Meurtre au chenil

This is one of those movies that you wish you hadn't seen before - so you could see it again " for the first time " . Van Dine's books still bring pleasure - but are termed excessively flowery by many . This movie is by far the best film adaptation of his works . William Powell is William Powell - say no more . The plot is intricate . The story moves all too quickly , because you want it to last . Enjoy.

Talented detective Mr. Philo Vance (William Powell) cancels his overseas trip to investigate an apparently cut and dried case of suicide he has good reason to suspect is really something much more, a rather deliciously complex murder!

As far as murder mystery films go, it just doesn't get any better than this one. Populated with suspicious characters, all connected to a dog show and all having very good reason to murder the apparent suicide victim Archer Coe, it's truly tough to figure this one out or wrap one's head around it but boy, does it proves fascinating to watch unfold before us. Even the cops, the coroner and the district attorney prove colorful, fleshed out characters adding a level of unexpected gritty realism to this one's proceedings and amping up its overall "fun" factor. I particularly enjoyed the comic scenes involving the coroner (played by Etienne Girardot), who is always it seems to him being rudely and untimely interrupted by the discovery of corpses or injured men during this one's running time. Also Eugene Palette's Detective Sgt. Heath provides welcome, often later delightfully humorous at his expense, critical commentary during Vance's investigation. I cannot think of any valid criticism to give this movie in fact except perhaps that it hasn't dated particularly well. Doesn't stop the movie from being just plain good fun viewing though. Watch and see if you can wrap your head around this one's mystery. Highly recommended you try!

William Powell, Michael Curtiz, and a good murder mystery make "The Kennel Murder case" an entertaining film. Philo Vance (Powell) does some of his most difficult deducting, and Curtiz's direction keeps things moving quickly.

When rich, obnoxious Archer Coe is murdered, the case causes lots of difficulty for the police. It's bad enough that Coe's meanness gave a good reason for murder to pretty much anyone who ever knew him, but it's even worse that the clues are so complicated that he could have been killed in at least two completely different ways. Only Vance can figure it all out, and after some good twists, there is an interesting and creative solution.

Though basically filmed as a routine whodunit, there are several good features besides the story itself. Powell is as lively as Vance as he was later as Nick Charles in the "Thin Man" films. Most of the rest of the cast is good, too, especially Mary Astor as one of the suspects and Eugene Pallette as the earnest but not very bright sergeant in charge of the case. Everything moves along quickly with many good touches of humor.

Most mystery fans will find this movie entertaining and enjoyable.

One of the better Vance films succeeds more on interesting plot and artful direction by none other than Michael Curtiz. This time around a generally hated financier is found dead - shot in the head - in his locked and bolted bedroom on the upper floor. Philo Vance, hearing of the situation while about to set off for Italy, decides to end his vacation and try to solve what he thinks is a murder and what everyone else is considering a suicide. William Powell is as affable a Philo Vance as you will find. He never seems to press and is always very smooth in what he says and does. Powell is aided by a host of very talented actors - some first-rate character actors and actresses like Mary Astor as a niece that hated her uncle, Ralph Morgan as the dead man's secretary, Paul Cavanaugh as a rival dog fancier, Arthur Hohl as a mysterious butler, Helen Vinson as the next door kept blonde, and two really good performances by James Lee as the Chinese cook and portly Eugene Palette as a wise-cracking police detective. Add into the mix a wonderfully comedic turn by Etienne Girardot as a public coroner always missing his meal. It is this depth of suspects and a story that has many plots twists and turns that make The Kennel Murder Case a fast-moving, fun mystery.

In the 1920s and 1930s Philo Vance became a household name with publication of the wildly popular S.S. Van Dine (alias for Willard Huntington Wright) novels featuring the patrician amateur detective.

Though Kennel is one of the better Philo Vance novels, this adaptation of the eponymous book represents the rare case where a film is better than the original story (which would not film well if precisely represented on screen because of (1) the psychological issues which would be hard to depict, and (2) the novel's culminating violent scene, which the film modifies).

The genius in taking one of the lesser of the canonical Philo Vance novels and making it into a classic is, of course, Michael Curtiz's direction; Curtiz being an exceptionally talented director who has, perhaps, the misfortune of being eclipsed by the fame of his films (e.g., Casablanca, Mildred Pierce, and The Adventures of Robin Hood) because of lack of a distinctive style.

This film is also a successful example of an early talkie: the sound is fairly good except in some scenes where the boom is obviously too far away, and in one shot (between Robert Barrat and Helen Vinson) we actually see the microphone! Some of the actors are clearly still making the silent-to-sound transition, but the performances are uniformly good. The key scene stealer is Etienne Giradot, who plays the Coroner, Dr. Doremus. Indeed, his performance is so endearing he reprised the role in other Philo Vance films.

While it becomes fairly easy to guess the culprit, the film doesn't suffer for this because of the excellent direction, good sets and wardrobe (check out Mary Astor's chic outfits!), and fine performances. (Though primarily loved for his work as Nick Charles in the Thin Man films, William Powell gives one of the best (and most subtle) performances of his career in Kennel.) Besides its status as a Hollywood classic, Kennel is an outstanding example of successful story adaptation and early sound film-making. (One can also see some noir hints later fulfilled in Curtiz's Mildred Pierce.) Highly recommended.