Jour de paye

Altogether amazing little short with the comic at his best as a brick layer who is late on the job and presents a flower to his monstrous boss (MACK SWAIN). Swain looks so much like Billy Gilbert that I thought that's who it was at first. Swain orders him immediately to work and the fun starts.

A particularly amusing lunch hour sequence is full of sight gags requiring perfect timing. Charlie gets paid, then has to deal with an overbearing wife who sleeps with a rolling pin in her arms, ready to pounce on him when he doesn't come home from work on time. Instead, he's at the local pub having a night out with the other workers.

The pub sequence leads to other amusing sight gags as he and a fellow worker struggle to get out of the rain and onto a streetcar.

No wonder Chaplin considers this one his favorite silent short. Again, Edna Purviance has little to do but it hardly matters. It's Chaplin's limelight and that's all audiences wanted.

All of the stunts are exhibited in perfect timing and are the mark of genius.

Pay Day is definitely one of the best of all of Charlie Chaplin's early short comedies, and that's not even just because it is now placed at the end of The Gold Rush, Chaplin's own favorite of his films. Charlie plays a construction worker who shows up to work late to a job at which his boss is clearly a tyrant. The part where Charlie is in the ditch strenuously digging and only coming up with tiny bits of dirt is one of the funniest parts of the entire film. And then, of course, you have the classic brick throwing scene, which was sure to have knocked people off of their seats when they first saw it in 1922.

But Pay Day is not just another slapstick comedy, it's also got one of the better stories of Chaplin's early, short films. His misadventures at work set up the scene for his underpayment (which seemed not to be enough pay because Charlie was uneducated and added wrong – 2+2+2+2=9), and his eventual confrontations with his beast of a wife. When she takes nearly all of his paycheck, he sneaks away to a bar to get drunk, finally making it home at 5am, only to find his horrendous wife sleeping with a rolling pin. It is another classic moment when he sneaks into the bathroom (hoping to have convinced his wife that he has already left for work) and goes to jump into the bathtub full of laundry, only to find that it is also full of water.

While Pay Day does present a steady stream of slapstick comedy (which was, of course, one of Chaplin's greatest skills), it is also a fairly involved story, which few of his short films had, but which were almost always very well done. He again presents the predicament of the working man, both in his work environment as well as an amusing comment on the working man's home life. If you are interested in Chaplin's work or in slapstick comedy in general, Pay Day is a must see.

Arriving late for work on the construction site is not a good idea when you're trying to earn enough money to keep some back from your domineering wife. That is just the situation our hero finds himself in though, but it doesn't stop him enough a drink or five from night through to early morning.

An afternoon of Charlie Chaplin shorts and features was mine recently as I tried to catch up on some things I had not seen before. Pay Day was one of those short films and while being roundly good, it is still an affair of two halves. The first half has some great bits in it, the reverse filmed bricklaying sequence being my favourite but the service elevator stuff is as good but in different ways. The second half is nearly as good but is too dominated by the device of drunkenness for my liking. That said it does still have some laugh-out-loud moments in there but for sure the first half is the strongest.

Chaplin delivers with strength as usual. Whether it be his work with his face or his ability to work in reverse on the brick sequence, he is quite brilliant and you can see here some of the reasons that his name is mentioned when discussing genius. The support cast is not as important here as in some other films, as Chaplin tends to play off things more than people here. Still, regulars Swain, Perviance, Bergman and others are all here.

Overall then a generally funny and enjoyable short film with Chaplin on inventive good form even if the second half is not quite up to the level of the first.

This film has some highly imaginative and well-timed stunts--all revolving around Charlie's job at a construction site. All the near-falls and accidents remind me of Sweet Pea from POPEYE cartoons--as the baby is nearly killed again and again but miraculously escapes. In Chaplin's case, it involved a funny sequence when he ALMOST falls down an elevator many times, dropping objects accidentally on those below and a really interesting sight gag involving guys throwing bricks up to Charlie who catches this with complete ease (it was done by running the film backwards). Later, Charlie's hideous and scary wife is introduced and it goes from a work comedy to a domestic one. In a way, this was a minor disappointment, as I preferred the faster paced work stunts, but all-in-all this is a funny and well executed short.

Said to be Chaplin's favorite of his short films, Pay Day is a quick, yet funny story of the Tramp and his Pay Day. Showing up to the job late, complaining about his wage, and then having to deal with his scary wife is just the first half of the movie. The night spent out on the town, drinking his problems away and then trying ever so hard to catch the train home is the second half. The physical comedy in Pay day is pure Chaplin. Catching the bricks, the escapades with the elevator and the mob to ride the train are segments that are unique and very funny. Still, Pay Day is not you average Chaplin film. There are moments in the movie that are just there to make you laugh. More of a joke filled story that an actual story with a beginning, middle and an end, Pay Day is a no holds bar comedy with the object to make the audience laugh. And it does.