Picture Snatcher

Everyone has seen Public Enemy and Yankee Doodle Dandy, but if you're a serious Cagney buff you've got to see this flick. Made in '33 it is set in that time period. Cagney gets out of the big house and goes legit, if being a paparazzi is legit. The formula is tried and true; with pluck and luck Cagney makes good. The characters are stock, on paper, but the actors breath so much personality into them that they become individuals. Though we know Cagney will prevail, we don't know just how he will succeed, and that is where the drama comes from. The pace is quick enough that you wont go to the kitchen for a sandwich without hitting the stop button first. Great acting, a good story, a happy ending, bouncy theme music, and those great cars of the 1930s. What more do you want?

Picture Snatcher (1933)

A fast, pre-code romp, really fun. Cagney movies are so blazing in general, from his fast talking style and his frenetic body movements, this is terrific. It's not a gangster flick, though there are traces of that (he comes out of jail in the first scene), but it has the trappings of the end of Prohibition and all the fun of the cars and the times.

There are a number of interesting characters in addition to Cagney, sassy and chipper and really bright. The plot is crazy, really, with all kinds of rivalries among the thugs, the cops, the newsmen, and the women. There are some terrific newspaper scenes (like the lead typesetting machines, used for love notes by Cagney and his girl), but the title refers to Cagney's turn at being photojournalist. They don't show him in action much, but there is a key scene where he photographs a woman being killed in the electric chair. And he does it the same way the same kind of picture was taken in 1928 of Ruth Snyder at Sing Sing, the camera hidden on the photographer's calf, and the pant leg lifted at the time of the electrocution. The camera appears to be an American made Ansco, a slightly cruder version of the new small Leica style miniature camera hitting the market in the late 1920s.

But in fact photography plays a small role here. This is a movie about Cagney being his frenetic best, and that's what makes it great. I would say don't miss it. It's sweet, sassy, fun, and surprising.

Freshly paroled from New York's "Sing Sing Prison", tough-guy James Cagney (as Daniel "Danny" Kean) takes a perfume bath and gets himself a new suit. After telling old gangster pals he's going straight, Mr. Cagney decides he wants a career in journalism. He approaches the tabloid "Graphic-News" for a job. Hard-drinking city editor Ralph Bellamy (as McLean) won't hire Cagney, but changes his mind when the ex-con delivers an exclusive picture for the newspaper. Cagney saves Mr. Bellamy's job and is hired as a staff photographer. Cagney arouses sexy staff reporter Alice White (as Allison), but later prefers pretty Patricia Ellis (as Patricia "Pat" Nolan)...

Cagney struts around this second-tier feature like a first-rate star. He, director Lloyd Bacon, photographer Sol Polito, editor William Holmes and the Warner Bros. crew make punk look classy. The centerpiece is Cagney's assignment to photograph an electric chair execution. Also notable is the easy sex offered by a lone female co-worker. She puts the lonely staff ladies room to good use, but Cagney is a gentleman after discovering Ms. White is considered Bellamy's girl. Also watch for bookish bit-player Sterling Holloway and three beautiful young students. Based on a story by Danny Ahern, "Picture Snatcher" was re-made as "Escape from Crime" (1942).

******* Picture Snatcher (5/6/33) Lloyd Bacon ~ James Cagney, Ralph Bellamy, Alice White, Patricia Ellis

I'd like to recommend this to you for a couple reasons.

I'm right now doing a survey of films that feature newsrooms. Its a simple sort of fold that wouldn't work today. Amazingly, right after seeing this, I saw the new "Superman Returns." Horrid little move, but it reminded me that Superman was invented in the 30s and that's why we have Lois as a reporter.

In the 30s there were hundreds of movies set in newsrooms. Its roughly the same as a movie about the movie business, since the creation of stories and modeling of life was essentially a writer's game in that era. And the newsroom was one of the few places where women could be strong, sexy and articulate. And wow is this dripping with sex.

In those days, women could be nurses, teachers, secretaries or whores. Or if they were particularly clever, they were reporters. It was a sort of shorthand, lost today. If your movie put you in a newsroom, it was a stage where stories were made. And to have a woman weave stories and in some way control the world. That was something.

The story here is Cagney's typical gangster, head of a gang but imprisoned. He gets out and instead of returning to his gang, takes a job as a reporter. Actually — to make the folding good — as a photographer, hence the title. You can pretty much guess the story, knowing that he is both ruthless in invading lives and sweet on the daughter of the cop who "sent him up."

Here's the really interesting part: the sexy, precode blond is a reporter in the same pool. She's the girl of Cagney's boss but hot for Cagney. He's being chased by another broad too. To both he's mean, but the encounters with them are directly sexual.

Its odd. We see her as distinctly available, a silly blond. But we also know she is a crackerjack mind underneath. One scene: Cagney by subterfuge has obtained a picture of the execution of a murderess. He is chased all over town but makes it to the newsroom just under deadline. Breathlessly, he dictates the story to our sexy blond to type. He speaks in blunt gangster slang and we laugh at the notion that such a description would appear in the paper.

She types furiously, then the editor reads it aloud and it is three times as long, cleverly and articulately written. Big joke. No one notices. Bigger joke.

Ted's Evaluation -- 3 of 3: Worth watching.

Paroled convict James Cagney is determined not to return to a life of crime and decides to go to straight. He wants to get into journalism, but the only place that will hire him is the Graphic Record, the National Enquirer of its day. And not as a reporter, but as a picture snatcher. Now we would call Cagney a papparazzi.

Still and all it's a job and Cagney is pretty resourceful at getting sensational pictures. He photographs an electric chair execution and his ruthlessness gets his girlfriend's father in some heat. But later on he redeems himself with his knowledge of the criminal underworld.

Considering at where papparazzi are in the social pecking order these days, the viewer of Picture Snatcher is left to wonder just how legitimate Cagney has gone. Joe Pesci almost sixty years after Picture Snatcher was done did a period piece called The Public Eye which explored the same concerns. I think the viewer would like both films and Picture Snatcher if they are Cagney fans.