Sherlock Holmes contre Moriarty

Here's another old movie where the distance from the "original" events (here the writing of the stories) is closer to the movie than the movie is from us. It makes it even odder that the era of the story is shifted to the era of the movie, with cars and phones.

I'll watch any old detective story. Anything along these lines until 1940 or so was important to the development of narrative, no matter how bad. This one is no masterpiece; the plot is muddled, but the fact that the ending is missing is almost better because you can imagine something better than what the filmmaker can. We might even have done away with the latter half of the thing.

But there is one interesting thing: the legacy of the actors. The Barrymore gestures of Holmes are the basis for the silent-filmlike excess of Jeremy Brett. You can see William Powell, the famous star of the Thin Man series, which reinvented the detective film genre. And you can watch Watson played by the man who would presage noir with "Topper." Both in their first film.

And I suppose there's some mild pleasure in seeing obsolete visions of female beauty.

The Holmes here does no detecting except for deducing that Watson has moved his dressingtable.

Ted's Evaluation -- 2 of 3: Has some interesting elements.

I get that this is not one of the all time best silent movies however this is a very good representation of the burgeoning art of filmmaking. The director is trying to make a large film using pieces of the entire Holmes catalog. Does he make an Oscar winner? Well, since the Oscars weren't created when this movie was made I guess we will never know.

Still, this is an amazing piece of history that you should watch for what it is, a restoration. To even discuss the technical aspects of lighting etc, is just pure silliness, it's 1922 for goodness sake! I love Holmes, I love Barrymore, I love this movie. It's history. It's where we came from, watch it in that light and you will enjoy it so much more.

The film starts out in Sherlock Holmes' (John Barrymore's) college days at Cambridge. Watson (Roland Young) is rooming with Prince Alexis (Reginald Denny) who has been falsely accused of stealing the university athletic fund. Holmes, even as a student, quickly gets to the bottom of things - an apprentice to Moriarty, Forman Wells (William Powell), stole the money to escape Moriarty. Holmes is fascinated by Moriarty and decides his life work will be to bring him to justice.

Meanwhile, the prince's uncle decides, to stop any scandal, he will pay back the athletic fund to the college. At the same time the prince learns that his two older brothers have died in an accident and now he is heir to the throne. He returns to his home country after penning a letter to his fiancee that he must break their engagement because of his new position. The woman kills herself. Coincidentally, this woman is the sister of a woman that Holmes falls in love with at first sight. She disappears from Holmes' life after her sister's suicide.

The years pass, and Watson is a doctor and Holmes is persistent in his battle against Moriarty. Prince Alexis has announced his marriage to a woman of royal blood. But his dead fiancee's sister is threatening to expose the prince with his love letters to her sister, with Moriarty also wanting those letters so he can blackmail the prince. Moriarty has his subordinates keeping her at a rented castle trying to get those letters away from her. At this point Holmes gets involved mainly to save the girl - from enacting bitter revenge and from Moriarty - more than to help the prince.

This film is far from perfect - it has great big plot holes in it. For example, why does the prince's fiancee kill herself? Was she pregnant? Just heartbroken? It is never said. Yet everybody blames the prince for what seems to be an outsized reaction on the girl's part. It's also hard to follow at points. Apparently Holmes' house has burned, but exactly how and when this happened is not said. What is especially good is Barrymore's performance as this particular rendition of Holmes, even though Sherlock Holmes in literature was never particularly interested in women and this Holmes is a hopeless romantic. On the technical end, the picture is so dark at points that it is impossible to see what is going on, and there are not that many intertitles, but the ones that exist are very verbose.

What's really interesting is just how many future stars and just plain famous people are in this production. I've already mentioned William Powell in his first film appearance, Roland Young, and Reginald Denny, but there is also Hedda Hopper as a henchwoman of Moriarty's, Louis Wolheim as Moriarty's muscle, and David Torrance as a count. All of these people had careers that reached well into the sound era.

I had looked forward to having John Barrymore's SHERLOCK HOLMES on DVD for quite some time. I had seen the movie before but only in a wretched public domain VHS which was so dark that most of the film was hard to make out. The first half is made up of original material that sets the stage for the second half which is the William Gillette play. Holmes and Watson begin as college students at Cambridge which leads to his first encounter with Moriarty. The scene is clever and memorable.

It's a shame the rest of the movie can't match it. Although atmospherically lit, the camerawork is rather static and the direction is often ponderous. To be fair, this restoration by the George Eastman House is 24 minutes shorter than the original and this could be a case of where the missing footage makes it seem longer. There are obvious gaps and the film just doesn't flow right.

The biggest problem with this release as far as I'm concerned is the use of Ben Model's virtual organ score. Model is a fine musician who has enhanced many a silent film but this is a movie that badly needs an orchestral score to cover its deficiencies. This score, while well played and well recorded, failed to keep my interest. Still the movie is definitely worth having for the performances alone.

In addition to Barrymore you get to see early turns by William Powell (his first movie), Roland Young (as Dr. Watson), Carole Dempster (away from D. W. Griffith), Hedda Hopper before she became a columnist, and Gustav von Seyffertitz as the ideal Moriarty. The actual London locations also enhance the proceedings. The Blu-ray edition is slightly better and is the way to go for the best results regarding this title...For more reviews visit The Capsule Critic.

"When a young prince is accused of a crime that could embroil him in international scandal, debonair supersleuth Sherlock Holmes comes to his aid, and quickly discovers that behind the incident lurks a criminal mastermind eager to reduce Western civilization to anarchy. Adapted from the hugely popular stage version of Arthur Conan Doyle's stories (by William Gillette), 'Sherlock Holmes' not only provided Barrymore with one of his most prestigious early roles, but also presented the screen debuts of two notable actors: William Powell and Roland Young," according to the good folks at Kino International.

The star and property once made this one of the more missed "lost" films from the silent era. Then, in the 1970s, the 1922 version of "Sherlock Holmes" was found. However, this was no ordinary find. What they found was a cache of film canisters containing a jumble of the original film. There were multiple pieces of scenes, in no particular order, and with out the benefit of intertitle continuity (itself a curious and intriguing state). Kevin Brownlow and The George Eastman House set about restoring the film. That the restoration was ready in the 2000s indicated the level of work and dedication involved.

Now, we see the 1922 "Sherlock Holmes" is no classic. Even upon original release, there were complaints about the high level of reading (title cards and letters) as Mr. Barrymore and the cast conversed about plot elements. And, to miss reading a single intertitle will leave you confused. Also receiving understandable heckles in some quarters was the assertion that the famously asexual detective had a desire for Carol Dempster (as Alice Faulkner). This "romance" was carried over from Mr. Gillette's very successful version; at the time, leaving it out might have been more unwise. Audiences expected "Alice".

Goldwyn Pictures and director Albert Parker "embellished" the Gillette version by having the characters meet in college, during a long prologue. So, this is where Barrymore's Holmes falls in "love at first sight" with Ms. Dempster and meets malevolent professor Gustav von Seyffertitz (as Moriarty). Holmes is also introduced to the "prince and letters" plot by pre-shaved college pal Roland Young (as John Watson). This, and the London location footage, was meant to ward off the staginess of the source material. But, the film remains in the box. The last act excites, if you picture it occurring on stage.

***** Sherlock Holmes (3/7/22) Albert Parker ~ John Barrymore, Gustav von Seyffertitz, Carol Dempster, Roland Young