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King Kong

  • 1933
  • Tous publics
  • 1h 40min
NOTE IMDb
7,9/10
94 k
MA NOTE
Fay Wray and King Kong in King Kong (1933)
Trailer for the original, classic film
Lire trailer1:32
1 Video
99+ photos
Aventure avec des dinosauresAventure dans la jungleAventure épiqueAventure urbaineHorreur monstrueuseAventureHorreur

Une équipe cinématographique se rend sur «Skull Island» au large de Sumatra. L'île est peuplée d'animaux préhistoriques et d'indigènes qui vénèrent un gorille géant, Kong. Ceux-ci capturent ... Tout lireUne équipe cinématographique se rend sur «Skull Island» au large de Sumatra. L'île est peuplée d'animaux préhistoriques et d'indigènes qui vénèrent un gorille géant, Kong. Ceux-ci capturent la femme de l'équipe pour l'offrir à Kong.Une équipe cinématographique se rend sur «Skull Island» au large de Sumatra. L'île est peuplée d'animaux préhistoriques et d'indigènes qui vénèrent un gorille géant, Kong. Ceux-ci capturent la femme de l'équipe pour l'offrir à Kong.

  • Réalisation
    • Merian C. Cooper
    • Ernest B. Schoedsack
  • Scénario
    • James Ashmore Creelman
    • Ruth Rose
    • Merian C. Cooper
  • Casting principal
    • Fay Wray
    • Robert Armstrong
    • Bruce Cabot
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,9/10
    94 k
    MA NOTE
    • Réalisation
      • Merian C. Cooper
      • Ernest B. Schoedsack
    • Scénario
      • James Ashmore Creelman
      • Ruth Rose
      • Merian C. Cooper
    • Casting principal
      • Fay Wray
      • Robert Armstrong
      • Bruce Cabot
    • 614avis d'utilisateurs
    • 205avis des critiques
    • 92Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 4 victoires et 8 nominations au total

    Vidéos1

    King Kong
    Trailer 1:32
    King Kong

    Photos262

    Voir l'affiche
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    Voir l'affiche
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    + 256
    Voir l'affiche

    Rôles principaux99+

    Modifier
    Fay Wray
    Fay Wray
    • Ann Darrow
    Robert Armstrong
    Robert Armstrong
    • Carl Denham
    Bruce Cabot
    Bruce Cabot
    • Jack Driscoll
    Frank Reicher
    Frank Reicher
    • Capt. Englehorn
    Sam Hardy
    Sam Hardy
    • Charles Weston
    Noble Johnson
    Noble Johnson
    • Native Chief
    Steve Clemente
    Steve Clemente
    • Witch King
    • (as Steve Clemento)
    James Flavin
    James Flavin
    • Second Mate Briggs
    Walter Ackerman
    • Reporter
    • (non crédité)
    James Adamson
    • Native Child
    • (non crédité)
    Van Alder
    • Member of Ship's Crew
    • (non crédité)
    Ed Allen
    • Native
    • (non crédité)
    Etta Mae Allen
    • Native
    • (non crédité)
    Frank Angel
    • Reporter
    • (non crédité)
    Roscoe Ates
    Roscoe Ates
    • Press Photographer
    • (non crédité)
    Ralph Bard
    • Member of Ship's Crew
    • (non crédité)
    Reginald Barlow
    Reginald Barlow
    • Ship's Engineer
    • (non crédité)
    Leo Beard
    • Member of Ship's Crew
    • (non crédité)
    • Réalisation
      • Merian C. Cooper
      • Ernest B. Schoedsack
    • Scénario
      • James Ashmore Creelman
      • Ruth Rose
      • Merian C. Cooper
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs614

    7,994.2K
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    Avis à la une

    Dethcharm

    True Royalty...

    KING KONG is more than a mere monster movie. Even though I love the stop-motion by Willis O'Brien, the adventure on Skull island, and the eventual New York City rampage, there's more going on than special effects and thrills.

    KING KONG tells several tales, including the primal "man vs. beast", the environmental "man's exploitation of the natural world", and the forbidden love story between Kong and Ann Darrow (Fay Wray), where the creature's ferocity is offset by his gentle protectiveness toward her.

    The fact that O'Brien was able to animate a tiny model and not only make it appear huge, but also make it a living, sympathetic character in the film, is a tribute to his creative ability. Within it's glued-on rabbit fur, beats a living heart. This is a morality tale that causes self examination. So many decades after its original release, I still cry every damn time he climbs the Empire State Building!...
    baz-15

    Holy Mackerel, what a show!

    I could never tire of this movie, i've seen it so many times and always watch it when it's on tv-in fact i watched it just a week ago! It's one of those films that is rewatchable countless times, like many other 'monster' movies. But this is the best 'monster' movie , it is so well made-it is a masterpiece. Everything is right-the effects,the photography,the score,pacing,continuity. My favourite part would be the big middle chunk on the island. Ann captured-natives dance-a sacrifice to kong-rescue mission-defeat of stegasoraus-swamp adventure-swamp escape-log catastrophe-trex battle-snake creature fight-pterydactil disposal-rescue/escape-kong wrecks village-gas bomb. There is almost no let up in the action in this sequence. I have seen two versions of the film though. One was cut, the other wasn't. Some scenes that were cut: kong pulls a native out of his hut and stomps him into the mud. Brilliant. Also the bits when kong chews a native, and when he chews on a new yorker. And when he throws a woman down from a scraper into the street. Needless cutting in my book. A lot of people complain about the acting. The acting is swell. Robert Armstrong is perfect as the over enthusiastic director who is completely responsible for the deaths of hundreds of innocent people but has absolutely no scruples about it. He provides the silent chuckles of the movie e.g my one line summary is actually what denham says when he sees the savages and their dancing. And Bruce Cabot to Fay Wray: ' hey, i guess i love you!' in a moment of clarity. Overall a smashing film with a great climax. And kong is supposed to have the hots for fay wray too when he plays with her and her clothes
    8Xstal

    Giant of the Silver Screen...

    So much more than a film about a giant ape, you can pretty much conjure him into almost any allegorical theme or representation that takes your fancy, although I'm not sure that was the original intent. The scenes on the Empire State Building are as iconic as any that were ever produced, perhaps the most iconic ever. A timeless classic, a timeless story that will continue to be copied in variation, and remade, but seldom equalled.
    G.Spider

    10 out of 10? This deserves 10,000 out of 10.

    Ignore the cranks who seem to look for subliminal messages and underlying hidden meanings in everything. This is a monster movie and a love story and never pretends to be everything else.

    Hollywood film-makers of today could certainly learn a few things from watching it with its well-written characters, fast-paced and dynamic script which contains barely a dull moment, excellent dialogue and hauntingly memorable music. Willis O'Brien's animation is at its best and Kong himself comes across as a genuine character and not an unsympathetic one. Scenery is also imaginative, with marvellous attention paid to detail, and the monsters are well-designed.

    Still the best monster film ever made, if not the best film.
    9ccthemovieman-1

    The First King Kong Still Going Strong

    With the recent DVD release of this film, and the latest version on the big screen being released two days from this writing, I hope more people take the opportunity to check this movie out, the original King Kong, if they've never seen it.

    This movie must have been astounding to the people watching it over 70 years ago. I doubt they'd ever seen anything like this, action-wise, and monster-wise. It is still fascinating today, even with the great advancements in special effects.

    Most action films from the classic years, from 1920 to the late 1960s had corny mostly unrealistic special effects but this film still holds up, extraordinarily so considering its age. The film also had a tremendous amount of action. Young people today are usually bored watching old black-and-white movies but they wouldn't be bored with this one. Once the "girl," Fay Wray gets captured by King Kong, the rest of the movie is one long action scene.

    Kong was not the only beast in the movie, either, which surprised me the first time I ever saw this. Protecting Wray, Kong battles a dinosaur, a giant snake, a giant bird and then human beings firing bullets and bombs at him.

    Wray also was fun to watch, but I''m a male so a pretty woman like her - shockingly exposing her breasts in one scene, too - makes it easier to enjoy the film. Her screaming, however, can get on your nerves. She must have been hoarse for a month after filming this movie.

    Robert Armstrong, as the film director, and Bruce Cabot, as the ship crewman and Wray''s rescuer, also are interesting to watch and hear. As I said, once the action kicks in, the his a very entertaining movie and impossible to put down.

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Merian C. Cooper's first vision for the film was of a giant ape on top of the world's tallest building, fighting airplanes. He worked backward from there to develop the rest of the story.
    • Gaffes
      (at around 1h 14 mins) A Skull Island resident jumps from a hut and falls beside a domed chicken cage, which then hinges backwards and catches the actor's wig, taking it off his head, and remaining on top of the cage.
    • Citations

      [last lines]

      Police Lieutenant: Well, Denham, the airplanes got him.

      Carl Denham: Oh no, it wasn't the airplanes. It was beauty killed the beast.

    • Crédits fous
      Opening Card: And the prophet said: "And lo, the beast looked upon the face of beauty. And it stayed its hand from killing. And from that day, it was as one dead." Old Arabian Proverb
    • Versions alternatives
      On November 22, 2005, Turner Classic Movies premiered a version with a four minute overture added. This increased the run time to slightly over 104 minutes. This is also the U.S. two-disc DVD collector's edition version. Note, however, that the overture was not part of the film's original exhibition. According to John Morgan's notes on the score's re-construction, the overture was not written by Max Steiner. Morgan writes, "Another rumor has recently surfaced that Steiner composed an Overture for the film's world premiere opening in 1933 - there was even a recent recording claiming to be this long-lost Overture. Hearing the recorded "proof" of this Overture confirmed our suspicions: it was merely those same few acetates that have been floating around for years, professionally edited into a short Suite and called an Overture. In conversations I had with people who attended and remembered this opening, there was no music from the film used in any of these shows." Source: John Morgan, "Reconstruction Notes by John Morgan," Steiner: King Kong. Marco Polo (8.223763), 1997, pg. 21 (near bottom).
    • Connexions
      Edited into Le vaisseau fantôme (1943)
    • Bandes originales
      St. Louis Blues
      (1914) (uncredited)

      Music by W.C. Handy

      Whistled by Robert Armstrong

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    FAQ25

    • How long is King Kong?Alimenté par Alexa
    • What is 'King Kong' about?
    • Is "King Kong" based on a book?
    • Why did the natives build such a huge door if they wanted to keep Kong out?

    Détails

    Modifier
    • Date de sortie
      • 29 septembre 1933 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • King Kong, la huitième merveille du monde
    • Lieux de tournage
      • San Pedro Harbor, Long Beach, Californie, États-Unis
    • Société de production
      • RKO Radio Pictures
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 670 000 $US (estimé)
    • Montant brut mondial
      • 1 181 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 40min(100 min)
    • Couleur
      • Black and White(original release)
      • Black and White

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