed on him.
These movies were the product of their day and cannot be judged by todays standards. Intended only as supporting features, these long forgotten studios turned out these 'B' movies by the shed load. Badly formed scripts with badly shaped characters must have poured though these fledgling studios like water through a hoop and with a stock company of actors who's style was still formed in the pantomime silent era, they were bound to be a bit cheesy. In fact if in 1933 there were Oscars awarded for the greatest achievement in over acting then this would be the motion picture with greatest ever hoard.
Wayne's character is a notorious gunman with a name that must have put the fear of God into whoever crossed his path, Singing Sandy Saunders.
Laugh? I damn near wet my pants.
And if that wasn't enough to give me the biggest gut wrencher of the century, then George 'Gabby' Hayes certainly iced the cake.
After an appalling song that sounded like two cats fighting over a piece of fish in a metal barrel, the great Gabby uttered the line, "Mmmm. I could listen to that all night." The line itself is worthy of side stitching surgery, but the look of peace and serenity on his face was just too much for the old chuckle muscles which then went on to explode.
I can honestly say that a truly inspired and well written comedy has never made me laugh as much as this film did.
However the story is a good one, with the corrupt businessman holding the town's ranchers to ransom over his monopoly in the water market with a view of buying up all the farms etc.
It survives today as nothing more than a nostalgic glimpse into the past, not only at a bygone era in cinema making, but as a chance to see a real Hollywood legend finding his feet. This alone makes it worth every penny of the thirty-three pence I in effect paid for it.
Le saviez-vous
- AnecdotesJohn Wayne could not sing. The songs were dubbed by Bill Bradbury, a son of director Robert N. Bradbury.
- GaffesWhen Saunders first appears in the film, he is carrying a guitar and singing. The guitar is not with him when he gives his horse to Faye Denton to make her escape, but he has it back when he is at the Denton's house and sings to the family.
- Citations
James Kincaid: I've made Denton an offer he can't refuse.
- Versions alternativesLater UK releases of this film were cut by 4 seconds to remove animal cruelty (a horse being ridden off a cliff into water) to comply with the Cinematograph Films (Animals) Act 1937.
- ConnexionsFeatured in Hooray for Hollywood (1982)
- Bandes originalesA Cowboy's Song of Fate
(uncredited)
Composer unknown
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- How long is Riders of Destiny?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Le chevalier du destin
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 15 000 $US (estimé)
- Durée
- 53min
- Couleur
- Rapport de forme
- 1.37 : 1
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