The Man from Toronto

Whereas most pictures from this era take us to crime-ridden streets or theatres of America in the Depression or maybe to romantic palaces or eerie castles, this gives us a fabulous insight into real 1930s English rural life. What an amazingly different world to anything we know now the rural village was back then.

Production standards are high with this. Director Sinclair Hill makes every frame count, giving it just the right pace to engage us, making this silly story somehow believable. He and his cameraman do full justice to the lush and lovely English countryside with some great fluid cinematography, mainly on location which was quite unusual at the time. He captures a real authentic taste and texture of this quaint little village (actually it's just outside Arundel in Sussex) - it looks idyllic.

As silly as the story is, it's great fun. It's a proper rom-com which ticks all the right boxes making this just as enjoyable as anything made these days. All the cast are spot on especially Frederick Kerr. He would die shortly after making this and his hilarious performance serves as a fitting tribute to him.

The real star and the reason to watch this is of course the divine, utterly adorable Jessie Matthews, the prettiest woman that humankind has ever produced. She is effortlessly alluring and makes her character absolutely alive.

Spending most of the film pretending to be a maid and not performing any musical numbers, we're not privileged to any exotic or erotic costumes such as the ones she graced us with in the fabulous IT'S LOVE AGAIN but she still looks jaw-droppingly sexy even in overalls. Being made in the 30s there's the obligatory scenes wearing a saucy negligee and in that respect, she certainly gives Joan Blondell a run for her money!

Overall this isn't particularly outstanding but is thoroughly fun and is guaranteed to make you fall in love with Jessie Matthews.

A fairly simple and predictable love story vehicle for Jessie Matthews. I found it watchable as a slice of life in 1933. What it might have been like living in a village where everybody knew each others business and rumors spread like wild fire. I liked seeing a village parade complete with brass bands and floats. It was interesting to see manual phone exchanges with switch board operators connecting overseas calls and cars starting to gain a foothold. A bit of visual history with an agreeable story line.

"The Man from Toronto" is a comedy-romance that stars Jessie Matthews. The talented Matthews made fewer than three dozen films in her career. Her forte was musicals and comedies. She made most of her films in the 1930s and before the end of World War II. She was never able to regain her film stature after the war. She worked mostly in TV after that.

Matthews was all but forgotten as a film star when she died of cancer at the age of 74 in 1981. But she left some splendid films for posterity. She was a superb comedienne and singer whose greatest talent was in her dancing. She was so nimble on her feet that she must have been double-jointed. In most of her dance routines, she would do swooshing kicks in which her left or right leg would touch the side of her head perpendicular to the floor. This film is one of the few she made in which she neither sang nor danced. The plot is somewhat original. She is a widow, Mrs. Leslie Farrar. She is in the will of a deceased wealthy man whom she wouldn't marry. She will inherit 250,000 pounds, but only if she marries his nephew. The nephew, Fergus Wimbbush (played by Ian Hunter) lives in Toronto. But he is wealthy in his own right, and neither he nor Leslie are inclined to marry just for the money - sight unseen. On second thought, of course, they would like to look one another over.

But, Leslie plots a plan to pose as a maid to Mrs. Farrar when Wimbush travels to England to look over Mrs. Farrar. One can imagine where this will go from there. The supporting cast has two characters that play heavily in the story. Frederick Kerr is Bunston, the solicitor and executor of the will. And Margaret Yarde plays Mrs. Hubbard. These and others add some comedy to the story.

The comedy is mostly in situations, so the script has very little by way of witty dialog. The film fits in the category of butler and/or maid comedies. Matthews' character is a bit harsh, sort of spoiled. Wimbush is smitten by the maid, Polly Perkins (Mrs. Farrar in disguise). It's not a roaring comedy but a pleasant one. The film quality is rather poor, and some of the direction and editing appear to have been weak.

This is not one of the better of Jessie Matthews films. But it is a fun film that most people should enjoy.

The Man from Toronto (1933) is a perfectly cute and entertaining movie. Jessie Matthews (Leslie Fararr) shines in her role as the rich girl who pretends to be a maid. This is the first movie I've seen her in and I was very much impressed by the way she carried herself throughout the film. The love interest is unfortunately plain and not particularly attractive, but the romance is believable. Some scenes are too long and unnecessary, but on the whole a well directed and edited movie. This little known film should get more recognition because it is quite cute and funny at times. Good clean fun from the magical world of the '30s. 6/10

This is the first time I have seen Jessie Mathews as I'm only 41 years old. I was absolutely delighted to see a star of the past that id never seen before. From the first time we see her its love at first sight and it just draws you right into the movie. I understand Jessie Mathews was a superstar in her time and its easy to see why. You could transpose her to any movie of today and she would still be a superstar, in the Julia Roberts or Reese Witherspoon etc (or maybe even better) League of today.

The uncle lawyer gave a good performance as well. It was interesting to see the movie from a historical perspective as well like the motor cars which was quite amazing.

Overall a great movie.