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IMDbPro

Her Bodyguard

  • 1933
  • Approved
  • 1h 11min
NOTE IMDb
5,0/10
41
MA NOTE
Wynne Gibson and Edmund Lowe in Her Bodyguard (1933)
ComédieRomance

Ajouter une intrigue dans votre langueThe "sugar daddy" of a Broadway star hires a bodyguard to protect her from thieves out to steal the jewels he's given her and also from the attentions of other men, most notably the producer... Tout lireThe "sugar daddy" of a Broadway star hires a bodyguard to protect her from thieves out to steal the jewels he's given her and also from the attentions of other men, most notably the producer of the show in which she's starring. However, soon the bodyguard and the star begin to be... Tout lireThe "sugar daddy" of a Broadway star hires a bodyguard to protect her from thieves out to steal the jewels he's given her and also from the attentions of other men, most notably the producer of the show in which she's starring. However, soon the bodyguard and the star begin to become attracted to each other.

  • Réalisation
    • William Beaudine
  • Scénario
    • Corey Ford
    • Frank Partos
    • Francis Martin
  • Casting principal
    • Edmund Lowe
    • Wynne Gibson
    • Edward Arnold
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,0/10
    41
    MA NOTE
    • Réalisation
      • William Beaudine
    • Scénario
      • Corey Ford
      • Frank Partos
      • Francis Martin
    • Casting principal
      • Edmund Lowe
      • Wynne Gibson
      • Edward Arnold
    • 4avis d'utilisateurs
    • 2avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos5

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche

    Rôles principaux25

    Modifier
    Edmund Lowe
    Edmund Lowe
    • Casey McCarthy
    Wynne Gibson
    Wynne Gibson
    • Margot Brienne
    Edward Arnold
    Edward Arnold
    • Orson Bitzer
    Alan Dinehart
    Alan Dinehart
    • Lester Cunningham
    Marjorie White
    Marjorie White
    • Lita
    Johnny Hines
    Johnny Hines
    • Ballyhoo
    Fuzzy Knight
    Fuzzy Knight
    • Danny Dare
    Zoila Cana
    • Miss Spook
    Louise Beavers
    Louise Beavers
    • Margot's Maid
    Arthur Housman
    Arthur Housman
    • Drunk
    Lona Andre
    Lona Andre
    • Hat Check Girl
    • (non crédité)
    Don Brodie
    Don Brodie
    • Hood
    • (non crédité)
    James Burke
    James Burke
    • Police Captain
    • (non crédité)
    Harry Depp
    Harry Depp
    • Dresser
    • (non crédité)
    Bill Elliott
    Bill Elliott
    • Dance Extra
    • (non crédité)
    Gloria Faythe
    • Dancer
    • (non crédité)
    Robert Gleckler
    Robert Gleckler
    • Hood
    • (non crédité)
    Harrison Greene
    • Cunningham's Assistant
    • (non crédité)
    • Réalisation
      • William Beaudine
    • Scénario
      • Corey Ford
      • Frank Partos
      • Francis Martin
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs4

    5,041
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    9
    10

    Avis à la une

    11930s_Time_Machine

    Bring on the empty horses

    They might as well have done because the parade of non-entity Z listers they sent on made as much impact. This is an absolute nothing of a film: stupid story, lifeless direction, bland script, unlikeable characters and it looks like it was all written, filmed and edited during a quick visit to the local speakeasy.

    The only highlight is a cameo from Arthur Houseman doing his regular drunk act right at the beginning - yes, he from Laurel and Hardy's OUR RELATIONS!

    As hard it is to believe, this was made by a proper studio: Paramount, believe it or not. This isn't just a B picture, it's a Z picture. To be fair however pictures like this were never meant to be watched by us ninety years later. They were just cheap product to oblige the picture houses used to fill time as the audiences took their seats. It would be like our great grandchildren watching an hour's worth of cinema adverts from today. Even so, I'd guess they'd have preferred to see adverts for the new Ford model Y and the latest gramophone than this.

    The acting from four "stars" is worse in terms of credibility than you'd see in FLASH GORDON. They show no emotional engagement with each other - you could believe that they've only just met ten minutes ago when the scrips were given out...... which was ten minutes before director William Beaudine got his!

    To make it worse: the producers thought that Marjorie White was an actual actress and asked her to be in this. I haven't seen such a dreadful film since... yesterday when for some misguided reason I sat through SUNNYSIDE UP - which also featured Marjorie White. Oh and yes, we're also treated to Louise Beavers playing that usual subservient simpleton she always did. Did they think that wouldn't be seen as patronising to any black customers unfortunate enough to wander in to the theatre?

    The overall impression of this is cheapness. Some quota quickies, some B movies and some pictures from the Poverty Row studios with tiny budgets are of course worth watching - this however is dull, amateurish and awful. Avoid!
    7boblipton

    Some Surprising And Pleasing Performances

    Wynne Gibson is starring in Alan Dinehart's new show. She's also stringing Edward Arnold along. He's just given her a very expensive piece of jewelry. But he realizes that some thief may try to take it away from her, and hurt her in the process, so he decides to get her a bodyguard. Publicist Johnny Hines is ecstatic, since it's something to get her name in the papers. Unfortunately, it turns out to be Edmund Lowe.

    Normally I have issues with Lowe. He was a very competent actor, but too many of his performance involved him being sophisticated, in the sort of role that many could play. Occasionally he cut loose in movies like WHAT PRICE GLORY, and showed what he could do. He does that here. He raises the pitch of his voice half an octave and speaks nasally, a working-class Irishman who clearly resents the whole situation, but it's a job, and he's going to do it right. He and Miss Gibson annoy each other, and it's very real, with a frisson of sexual attraction.

    There are also other fine performances, including Fuzzy Knight as a songwriter, and Marjorie White (in her final film performance) as Miss Gibson's former partner in a two-act. You can see an easy camaraderie between the ladies as they start to dance with Knight playing the piano. Director William Beaudine gets excellent performances out of his entire cast, and the result is a surprisingly lively little movie.
    3view_and_review

    Pedestrian

    "Her Bodyguard" may have been good had I not already seen a better version called "Bodyguard" starring Whitney Houston and Kevin Kostner.

    "Her Bodyguard" was a pedestrian and rather predictable romance starring Edmund Lowe as the bodyguard Casey McCarthy and Wynne Gibson as the actress Margot Brienne nee Maggie O'Brien. Casey was hired by Orson Bitzer (Edward Arnold) a rival to Lester Cunningham (Alan Dinehart) for Margot's love. Bitzer's bright idea was that 1.) a bodyguard could protect Margot with all the jewelry she was wearing and 2.) he could be present whenever she had to meet with her director, Lester Cunningham. In other words, Casey would be part bodyguard and part cockblocker.

    You knew that Margot was going to fall in love with Casey, it was just a matter of when. There was really nothing to see here. It wasn't funny or intriguing; just another movie.

    Free on Odnoklassniki.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      A nitrate print of this film survives at the UCLA Film and Television Archives.
    • Bandes originales
      Where Have I Heard That Melody?
      Music by Arthur Johnston

      Lyrics by Sam Coslow

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    Détails

    Modifier
    • Date de sortie
      • 21 juillet 1933 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Demon velegrada
    • Lieux de tournage
      • Paramount Studios - 5555 Melrose Avenue, Hollywood, Los Angeles, Californie, États-Unis
    • Société de production
      • Paramount Pictures
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 11 minutes
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.37 : 1

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