Le roman d'un Roi

Rex Ingram was one of the great visual stylists of the silent cinema, but his version of "The Prisoner of Zenda" is a little slow and ponderous and visually not as interesting as other Ingram films. But it's still pretty good with strong performances from Ingram's wife Alice Terry and the marvellous Lewis Stone. Although Ramon Novarro has top billing, Stone actually has the lead role - Ramon's role is a supporting one - an evil nobleman. But he is splendid - darkly handsome with a little beard and a monocle - and convincingly evil. It is interesting to see him before he became type-cast as the energetic sweet boy - he shows here that he had more range as an actor than he was allowed to show.

The entire supporting cast is excellent and, although the sets are ordinary, the costumes are very fine. I expected more from Ingram, but this film is still worthwhile. Does anyone know if the Ingram - Novarro "Scaramouche" is still in existence?

English traveler and sportsman Lewis Stone (as Rudolf Rassendyll) decides to attend the coronation of distant relative "Rudolf V." of Ruritania (also Lewis Stone, in a dual role), after the recent death of the foreign land's King. But proposed King Stone has a wicked half-brother, who covets the title. Receiving most of his help from charismatic Ramon Novarro (as Rupert of Hentzau), treacherous brother Stuart Holmes (as Grand Duke Michael) plots to poison Mr. Stone and take his place on the throne. But, due to the royal Rudolf's fondness for alcohol, a switch is made. One who senses something rotten in Ruritania is beautiful Alice Terry (as Princess Flavia), who is expected to marry one, but falls in love with another...

"Towards the end of the day, when the soul is weary and the heart longs for its beloved"...

Anthony Hope's classic adventure story gets the MGM treatment, even though the studio mostly called "Metro" by insiders was only M-G- (no Mayer, yet) at the time. Metro's mega-hit "The Four Horsemen of the Apocalypse" (1921) director Rex Ingram and the principle players gathered here stuck with the company; helping set the standard for MGM productions, Metro/MGM competed successfully with older studios. This film advanced careers, most notably helping propel Mr. Novarro to "superstar" status. There are also fine impressions made by veteran Robert Edeson (as Colonel Sapt), bewitching Barbara La Marr (as Antoinette de Mauban) and debuting Malcolm McGregor (as Fritz von Tarlenheim)...

Notable re-makes in 1937 (all talking, with Ronald Colman) and 1952 (in color, with Stewart Granger) are worth seeking out in a "twofer" package from Warner/Turner. They should have added this 1922 version. It's still entertaining, due to swaggering action, good production values and captivating performances. This non-speaking "The Prisoner of Zenda" was the standard silent film era version. It was the #4 "Best Picture" of 1922 according to the annual "Film Daily" poll of critics. Rex Ingram, Lewis Stone, Alice Terry and Ramon Novarro received director and acting accolades. Stone, at his silent best here, essays a small part in the 1952 version; it was one of the last roles for the perennial Metro-contracted actor.

******** The Prisoner of Zenda (7/31/22) Rex Ingram ~ Lewis Stone, Alice Terry, Ramon Novarro, Malcolm McGregor

Rex Ingram was one of the finest directors of the silent era, but unfortunately, he is little remembered today. His most famous film is The Four Horsemen of the Apocalypse, a box office smash in 1920 which put Italian immigrant Rudolph Valentino on the road to full-blown stardom. This 1922 adaptation of The Prisoner of Zenda is one of his better known films among silent movie geeks, but I would not count it among his most outstanding.

There's good scenery and spectacle, and Lewis Stone makes good as the lead. The standout of the cast is without a doubt a young Ramon Novarro as the roguish Rupert of Hentzau. Unfortunately, the rest of the cast is not so memorable. The film is also overlong and the comic relief was mildly painful at best.

Overall, it's watchable, but you'll be better served by watching the 1937 remake. If you want outstanding Ingram, then see Scaramouche or Four Horsemen.

I've seen both Rex Ingram's "Scaramouche" and "The Prisoner of Zenda" and by far "Scaramouche" the more entertaining film. This film though, was very fascinating. Lewis Stone acquits himself well as the hero/drukand king and swordfights quite well. Alice Terry made a very beautiful princess. Ramon Novarro played the monocled villain, somewhat unintentionally funny. Barbara La Marr, the closeups of her face, wow! Seeing Valentino's "cousins" from "The Four Horseman of the Acapolyse" in supporting roles was really cool.

However, the Colman/Fairbanks Jr. version is far superior.

Expensive silent film of a king who is marked for assassination. He switches identities with a look alike (both played by Lewis Stone) who takes his place at his coronation. But the real king is kidnapped. While his followers try to find him, the fake king falls in love with Princess Flava (Alice Terry).

Slow moving but the film looks great. No action...just lots of exagerrated looks and people endlessly talking. The sets, costumes and acting helps. Seeing Stone (who went on to play Judge Hardy in the Andy Hardy movies) so young and being a romantic lead is interesting. He's also very good. Terry is regal and also very good as the princess. Ramon Novarro (still an unknown) plays the evil villain. That's quite a shock--he always played heroes in his later films. He pulls it off though.

So, it's beautiful but I can't totally recommend it.