Ajouter une intrigue dans votre langueAn orphan named Oliver Twist meets a pickpocket on the streets of London. From there, he joins a household of boys who are trained to steal for their master.An orphan named Oliver Twist meets a pickpocket on the streets of London. From there, he joins a household of boys who are trained to steal for their master.An orphan named Oliver Twist meets a pickpocket on the streets of London. From there, he joins a household of boys who are trained to steal for their master.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires au total
James A. Marcus
- Mr. Bumble
- (as James Marcus)
George Marion
- Workhouse Committe Member
- (non crédité)
Avis à la une
With a good cast headed by Jackie Coogan and Lon Chaney, plus decent atmosphere that conjures up the sights of Dickens' world, this version of "Oliver Twist" works well. The Dickens story makes wonderful movie material, but it is also quite melodramatic, and for a film version to succeed requires convincing characters and a believable recreation of the world of the novel. Coogan, Chaney, and director Frank Lloyd all get the job done.
Coogan was of course the best and obvious choice in his day to play Oliver. But Chaney, although much more limited in his screen time, is even more memorable. Fagin is the kind of role that Chaney most excelled at. His make-up, mannerisms, and gestures are all impressive, and it is amazing the way that without dialogue he can so quickly and efficiently define his character's relationships with the other characters. The rest of the cast are mostly lesser-known names, but they all do a good job of establishing their characters, too. The settings are a bit plain at times, but are always consistent with the story, and they do the job of showing us the varied places where Oliver lived the different stages of his young life.
There have many versions of the Oliver story, and the terrific David Lean version from the 40's is still the one by which all others should be measured. But this is a good adaptation, and it has almost everything you could ask for in a silent version of the story.
Coogan was of course the best and obvious choice in his day to play Oliver. But Chaney, although much more limited in his screen time, is even more memorable. Fagin is the kind of role that Chaney most excelled at. His make-up, mannerisms, and gestures are all impressive, and it is amazing the way that without dialogue he can so quickly and efficiently define his character's relationships with the other characters. The rest of the cast are mostly lesser-known names, but they all do a good job of establishing their characters, too. The settings are a bit plain at times, but are always consistent with the story, and they do the job of showing us the varied places where Oliver lived the different stages of his young life.
There have many versions of the Oliver story, and the terrific David Lean version from the 40's is still the one by which all others should be measured. But this is a good adaptation, and it has almost everything you could ask for in a silent version of the story.
While not the best film version to me(the David Lean film), it is a very interesting one for reasons other than and as well as being silent. At 74 minutes though, I did think it was too short, and because it is such a lengthy and complicated novel with a lot going on, what was translated on screen, which was as much as possible seemingly, came across as too rushed with some characters disappearing before we even get to know them. However, it is absolutely great visually, the production design and lighting look wonderful and the atmosphere is beautifully evoked. The film is very well directed by Frank Lloyd, who manages to stage scenes, crucial or not, with much impact. Sykes' fall and Fagin alone in the cell were really well done, but the standout was Sykes pushing Nancy to the floor, a fine example I agree of where a character disappears replaced by another, in this case Fagin. The cast are fine. Most of the cast I am not as familiar as familiar with as the two big names, but they do their job well. George Siegmann seemed like typecasting to me but it is a job that he does well. Gladys Brockwell is a vulnerable and suitably brash Nancy, and the children are well cast. But this Oliver Twist is most memorable for Jackie Coogan and Lon Chaney. Coogan, who broke my heart in The Kid the previous year, is a sweet and innocent Oliver, while Chaney, looking great, gives a largely physical(relying a lot on gestures, facial expressions and mannerisms) yet commanding account of Fagin while avoiding the trap of making the character stereotypical. All in all, impressive visuals and a memorable Oliver and Fagin makes this an interesting and well-done if not definitive Oliver Twist. 8/10 Bethany Cox
I highly recommend this movie: The narrative flows well, The set design and photography are wonderful and the acting is very good, especially Coogan & Chaney. The other extensive positive reviews are all on target. Bill Sikes is suitably dangerous and Nancy is pretty and sympathetic
The titles are used effectively given the complexity of Dickens' story. The early scenes, such as when Oliver is in the workhouse, are quite realistically portrayed. The workhouse scenes include some entertaining moments of comedy, but also show Oliver's courage and potential to take advantage of situations.
Fagin's thieves' den feels claustrophobic and Fagin''s creepily manipulative behaviors make you anxious for Oliver's escape. . The movie does not drag out the final scenes thus completing a very satisfying movie experience.
The titles are used effectively given the complexity of Dickens' story. The early scenes, such as when Oliver is in the workhouse, are quite realistically portrayed. The workhouse scenes include some entertaining moments of comedy, but also show Oliver's courage and potential to take advantage of situations.
Fagin's thieves' den feels claustrophobic and Fagin''s creepily manipulative behaviors make you anxious for Oliver's escape. . The movie does not drag out the final scenes thus completing a very satisfying movie experience.
I eagerly popped this DVD into my player because I've always been captivated by early still and motion photography. I was pleased with the beauty of this silent film: some scenes have a brownish color cast resembling a calotype while others look bluish like a cyanotype. This film follows the novel closely, so dickensians and purists should like it. Lon Chaney is convincing as Fagin, and child star Jackie Coogan - who enjoyed a resurgence later as Uncle Fester on "The Addams Family" - earns the sympathy of the viewer. There are the usual histrionics for this period: this is a silent film, and so they come with the territory. Highly recommended to those who like silent films. A must-see for Dickens devotees and Chaney completists.
In Victorian England, young "Oliver Twist" is born in poverty. His mother dies and his father is unaccounted for (assuming you know the story, this version drops hints). The innocent kid grows into Jackie Coogan (as Oliver Twist). A sprightly waif, young Coogan is sent to a workhouse and gets in trouble for requesting more gruel. Running away from abusive conditions, Coogan heads for "polluted" London. He meets "The Artful Dodger" Edouard Trebaol (as Jack Dawkins) and joins a gang of boy pick-pockets led by the crafty old Lon Chaney (as Fagin). The shriveled scoundrel's henchman George Siegmann (as Bill Sikes) and his woman Gladys Brockwell (as Nancy) come to play an important part in Coogan's life...
Sol Lesser and the Coogan family correctly saw Charles Dickens' classic story as an excellent vehicle for their young star, who adds a touch of his own personality to the character. This major production was found and restored in the 1970s. Another famed version, Paramount's 1916 "Oliver Twist" starring Marie Doro is presently unavailable. Although Ms. Doro is miscast for more than one reason, it would be nice to see her "Oliver" in circulation. That "all-star" version featured a cast even more acclaimed (for the time) than this one; notwithstanding the presence of Mr. Chaney, of course. Carl Stockdale (as Monks) plays his role in both. This film is a great one to see if you're not familiar with "silent" films, but know the Dickens.
******** Oliver Twist (10/30/22) Frank Lloyd ~ Jackie Coogan, Lon Chaney, George Siegmann, Gladys Brockwell
Sol Lesser and the Coogan family correctly saw Charles Dickens' classic story as an excellent vehicle for their young star, who adds a touch of his own personality to the character. This major production was found and restored in the 1970s. Another famed version, Paramount's 1916 "Oliver Twist" starring Marie Doro is presently unavailable. Although Ms. Doro is miscast for more than one reason, it would be nice to see her "Oliver" in circulation. That "all-star" version featured a cast even more acclaimed (for the time) than this one; notwithstanding the presence of Mr. Chaney, of course. Carl Stockdale (as Monks) plays his role in both. This film is a great one to see if you're not familiar with "silent" films, but know the Dickens.
******** Oliver Twist (10/30/22) Frank Lloyd ~ Jackie Coogan, Lon Chaney, George Siegmann, Gladys Brockwell
Le saviez-vous
- AnecdotesWhen it was found without intertitles in the 1970s, the film was restored with the help of Jackie Coogan and Sol Lesser. New intertitles were created by Blackhawk Films. The version now seen on TCM is from a tinted original, with an excellent organ score by John Muri, copyright 1975 by the Eastin Phelan Corporation, and with the original opening credits and intertitles which were apparently located after the Blackhawk replacements were temporarily substituted, but which are no longer relevant.
- Citations
Mrs. Corney: Now don't be offended Mr. Bumble, but will you have just a little drop of the gin which I keep for medicinal purposes?
- Versions alternativesBlackhawk's release was restored from a 35mm negative found in Yugoslavia.
- ConnexionsFeatured in Lon Chaney: A Thousand Faces (2000)
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- How long is Oliver Twist?Alimenté par Alexa
Détails
Box-office
- Budget
- 175 000 $US (estimé)
- Durée
- 1h 38min(98 min)
- Mixage
- Rapport de forme
- 1.33 : 1
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