Un reportage tragique

FGM has fun reviewing lost films, which is apt to be confusing to some.

A five minute excerpt from this film is all that survives, in the George Eastman collection, which is included as an extra on the disc with Haldane of the Secret Service in the recent Kino DVD collection of his films.

There are explanatory titles on it that suggest the clip would be exhibited by itself without the rest of the film. Houdini goes up in an airplane and does a mid-air transfer to the other airplane, after which the two crash. Houdini and the female passenger survive. The closeups of Houdini on the airplane appear to have been done on the ground, and the crash landing must have been staged somehow, or else how would they have happened to have had the camera in the right place? Likewise, one can't imagine they would have put their star and leading lady in danger. It's a nice little clip and certainly more exciting than any single moment from the tedious Haldane film.

I was skeptical of this film and prepared not to like it, However, I was pleasantly surprised by the TCM 'television premier' last Sunday of a nicely completed full-length restoration. I find most films from the 1916-1920 era to be horribly dated with that era's overdone style of acting. There are notable exceptions like Pickford, Chaplin, and Fairbanks, of course, but these older silents are sometimes hard to watch and even absurdly clumsy. The Grim Game has some of that chewed-scenery aspect, but overall it is well done. The story is a bit far fetched, but nonetheless entertaining. And many of our later favorites - Tully Marshall, Mae Busch, and Arthur Hoyt - appear. As for Houdini, he performs as expected in several escape scenes which naturally is what one expects. I had never seen him before and considering that his name is still legendary after 100 years, the film is worth a look if only for that. The Grim Game also has some really interesting 'snapshots' of the era including an incredible (in the sense of 'not believable') aeroplane (sic) chase. All of that having been said, kudos to preservationists and restorers for their tedious and painstaking work on films like these. It is greatly appreciated by me and legions of movie buffs.

From Houdini.org:

Magicians Dorothy Dietrich and Dick Brookz, from the Houdini Museum in Scranton, PA, tell the story of the finding and restoration of the long lost Houdini silent movie from 1919, "The Grim Game". Dorothy Dietrich and Dick Brookz from The Houdini Museum in Scranton, PA revealed, "The film has not been shown to the general public for 96 years. This was one of the most sought after items in Houdini History. It has been considered the Holy Grail of Houdini history!"

Houdini's movie "The Grim Game" made in 1919, has been unavailable until now and has been considered lost by film historians. Brookz commented, "The only complete copy of the film was hidden in the collection of juggler, magician, Houdini collector Larry Weeks. Dorothy and Dick had kept a friendly relationship with Larry Weeks and that is what helped to make this happen. Larry Weeks called himself "Houdini's biggest fan" and amassed a Houdini collection. He had the only known print of Houdini's lost film, "The Grim Game." He was known to show it at various occasions in his life time. It is the best of Houdini's five films. Dick Brookz commented "Over the years Larry invited us to see the film on two occasions. He found it odd and incomprehensible when I, Dick Brookz, told him that some magicians berated him for hoarding the movie that he preserved over the years at great personal cost."

We called Larry Weeks on his private number and told him about our desire to have the film restored. It took several calls and over two weeks to convince Larry to meet with a go-between. Larry finally agreed and gave us permission to pass along Larry's number. A meeting was set up and he arranged to acquire the film for Turner Classic Movies who he done a job for. He then put the pieces together to pick up the film, have a company restore it and Turner Classic paid to also add an original movie score. The wonderful thing is that the film content is complete, although it required a lot of work by the restoration company. Just prior to this time we had spoken with Larry several times and he informed us of his rapidly diminishing health so time was of the essence. The deal was made!" The last time we spoke to Larry after the deal he said to us "Thanks, enjoy the film. The next time you will see me I will be in a box!" Larry Weeks died October 13, 2014, before the public would get news of the acquisition on January 23, 2015. Many years ago Larry Weeks had bought a plot in the same cemetery as close as possible to Houdini and is buried there.

The restored film has a musical score composed by Brane Zivkovic an award winning film, television, and theatre composer. This was all done with financial help from Turner Classic Movies, who premiered it as the climax at the 2015 4 day TCM Classic Film Festival Sunday, March 29, 2015, in Hollywood to resounding praise and approval. It was the finale of the event.

Originally made in 1919 and long thought lost, this recently-restored full-length movie features the legendary Harry Houdini, performing the sort of escapes for which he was celebrated in his own time and is still famous even today. For that reason alone, this film deserves 10- out-of-10. Since his death in 1924 many magicians and escape artists have striven to replicate the incredible things Houdini did, and many of his feats have still not been done. Those expecting subtle characterization or modern production values need to look elsewhere. However, for those with an appreciation of something absolutely unique, something that simply cannot be duplicated today, this film is truly priceless.

With financing from TCM, the only known print of Houdini's first film was restored to near-perfect condition (except for some deterioration damage toward the end) and found its television premiere on TCM on Sunday, October 18, 2015. A recap of the finding and restoring of the film can be found in ellebrennan's review here of October 20.

Although Brennan's recap (excerpted from Houdini.org) credits renowned composer Brane Živković with having created a new score for the restoration, what neither hers nor any other review here to date of the restored film mentions is that TCM showed the film twice that night, first with Živković's score, then again later with a more traditional silent film score by Steve Sterner.

Unfortunately, I missed what host Robert Osborne may or may not have said about the Sterner score, but in my estimation, although less innovative, it may in some way be preferable.

Živković's score is thematically more operatic in that characters have their own themes assigned to them. Since Houdini (and his character) is on the screen so much throughout the film, his theme eventually becomes monotonous. Variations of his theme would be highly appreciated.

Sterner's score, being more traditional as silent film scores go, does not vary with the characters, per se, but if with anything, the action.

Let the discussion begin.