Ajouter une intrigue dans votre langueJailed unjustly for a murder he did not commit, a young man uses his amazing powers of escape to free himself and pursue the actual killers, who hold his fiancée captive.Jailed unjustly for a murder he did not commit, a young man uses his amazing powers of escape to free himself and pursue the actual killers, who hold his fiancée captive.Jailed unjustly for a murder he did not commit, a young man uses his amazing powers of escape to free himself and pursue the actual killers, who hold his fiancée captive.
- Réalisation
- Scénario
- Casting principal
Avis à la une
From Houdini.org:
Magicians Dorothy Dietrich and Dick Brookz, from the Houdini Museum in Scranton, PA, tell the story of the finding and restoration of the long lost Houdini silent movie from 1919, "The Grim Game". Dorothy Dietrich and Dick Brookz from The Houdini Museum in Scranton, PA revealed, "The film has not been shown to the general public for 96 years. This was one of the most sought after items in Houdini History. It has been considered the Holy Grail of Houdini history!"
Houdini's movie "The Grim Game" made in 1919, has been unavailable until now and has been considered lost by film historians. Brookz commented, "The only complete copy of the film was hidden in the collection of juggler, magician, Houdini collector Larry Weeks. Dorothy and Dick had kept a friendly relationship with Larry Weeks and that is what helped to make this happen. Larry Weeks called himself "Houdini's biggest fan" and amassed a Houdini collection. He had the only known print of Houdini's lost film, "The Grim Game." He was known to show it at various occasions in his life time. It is the best of Houdini's five films. Dick Brookz commented "Over the years Larry invited us to see the film on two occasions. He found it odd and incomprehensible when I, Dick Brookz, told him that some magicians berated him for hoarding the movie that he preserved over the years at great personal cost."
We called Larry Weeks on his private number and told him about our desire to have the film restored. It took several calls and over two weeks to convince Larry to meet with a go-between. Larry finally agreed and gave us permission to pass along Larry's number. A meeting was set up and he arranged to acquire the film for Turner Classic Movies who he done a job for. He then put the pieces together to pick up the film, have a company restore it and Turner Classic paid to also add an original movie score. The wonderful thing is that the film content is complete, although it required a lot of work by the restoration company. Just prior to this time we had spoken with Larry several times and he informed us of his rapidly diminishing health so time was of the essence. The deal was made!" The last time we spoke to Larry after the deal he said to us "Thanks, enjoy the film. The next time you will see me I will be in a box!" Larry Weeks died October 13, 2014, before the public would get news of the acquisition on January 23, 2015. Many years ago Larry Weeks had bought a plot in the same cemetery as close as possible to Houdini and is buried there.
The restored film has a musical score composed by Brane Zivkovic an award winning film, television, and theatre composer. This was all done with financial help from Turner Classic Movies, who premiered it as the climax at the 2015 4 day TCM Classic Film Festival Sunday, March 29, 2015, in Hollywood to resounding praise and approval. It was the finale of the event.
Magicians Dorothy Dietrich and Dick Brookz, from the Houdini Museum in Scranton, PA, tell the story of the finding and restoration of the long lost Houdini silent movie from 1919, "The Grim Game". Dorothy Dietrich and Dick Brookz from The Houdini Museum in Scranton, PA revealed, "The film has not been shown to the general public for 96 years. This was one of the most sought after items in Houdini History. It has been considered the Holy Grail of Houdini history!"
Houdini's movie "The Grim Game" made in 1919, has been unavailable until now and has been considered lost by film historians. Brookz commented, "The only complete copy of the film was hidden in the collection of juggler, magician, Houdini collector Larry Weeks. Dorothy and Dick had kept a friendly relationship with Larry Weeks and that is what helped to make this happen. Larry Weeks called himself "Houdini's biggest fan" and amassed a Houdini collection. He had the only known print of Houdini's lost film, "The Grim Game." He was known to show it at various occasions in his life time. It is the best of Houdini's five films. Dick Brookz commented "Over the years Larry invited us to see the film on two occasions. He found it odd and incomprehensible when I, Dick Brookz, told him that some magicians berated him for hoarding the movie that he preserved over the years at great personal cost."
We called Larry Weeks on his private number and told him about our desire to have the film restored. It took several calls and over two weeks to convince Larry to meet with a go-between. Larry finally agreed and gave us permission to pass along Larry's number. A meeting was set up and he arranged to acquire the film for Turner Classic Movies who he done a job for. He then put the pieces together to pick up the film, have a company restore it and Turner Classic paid to also add an original movie score. The wonderful thing is that the film content is complete, although it required a lot of work by the restoration company. Just prior to this time we had spoken with Larry several times and he informed us of his rapidly diminishing health so time was of the essence. The deal was made!" The last time we spoke to Larry after the deal he said to us "Thanks, enjoy the film. The next time you will see me I will be in a box!" Larry Weeks died October 13, 2014, before the public would get news of the acquisition on January 23, 2015. Many years ago Larry Weeks had bought a plot in the same cemetery as close as possible to Houdini and is buried there.
The restored film has a musical score composed by Brane Zivkovic an award winning film, television, and theatre composer. This was all done with financial help from Turner Classic Movies, who premiered it as the climax at the 2015 4 day TCM Classic Film Festival Sunday, March 29, 2015, in Hollywood to resounding praise and approval. It was the finale of the event.
The Grim Game (1919)
** 1/2 (out of 4)
Reporter Harvey Hanford (Harry Houdini), wanting to save his newspaper as well as show how corrupt "circumstancial evidence" can be, stages a murder where the victim is actually alive but what little evidence there is shows that he's dead and that the reporter committed the crime. The plan is for the "dead" man to come back after the reporter is in jail and show how you can't always go by evidence. The problem is that once the reporter is in jail the man really is murdered so the reporter must break out of prison and search for the real killer.
This same story would be redone decades later by Fritz Lang in BEYOND A REASONABLE DOUBT so it's interesting to see it done here first. For the most part this is an entertaining movie, although it certainly falls a bit short of actually being a good one. With that said, if you're a fan of the legendary magician then you'll certainly want to check this out since he does perform some nice tricks plus there's just not enough footage of him around so getting to see him in the few movies he made is nice.
With that said, obviously the main reason to watch this are for the Houdini tricks, which includes him escaping several times throughout. The famous straight-jacket routine is performed here as well as other chains that the magician is strapped into. There are some nice action/stunts throughout including one where the magician (or his double) are hanging on a flag pole. The highlight of the film comes at the end when there are two planes flying and Houdini (or his double) are on a rope going from one plane to the other. I won't ruin what happens but the scene is terrific.
The story itself is interesting but very little is done with it because people weren't really coming to this film for a story. People wanted to see Houdini in action so obviously that's what the producers gave them.
** 1/2 (out of 4)
Reporter Harvey Hanford (Harry Houdini), wanting to save his newspaper as well as show how corrupt "circumstancial evidence" can be, stages a murder where the victim is actually alive but what little evidence there is shows that he's dead and that the reporter committed the crime. The plan is for the "dead" man to come back after the reporter is in jail and show how you can't always go by evidence. The problem is that once the reporter is in jail the man really is murdered so the reporter must break out of prison and search for the real killer.
This same story would be redone decades later by Fritz Lang in BEYOND A REASONABLE DOUBT so it's interesting to see it done here first. For the most part this is an entertaining movie, although it certainly falls a bit short of actually being a good one. With that said, if you're a fan of the legendary magician then you'll certainly want to check this out since he does perform some nice tricks plus there's just not enough footage of him around so getting to see him in the few movies he made is nice.
With that said, obviously the main reason to watch this are for the Houdini tricks, which includes him escaping several times throughout. The famous straight-jacket routine is performed here as well as other chains that the magician is strapped into. There are some nice action/stunts throughout including one where the magician (or his double) are hanging on a flag pole. The highlight of the film comes at the end when there are two planes flying and Houdini (or his double) are on a rope going from one plane to the other. I won't ruin what happens but the scene is terrific.
The story itself is interesting but very little is done with it because people weren't really coming to this film for a story. People wanted to see Houdini in action so obviously that's what the producers gave them.
The fact is that the "The Grim Game" was considered lost. Actually the only existing copy of the 71-minute feature was lovingly preserved by a private party (Larry Weeks) in Pennsylvania. In 2014, after financing by Turner Classic Movies (TCM), it was restored with a new music score; it was first televised in 2015.
The first title card reads, "Remote and isolated, behind high walls and barred gates, the Cameron home repels intrusion." There is even an armed guard at the main entrance. Nevertheless, Harvey Hanford (Harry Houdini) is able to enter through the side gate. He, a reporter for the Daily Call, is in love with Mary Wentworth (Ann Forrest). He has come to see her. But the wealthy recluse Dudley Cameron (Thomas Jefferson) is at odds with nephew Harvey. Now Cameron is cared for by his ward and heiress, Mary Wentworth (Ann Forrest) and two servants. Harry eagerly tells Mary that her first story will appear in Sunday's newspaper.
It has been stipulated in Dudley Cameron's will that Mary will be unable to marry while he lives. Cameron has planned for Mary to marry Doc Tyson (Arthur Hoyt) after his death. Doc Tyson is a shifty type. Cameron has previously lent the owner of the Daily Call, David Allison (Augustus Phillips) cash to keep the paper afloat, but refuses to give any more. Phillips is desperate. Meanwhile lawyer Nick Raven (Tully Marshall) is in deep cow-plop. For Cameron has caught him forging his signature. Cameron will not turn in Raven as long as he does Cameron's will. So now we have met the three schemers: Tyson, Allison, and Raven. But they work independently of each other.
Knowing that the Daily Call is failing, Harvey presents his plan to the three men. It is intricate and involves a false kidnapping, the temporary disappearance of Cameron. Harvey has also purposely planted evidence to incriminate himself. Of course, the main bad guy turns it into murder; Cameron's body is discovered in a well on his property. Harvey Hanford is accused and eventually imprisoned – but as he is really Houdini after all – he engineers a series of fantastic escapes, beginning with his breakout from prison shackles. He even slips away after he is tied up in a strait-jacket upside down alongside a multi-story building. There are several coincidences typical of many silent films, but Houdini hangs in there and shows his abilities and his stamina. Finally there is the aerial stunt: a biplane with the hero actually flying chasing another airplane with the bad guy (and Mary). It concludes with a real crash.
Although the script offers little suspense until the last reel, this film is quite good, and it was nice to see the great escape artist/stage magician in action. Houdini was even a skilled aviator. He was born in Budapest, Hungary when it was part of the old Austro-Hungarian Empire. He immigrated to the USA in the nineteenth century and was raised in Appleton, Wisconsin. His attractive co- star, Ann Forrest, born in Denmark, was quite camera-friendly on screen. She makes a desirable lady-in-distress. The feature itself is a curio that should offer bona fide entertainment for movie buffs. It is said that perhaps 80% of all silent films are lost, so it is nice to have this one back from the grave.
The first title card reads, "Remote and isolated, behind high walls and barred gates, the Cameron home repels intrusion." There is even an armed guard at the main entrance. Nevertheless, Harvey Hanford (Harry Houdini) is able to enter through the side gate. He, a reporter for the Daily Call, is in love with Mary Wentworth (Ann Forrest). He has come to see her. But the wealthy recluse Dudley Cameron (Thomas Jefferson) is at odds with nephew Harvey. Now Cameron is cared for by his ward and heiress, Mary Wentworth (Ann Forrest) and two servants. Harry eagerly tells Mary that her first story will appear in Sunday's newspaper.
It has been stipulated in Dudley Cameron's will that Mary will be unable to marry while he lives. Cameron has planned for Mary to marry Doc Tyson (Arthur Hoyt) after his death. Doc Tyson is a shifty type. Cameron has previously lent the owner of the Daily Call, David Allison (Augustus Phillips) cash to keep the paper afloat, but refuses to give any more. Phillips is desperate. Meanwhile lawyer Nick Raven (Tully Marshall) is in deep cow-plop. For Cameron has caught him forging his signature. Cameron will not turn in Raven as long as he does Cameron's will. So now we have met the three schemers: Tyson, Allison, and Raven. But they work independently of each other.
Knowing that the Daily Call is failing, Harvey presents his plan to the three men. It is intricate and involves a false kidnapping, the temporary disappearance of Cameron. Harvey has also purposely planted evidence to incriminate himself. Of course, the main bad guy turns it into murder; Cameron's body is discovered in a well on his property. Harvey Hanford is accused and eventually imprisoned – but as he is really Houdini after all – he engineers a series of fantastic escapes, beginning with his breakout from prison shackles. He even slips away after he is tied up in a strait-jacket upside down alongside a multi-story building. There are several coincidences typical of many silent films, but Houdini hangs in there and shows his abilities and his stamina. Finally there is the aerial stunt: a biplane with the hero actually flying chasing another airplane with the bad guy (and Mary). It concludes with a real crash.
Although the script offers little suspense until the last reel, this film is quite good, and it was nice to see the great escape artist/stage magician in action. Houdini was even a skilled aviator. He was born in Budapest, Hungary when it was part of the old Austro-Hungarian Empire. He immigrated to the USA in the nineteenth century and was raised in Appleton, Wisconsin. His attractive co- star, Ann Forrest, born in Denmark, was quite camera-friendly on screen. She makes a desirable lady-in-distress. The feature itself is a curio that should offer bona fide entertainment for movie buffs. It is said that perhaps 80% of all silent films are lost, so it is nice to have this one back from the grave.
FGM has fun reviewing lost films, which is apt to be confusing to some.
A five minute excerpt from this film is all that survives, in the George Eastman collection, which is included as an extra on the disc with Haldane of the Secret Service in the recent Kino DVD collection of his films.
There are explanatory titles on it that suggest the clip would be exhibited by itself without the rest of the film. Houdini goes up in an airplane and does a mid-air transfer to the other airplane, after which the two crash. Houdini and the female passenger survive. The closeups of Houdini on the airplane appear to have been done on the ground, and the crash landing must have been staged somehow, or else how would they have happened to have had the camera in the right place? Likewise, one can't imagine they would have put their star and leading lady in danger. It's a nice little clip and certainly more exciting than any single moment from the tedious Haldane film.
A five minute excerpt from this film is all that survives, in the George Eastman collection, which is included as an extra on the disc with Haldane of the Secret Service in the recent Kino DVD collection of his films.
There are explanatory titles on it that suggest the clip would be exhibited by itself without the rest of the film. Houdini goes up in an airplane and does a mid-air transfer to the other airplane, after which the two crash. Houdini and the female passenger survive. The closeups of Houdini on the airplane appear to have been done on the ground, and the crash landing must have been staged somehow, or else how would they have happened to have had the camera in the right place? Likewise, one can't imagine they would have put their star and leading lady in danger. It's a nice little clip and certainly more exciting than any single moment from the tedious Haldane film.
Originally made in 1919 and long thought lost, this recently-restored full-length movie features the legendary Harry Houdini, performing the sort of escapes for which he was celebrated in his own time and is still famous even today. For that reason alone, this film deserves 10- out-of-10. Since his death in 1924 many magicians and escape artists have striven to replicate the incredible things Houdini did, and many of his feats have still not been done. Those expecting subtle characterization or modern production values need to look elsewhere. However, for those with an appreciation of something absolutely unique, something that simply cannot be duplicated today, this film is truly priceless.
Le saviez-vous
- AnecdotesLong thought lost, this film was restored and finally made available to the public in 2015 with a screening at TCM Classic Film Festival. Film preservationist Rick Schmidlin oversaw the restoration after obtaining the single surviving print from long-retired juggler Larry Weeks, who had himself gotten the print from the Harry Houdini estate in 1947.
- GaffesToutes les informations contiennent des spoilers
- Citations
Harvey Hanford: Let's hope you will soon be independent of the old skinflint and can leave this dismal prison.
- ConnexionsReferenced in Les Nouvelles Aventures de Sabrina: Chapter Six: An Exorcism in Greendale (2018)
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
Détails
Box-office
- Budget
- 200 000 $US (estimé)
- Durée
- 1h 11min(71 min)
- Couleur
- Mixage
- Rapport de forme
- 1.33 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant