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IMDbPro

Une journée de plaisir

Titre original : A Day's Pleasure
  • 1919
  • TV-G
  • 20min
NOTE IMDb
6,6/10
3,9 k
MA NOTE
Une journée de plaisir (1919)
ComédieCourt-métrage

Ajouter une intrigue dans votre langueA father takes his family for an outing, which turns out to be a ridiculous trial.A father takes his family for an outing, which turns out to be a ridiculous trial.A father takes his family for an outing, which turns out to be a ridiculous trial.

  • Réalisation
    • Charles Chaplin
  • Scénario
    • Charles Chaplin
  • Casting principal
    • Charles Chaplin
    • Edna Purviance
    • C. Allen
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,6/10
    3,9 k
    MA NOTE
    • Réalisation
      • Charles Chaplin
    • Scénario
      • Charles Chaplin
    • Casting principal
      • Charles Chaplin
      • Edna Purviance
      • C. Allen
    • 26avis d'utilisateurs
    • 14avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos146

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    + 140
    Voir l'affiche

    Rôles principaux43

    Modifier
    Charles Chaplin
    Charles Chaplin
    • Father
    • (as Charlie Chaplin)
    Edna Purviance
    Edna Purviance
    • Mother
    C. Allen
    • Jazz Musician
    • (non crédité)
    Naomi Bailey
    • Boat Passenger
    • (non crédité)
    Sallie Barr
    • Boat Passenger
    • (non crédité)
    Henry Bergman
    Henry Bergman
    • Captain
    • (non crédité)
    • …
    True Boardman
    True Boardman
    • Boy on Boat
    • (non crédité)
    James Bryson
    • Boat Passenger
    • (non crédité)
    Bliss Chevalier
    • Woman on Street Corner
    • (non crédité)
    Jackie Coogan
    Jackie Coogan
    • Smallest Boy
    • (non crédité)
    Dixie Doll
    • Girl on Boat
    • (non crédité)
    Charles S. Drew
    • Boat Passenger
    • (non crédité)
    Elmer Ellsworth
    • Boat Passenger
    • (non crédité)
    • …
    Marion Feducha
    Marion Feducha
    • Small Boy
    • (non crédité)
    Leroy Finnegan
    • Boat Passenger
    • (non crédité)
    Mrs. Fowler
    • Boat Passenger
    • (non crédité)
    Warren Gilbert
    • Boat Passenger
    • (non crédité)
    • …
    J.A. Irvin
    • Jazz Musician
    • (non crédité)
    • Réalisation
      • Charles Chaplin
    • Scénario
      • Charles Chaplin
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs26

    6,63.8K
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    Avis à la une

    7TheLittleSongbird

    A pleasant day

    Am a big fan of Charlie Chaplin, have been for over a decade now. Many films and shorts of his are very good to masterpiece, and like many others consider him a comedy genius and one of film's most important and influential directors.

    From his period after Mutual, 'A Day's Pleasure' is not one of his very best and not even among the best of this particular period. As said with many of his post-Keystone efforts, it shows a noticeable step up in quality though from his Keystone period, where he was still evolving and in the infancy of his long career. The Essanay and Mutual periods were something of Chaplin's adolescence period where his style had been found and starting to settle. After Mutual the style had properly settled and the cinematic genius emerged. Something that can be seen in 'A Day's Pleasure' though other efforts do it better.

    The story is slight and a bit too busy and manic in places. It does get bogged down at times by padding and a few scenes that don't serve a lot of purpose. Not all the sequences work either.

    It is agreed that the part with the rocking boat is far too exaggerated and doesn't look good or fit.

    On the other hand, 'A Day's Pleasure' looks good, not amazing (though the opening shot for early Chaplin is remarkable) but it was obvious that Chaplin was taking more time with his work and not churning out countless shorts in the same year of very variable success like he did with Keystone. Appreciate the importance of his Keystone period and there is some good stuff he did there, but the more mature and careful quality seen here and later on is obvious.

    'A Day's Pleasure' is very funny and charming, if not one of Chaplin's substance or pathos-filled. Its best moments are hilarious with some clever, entertaining, remarkably inventive and well-timed slapstick and the charm doesn't get over-sentimental. It generally moves quickly and there is little dullness in sight. The second half is both amusing and enchanting and the message isn't laid on too thick and has more potency than one would think.

    Chaplin directs more than competently and the cinematic genius quality is emerging. He also, as usual, gives a playful and expressive performance and at clear ease with the physicality and substance of the role. The support is good and the chemistry charms.

    Overall, good but not great. 7/10 Bethany Cox
    7Hitchcoc

    Good Fun

    Chaplin is married with a couple kids. They appear to be 10-12 years old or so. Once they get the car started, a major task, they head off to a pier where they will get on an excursion boat. The sign says, children in arms are free, so he carries these two kids onto the boat. From there on things don't go well. Thee is seasickness, fist fighting, and a misunderstanding husband. Upon there return, there is a hilarious series of events at an intersection. No Academy Award her, but non stop craziness.
    CHARLIE-89

    A DAY'S PLEASURE IS A PLEASURE TO SEE!

    A DAY'S PLEASURE is a pleasure to see. It's not on the same level as Chaplin's A DOG'S LIFE or SHOULDER ARMS, but it might be a step above SUNNYSIDE. It really is funny. Chaplin plays a married man. First, he has a time trying to get his car started, then has a load of mishaps aboard a pleasure cruise ship. Finally, the traffic jam sequence is a laugh riot. The usual Chaplin players-Edna Purviance, Tom Wilson, Henry Bergman, Albert Austin, Loyal Underwood, even Jackie Coogan-are all as great as usual. A DAY'S PLEASURE is worth seeing if you're a Chaplin fan. For comedy lovers alone, it might not be as big a treat. Either way, it's funny.
    7Anonymous_Maxine

    Chaplin on his way out of the short comedy.

    I have heard that Chaplin rushed to produce A Day's Pleasure because the studio was demanding product while he was working on The Kid, but I have to disagree that it is a below-average comedy. It is a little different from the fare that we have come to expect from him in his short comedies, but I think this is as much a reflection of his desire to do something different as it is of the fact that he rushed through the production to satisfy the studio while he made another film, which he was more than likely more interested in.

    It should be kept in mind that Chaplin had been involved in the production of nearly 100 short silent comedies by the time A Day's Pleasure came around, so I can forgive him a little distraction in it's production. If nothing else, I find the film to be particularly interesting, especially at the beginning, because the building that Chaplin and the family leave from at the opening of the film is Chaplin's office in Los Angeles, where I live. It's hard to mistake those mountains in the background!

    One thing that I found to be interesting is that at one point in the opening sequence, a man walks into the frame in the background, and the trivia on the IMDb claims that he was most likely a studio employee, which seems like a preposterous notion, since the man not only walks right into the frame during shooting, but also pauses to see what's going on after he turns back. If he was a studio employee, it must have been his first day!

    Also of some note is a rather disturbing portrayal of the black characters. Granted, 1919 was a very different time than now, but like Hitchcock's The Ring, which featured a sadly slave-like black man grinning gleefully as dirty, backwards-looking white people dunked him in a tub of water, A Day's Pleasure features a band of black musicians which doesn't say anything good about Chaplin's idea of black people (what is the meaning of "Three minds with but a single thought?").

    While I agree that some of the material is a little different from many of Chaplin's other short films, the sequences here are certainly not without merit, particularly a hilarious bit with an uncooperative deck chair midway through the film. Some of the behavior of Chaplin and his other actors in the film is a little odd (at one point the family is on a crowded passenger ship on which everyone seems to be falling asleep on their feet in the middle of the day), but I should think that Chaplin made a graceful exit from the short silent comedy, if not an eventful one.
    alice liddell

    Early Chaplin frolic that would be more searchingly examined in Bunuel or Godard.

    Chaplin's shorts are beginning to look very thin - aesthetically, philosophically, comically - especially in comparison to Buster Keaton's melancholy fantasies, but A DAY'S PLEASURE has much to recommend it. Usually the Little Tramp - a disruptive rebel - Charlie is a model bourgeois here, with family and modern appurtenances. Foreshadowings of Bunuel and Godard as the family take a trip, and adverse circumstances force worst bourgeois instincts to surface: especially savage violence. Ship sequence hilarious, especially the woman with pram who dives for an embarking boat.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The house the family appears from is in reality Charles Chaplin's office.
    • Gaffes
      (at around 2 mins) As Father (Charles Chaplin) struggles with the cantankerous car, a pedestrian comes into view on the far sidewalk in the background. Either realizing a film is being shot or waved off by the crew, he turns around and walks away, but he pauses to look back over his shoulder just before he walks out of sight.
    • Citations

      Angry Little Man in Street: Stupid ass!

    • Connexions
      Featured in Charlie: The Life and Art of Charles Chaplin (2003)

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    Détails

    Modifier
    • Date de sortie
      • 22 décembre 1922 (France)
    • Pays d’origine
      • États-Unis
    • Sites officiels
      • Instagram
      • Official Site
    • Langues
      • Aucun
      • Anglais
    • Aussi connu sous le nom de
      • A Day's Pleasure
    • Lieux de tournage
      • Chaplin Studios - 1416 N. La Brea Avenue, Hollywood, Los Angeles, Californie, États-Unis(family house)
    • Société de production
      • First National Pictures
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 20min
    • Couleur
      • Black and White
    • Mixage
      • Silent
    • Rapport de forme
      • 1.33 : 1

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