La souriante Madame Beudet

Madame Beudet (Germaine Dermoz) lives in the province and her sneering, uncouth husband makes her life hell. He has bad table-manners and even his best friends find his habit of parodying suicide with an unloaded gun very dumb. He ridicules his wife who reads poetry and plays Debussy. He haunts her even in her dreams. All sorts of visions prey on Madame's mind and she sees herself loading the gun...with an unexpected but perhaps inevitable result.

One of those silent treasures that ARTE presents once a month. An impressionist film with well-contrived lighting-effects and emphatic performances. Don't miss it!

"La Souriante Madame Beudet" is mostly interesting and a classic because of its unusual and daring theme, for its time. Back in the '20's women rights weren't exactly regarded as the most important or relevant things, to put it mildly. Women were often oppressed and restrained in their marriage, to mainly only household chores, as is shown in this movie about a woman who is trapped in a loveless marriage.

Of course there is not much to the story, it's just purely about its theme. The movie follows the life of the husband and wife over a couple of days, in which she gets humiliated and has to do humiliating chores for her husband. She starts thinking about taking revenge but the intelligent woman is soon stricken with remorse. The movie shows the position of the woman in everyday life and it of course does so by exaggerating things to make its point. Normally we only know French movies for its perfect and romantic love stories. This is a whole different piece of cake.

The movie is made in a style-full fashion, which makes the movie really interesting to watch, even for todays standards. The movie has some interesting camera positions, such as a couple of over-shoulder shots. But also the storytelling is interesting and style-full, such as in the sequences were the husband is faking emotions and in the background the mirror opens with a couple of hand-puppets playing the exact same scene, with the words 'all theater' appearing. It makes the imaginative Germaine Dulac directing also one of the highlights of the movie.

Alexandre Arquillière is brilliantly repulsive as the husband and Germaine Dermoz is great as the obviously more intelligent wife. There are a couple of more characters but the movie does a good job at concentrating mostly purely on the two main character were after all the movie and its plot is all about of course.

In todays perspective, the movie is both interesting and beautiful to watch.

8/10

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This film is only useful to those studying the French impressionistic style of film making or the issues surrounding women early this century. As a film it is throughly uninspiring. I saw it in film class and it demonstrated what I had been learning about but I would not recommend it to anyone who does not have an academic interest of some sort.

Its plot is simply recounts a few days in the life of a repressed French housewife. Its main focus is how Madame Beudet views her life and her histrionic husband. As you might have guessed the title is meant to be sarcastic.

I studied Women and Film with author, Dr. Sandy Flitterman-Lewis at Rutgers University and this is one of the many films that we watched in the viewing. Germaine Dulac provided us a glimpse into the life of women in France during Pre-World War II era and Post World War I world. Paris was a city who loved the arts at the time and was thriving with literary salons and American expatriates as well. Germaine Dulac never captured as much attention but she should have been on league with her male counterparts like Jean Epstein and others. Sadly, the war and the depression may have ended her career like so many others. We can only imagine what might have been if Germaine Dulac had been given the same advantages that her male counterparts received during that time. But she was one of the lucky ones to get the experienced to direct such films like this that are controversial and eye opening as well. Language is not necessary since sound didn't come until the 1930s and Germaine's career went elsewhere.

The Smiling Madame Beudet / La Souriante Madame Beudet (1923) : Brief Review -

A great french expressionist silent feature and unlikely first truly feminist film. Even with unlikely probability of being first feminist drama The Smiling Madame Beudet can be termed as one at least for the French cinema. I remember watching D. W. Griffith's feminist films (in dramatic mode) made before this so i won't count it as one. The film is about a woman trapped in loveless marriage and it also explores several devastating moments from the woman's life. However, the captured version is soulless at the beginning, it gathers a solid momentum and connectivity in last 10 minutes. Those dream sequences, delusional obsession and never smiling face of the woman (even in the last frame of her) should be considered as a part of great filmmaking. And it is directed by pioneering 'avant-garde cinema' director Germaine Dulac, who, in my opinion wasn't able to put that famous non-narrative structure in this film. It was far away from intricate storytelling but that ultimately gave it an advantage to carry that it is rather more convincing and intense, exactly what the context required from it. The husband's character was well written if you see his own joke becomes the biggest turnaround of his life and at the same time the wife remains still even after wrong surmise and big tragedy. In a way i would have loved to see that much anticipated "Smile" on her face as mentioned in the title but there was not a single frame for it. Instead, it went in completely opposite direction to catch the realistic expressionism. So, yes it becomes an innovative product overall which is deservingly known by art cinema lovers and i would like to carry forward the recommendation.

RATING - 7/10*

By - #samthebestest