La Gamine

'The Flapper' is a charming girl power movie. It is obvious that it was aimed at teenage girls and young women who dreamed about more adventurous life like its protagonist. Chick-flick of the 1920s. Olive Thomas stars as sixteen-year-old Genevieve who is sent into a boarding school by his strict senator father. Life in school is dull and she longs for adventures. Her life gets even more exciting for her than she first could have hoped for. Olive Thomas is adorable and her performance as a naive girl is a perfect balance between seriousness and comedy.

The writing is good, especially the first hour of the movie. The conclusion is a little bit disappointing, it felt rushed. It is kinda feel-good fantasy, although there are quite dark undertones - a young girl charms an older good looking man. And then there is the heist. In this case, also you have to notice that the thief, Tom 'The Eel' Morran (sinister portrayal by Arthur Housman) is paired with a schoolgirl, Genevieve's schoolmate, Hortense (Katherine Johnston). But mostly, it is an amusing movie.

It was the first major movie that depicted the flapper lifestyle. Besides being entertaining, this movie also carries a historical value.

In "Orange Springs" (a small town in Florida), "Girls who hobnobbed at the soda fountain were talked about." Perhaps this is why beautiful young Olive Thomas (as Genevieve "Ginger" King) sips soda with boastful boyfriend Theodore Westman Jr. (as William "Bill" E. Forbes) on her estate. They must part company as Ms. Thomas is sent to a boarding school in a snowy town near New York. Coincidently, Mr. Westman has enrolled in a military academy next to the girls' boarding school. If you've seen movies like this, you already know all-girl schools and orphanages are often built next to all-male institutions.

Thomas makes friends easily, including moth-like Katherine Johnson (as Hortense) and social butterfly Norma Shearer (as an extra with a lot of screen time). The young women like to watch men. Their favorite is mysterious and romantic Wm. P. Carlton Jr. (as Richard Channing), an older guy who rides by on a horse regularly. Thomas and her friends fantasize the horseman is a professional gambler, actor or wife-beater. Thomas thinks she's falling in love with Mr. Carlton. She puts on fun clothes to become a "flapper" and is mistaken for a bad woman. The 1920s would be known for "flappers" like Colleen Moore and Clara Bow.

"The Flapper" was written by Frances Marion, who was then writing scenarios for Mary Pickford. This film may have, in some level of development, been considered a Pickford vehicle; and, it's easy to imagine her in the lead. For whatever reasons, Thomas got the assignment. It was kept in the family, as Olive Thomas was then Mrs. Pickford (married to Jack Pickford, Mary's brother). The film is fairly routine for the time, but has been elevated due to appearing with the title "The Flapper". Thomas could be considered more a proto-type than a real flapper. Later, Cyndi Lauper (see "Girls Just Want to Have Fun") was more of a flapper.

One of the best things about watching Alan Crosland adeptly direct this film is that the picture is so well preserved. Apparently the beginning and ending title/credits are damaged or missing, but the bulk of the film looks very pleasing. It's also worth noting that Thomas, who is charming throughout, died in September 1920, the same week as Robert Harron; the young stars' shocking and mysterious deaths shook what were arguably the two biggest film families in Hollywood at the time (actress Mary Pickford and director D.W. Griffith). Young co-stars Theodore Westman Jr. and Bobby Connelly also died tragically young.

****** The Flapper (5/10/20) Alan Crosland ~ Olive Thomas, Theodore Westman Jr., William P. Carleton, Norma Shearer

One of several meanings of the term 'flapper' is a teenage girl. Less flattering definitions include young prostitutes and female dancers. Most likely, a combination of the varying interpretations of 'flapper' resulted in the look and lifestyle of a segment of the female population during the 1920's which symbolized the departure from the traditional matronly ethos of generations past.

The development of 'flappers' emerged after the trauma of World War One. Their iconic image received a huge boast in Selznick Pictures' May 1920 "The Flapper." Young actress Olive Thomas plays cinema's first epitome of the Jazz Age's independent women, beginning with her scene midway in the movie. As a schoolgirl traveling on break, she's invited by an another schoolmate and her boyfried to a nightclub. She tries on the 'flapper' outfit contained in the luggage the couple demands she transport back to her father's home in Florida, where they secretly plan to pick up the stolen goods. Seeing an older man she admired back in school at the club, Thomas, wanting to impress him, exhibits all the mannerisms of future flappers by smoking a cigarette in public and acting cool.

The Frances Marion script was capitalizing on an emerging trend just in its early stages. But seeing the rebellious and confident Thomas as a young woman adopting a flapper image solidified the movement going forward.

"The Flapper" was Thomas' last viewable surviving movie she made (She acted in a later lost film, 'Darling Mine,' and a posthumously-released film, 'Everybody's Sweetheart," which is currently unavailable for public viewing.). At 25, Thomas and her husband Jack Pickford, Mary's brother, took what they called their second honeymoon in France. Their marriage, a tempestuous one at best, was filled with fights and tender make-ups ever since they had been married in October 1916. During their stay in Paris, the two returned to the hotel room on the night of September 5, 1920, after an evening of heavy drinking. According to Pickford, who was prescribed a topical medication for syphilis sores, Thomas mistook the French label on the container for water or as a sleeping liquid, despite its gooey substance, and swallowed some. The poisonous mercury bichloride solution was fatal, killing her five days later in a Paris hospital.

The media had a field day on the cause of her death. Sensational headlines screamed accusations from suicide to her being murdered by Pickford in order to claim her life insurance. The French police investigated all the circumstances behind the incident and, with the autopsy report, confirmed her death was accidental. "Olive and I were the greatest pals on Earth," lamented Pickford. "Her death is a ghastly mistake."

On the way back to the States with her body, Pickford had been rumored to have attempted suicide, so distraught was he. In an emotionally crowded funeral service in New York City, women fainted and several onlookers were crushed rushing to view her casket. Thomas is buried in a crypt at Woodlawn Cemetery in The Bronx.

Dame Ginger is a youngster who lives in a boring provincial town, Orange Springs; due to her behavior and yearnings for a thrilling life, her father decides to send her to a boarding school, the kind of place where the upper class girls of the 20's learn to do important things like skiing or flirting, the last habit always with the supervision of a chaperon. In such an idle but strict place, and thanks to some adventures ( she falls in love with a mysterious adult man and will be involved in a robbery ) Ginger will have finally the chance to make her most inward dream come true, to be a genuine flapper.

Herr Alan Crosland 's direction of this film is remarkable ( even though Crossland later will betray the rules of the silent cinema, by directing the first talkie in film history ) because in this early 20's film the technique, continuity and rhythm are developed in an especially suitable way for a romantic comedy. The star is Dame Olive Thomas, an actress who died early and who shows in this film her versatility by playing a character with different shades, an innocent girl transformed into a flapper. In this excellent film restoration there are is also a collection of witty, funny and politically incorrect intertitles that were enjoyed by this stiff German aristocrat thanks to their irony and longhaired impudence.

And now, if you'll allow me, I must temporarily take my leave because this German Count has an appointment with a vamp, a more dangerous woman than a flapper.

Herr Graf Ferdinand Von Galitzien http://ferdinandvongalitzien.blogspot.com/

I believe that all 3 of the comments for The Flapper were written by men, who didn't rate it very high. This movie was obviously made to appeal to the women, or more appropriately girls, of the day. I'm a girl and I rate it very high. The Flapper is an adorable movie about a teenage schoolgirl, Ginger King (Olive Thomas), who dreams of lovers and jazz cabarets, wanting to escape her mundane life at boarding school and ride off into the sunset with the handsome older man all the schoolgirls are in love with, Richard Channing (William P. Carleton). She fools Channing into thinking she's 20, and he takes her to a country club, but her "romantic night" is ruined when the bad girl (though she looks to be 40!) at school, Hortense, gets in her way. Throughout the rest of the film, Ginger pursues her dreams and visits 1920's nightclubs, wears glamorous clothes, but finds that being a flapper is not easy when she gets involved in a mysterious jewel heist and more! The Flapper is all fluff, but so cute! Olive Thomas shows a definite comedic flair in this movie, and it's so sad that she didn't get to go on with her career. The Flapper is a treasure, not just because of it's one of Olive Thomas' few surviving movies, but because it's a good, solid silent comedy that any silent film fan should see (whether you like chick flicks or not).