Ajouter une intrigue dans votre langueAn orphan's optimistic outlook brings a change to the ill-tempered town in which she resides to her aunt.An orphan's optimistic outlook brings a change to the ill-tempered town in which she resides to her aunt.An orphan's optimistic outlook brings a change to the ill-tempered town in which she resides to her aunt.
- Réalisation
- Scénario
- Casting principal
Wharton James
- Rev. John Whittier
- (as J. Wharton James)
Joan Marsh
- Bit Role
- (non crédité)
Frederick Peters
- Bit Role
- (non crédité)
Gordon Sackville
- Bit Role
- (non crédité)
Avis à la une
Short and Sweet. Way shorter and sweeter than any of the remakes - UK ITV did it again a couple of years ago at nearly 2 hours long with only 1 saccharine tab. It's far too short in fact, as Aunt Polly doesn't really get enough time for her character to develop properly in reaction to events caused by Pollyanna. Otoh I think Disney's was a bit too long and flat, but hey I'm hardly ever satisfied!
Pollyanna always tries to find ways of being Glad, no matter what happens. And why not, imho it's far better to be happy in this short life - if it isn't keep it to yourself! By now Mary Pickford was 27 playing 12 and was still getting away with it on screen. I know she was later properly praised for saving a lot of her classic pictures from being lost, but she really can't be thanked enough for it not only from the entertainment point of view but the historical one as well. This version of Pollyanna reflects back to us a world long dead, where you can watch and wonder what the actors and actresses would have thought of the cynical deadbeat filth that Hollywood churns out today, and whether or not they in their turn yearned too for the even simpler world of Pollyanna.
Maybe, and perhaps, this film simple and uncluttered as it is will still be available in the distant future and watched by people when every film made now is long forgotten, unknown and unwatched.
Pollyanna always tries to find ways of being Glad, no matter what happens. And why not, imho it's far better to be happy in this short life - if it isn't keep it to yourself! By now Mary Pickford was 27 playing 12 and was still getting away with it on screen. I know she was later properly praised for saving a lot of her classic pictures from being lost, but she really can't be thanked enough for it not only from the entertainment point of view but the historical one as well. This version of Pollyanna reflects back to us a world long dead, where you can watch and wonder what the actors and actresses would have thought of the cynical deadbeat filth that Hollywood churns out today, and whether or not they in their turn yearned too for the even simpler world of Pollyanna.
Maybe, and perhaps, this film simple and uncluttered as it is will still be available in the distant future and watched by people when every film made now is long forgotten, unknown and unwatched.
If your skin will break out from too much sweetness, light and Hollywood "reality", you should skip this picture.
Mary Pickford is mostly believable as a preteen girl since the adult cast towers over her. Nice sets and costumes (though no Hollywood glamour) and a pleasant look at small town life.
This is Mary Pickford's first film for United Artists (of which she was a part owner), so it was supposed to be a safe moneymaker and Mary is cast to and plays to what sold in the past.
Mary Pickford is mostly believable as a preteen girl since the adult cast towers over her. Nice sets and costumes (though no Hollywood glamour) and a pleasant look at small town life.
This is Mary Pickford's first film for United Artists (of which she was a part owner), so it was supposed to be a safe moneymaker and Mary is cast to and plays to what sold in the past.
It would be hard to find a role more suitable for a particular actress than the role of "Pollyanna" is for Mary Pickford, and in this adaptation she adds her own charm to the old-fashioned story about the 'glad girl'. This version moves quickly, and has a good balance between humor and drama, with Pickford making the most of what the unashamedly upbeat story offers.
The story is the familiar one of young Pollyanna moving in with her austere Aunt Polly (Katherine Griffith, who is pretty good in the role), making a habit of finding ways to brighten the lives of those who need it, but then finding herself faced with a crisis in her own life. The characters are fairly simple, but the cast portrays them believably. The script does a good job of telling the story efficiently and enjoyably, and everything fits together pretty well.
The story is the familiar one of young Pollyanna moving in with her austere Aunt Polly (Katherine Griffith, who is pretty good in the role), making a habit of finding ways to brighten the lives of those who need it, but then finding herself faced with a crisis in her own life. The characters are fairly simple, but the cast portrays them believably. The script does a good job of telling the story efficiently and enjoyably, and everything fits together pretty well.
"Pollyanna" was a film directed by Herr Paul Powell which starred Dame Mary Pickford. This was a faithful first adaptation for the screen of the famous and best-seller novel written by Eleanor H. Porter. It was very difficult to understand for this German Count due to the strange concepts and feelings with which this silent film deals. They include such strange subjects for the aristocracy like kindness, merriment and solidarity (thanks Gott there is also in the film evil aunties, bad weather and illness, German earthly matters that this aristocrat knows well).
Obviously such film story with human sentiments (another orphan in trouble) was perfect for Dame Pickford. This film was her first work for United Artists, that Amerikan company founded by Herr Chaplin, Herr Griffith and Herr Fairbanks together with America's sweetheart. She's a glad girl who displays her charm and good intentions to anyone at hand. The film, as the book of which was based on, was a big success in those early silent times and many film critics considered this film as one of the best in Dame Pickford's film career, a statement with which this German Count doesn't agree.
Keeping in mind those kind-hearted and innocent characters ( Dame Pickford speciality ) and the context or even the taste of the popular audience in those early times, the film it is many ways, simplistic and predictable. That's not to the mention Herr Powell's direction which is monotonous and without risks. He seems to think that with Dame Pickford's talent on the screen, that is enough for succeed. Although Dame Pickford gives her best effort, the Amerika's sweethart has better performances, more elaborated, and the most incredible thing credible.
And now, if you'll allow me, I must temporarily take my leave because this German Count is glad to be again in Teutonic humour.
Herr Graf Ferdinand Von Galitzien http://ferdinandvongalitzien.blogspot.com/
Obviously such film story with human sentiments (another orphan in trouble) was perfect for Dame Pickford. This film was her first work for United Artists, that Amerikan company founded by Herr Chaplin, Herr Griffith and Herr Fairbanks together with America's sweetheart. She's a glad girl who displays her charm and good intentions to anyone at hand. The film, as the book of which was based on, was a big success in those early silent times and many film critics considered this film as one of the best in Dame Pickford's film career, a statement with which this German Count doesn't agree.
Keeping in mind those kind-hearted and innocent characters ( Dame Pickford speciality ) and the context or even the taste of the popular audience in those early times, the film it is many ways, simplistic and predictable. That's not to the mention Herr Powell's direction which is monotonous and without risks. He seems to think that with Dame Pickford's talent on the screen, that is enough for succeed. Although Dame Pickford gives her best effort, the Amerika's sweethart has better performances, more elaborated, and the most incredible thing credible.
And now, if you'll allow me, I must temporarily take my leave because this German Count is glad to be again in Teutonic humour.
Herr Graf Ferdinand Von Galitzien http://ferdinandvongalitzien.blogspot.com/
Pollyanna is the young girl who can find something happy in any situation. She faces numerous unfortunate events, starting with the death of her father, leaving her an orphan in the Ozarks. She travels to her surly aunt in far-off New England, cheerfully greeting the pouring rain and mud at the train station, and a sparse room in her aunt's attic. Her cheerfulness makes everyone else happy. But then finally a disaster strikes that's too awful for even her optimism. What happens? Are things made right in the end? Sorry, no spoilers from me!
Pollyanna's cheerfulness in the face of misfortune makes the story too cheerful to believe. But somehow Mary Pickford managed to make the character and the story work. Although she was in her late 20s, she made a convincing young girl, thanks to her shortness, good costuming and hairdressing, but mostly her acting talent. This movie shows how she got the nickname "America's sweetheart" and became the movie industry's first great star.
Pollyanna's cheerfulness in the face of misfortune makes the story too cheerful to believe. But somehow Mary Pickford managed to make the character and the story work. Although she was in her late 20s, she made a convincing young girl, thanks to her shortness, good costuming and hairdressing, but mostly her acting talent. This movie shows how she got the nickname "America's sweetheart" and became the movie industry's first great star.
Le saviez-vous
- AnecdotesOf this film, screenwriter Frances Marion said, "We proceeded with the dull routine of making a picture we both thought nauseating . . . I hated writing it, Mary [Mary Pickford] hated playing it."
- Versions alternativesIn 1972, the Mary Pickford Co. copyrighted a version with an organ score played played by Gaylord Carter. Produced by Matty Kemp, it runs 60 minutes, about 2 of which is a historical introduction.
- ConnexionsFeatured in Mary Pickford: A Life on Film (1997)
- Bandes originalesRock-a-Bye Baby
(1884)
Written by Effie I. Canning
Lyrics in an intertitle when Pollyanna sings to her dying father
Played on organ by Gaylord Carter in the alternate version
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Détails
Box-office
- Budget
- 300 000 $US (estimé)
- Durée
- 58min
- Mixage
- Rapport de forme
- 1.33 : 1
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