Papa longue-jambes

A few years back, I started to watch this film and stopped. What bothered me was that Mary Pickford near the beginning of the film playing a 12 year-old and that just seemed so silly I switched it off! However, after recently having forced myself to actually watch it all, it turned out to me amazingly good. Now this isn't to say this is a perfect film--the whole 12 year-old aspect is pretty tough to believe AND the time-line of the film is a real mess (if you pay attention, it seems that Mary goes to college and falls in love at age 12!)--they really needed to explain that a lot of time lapses between the opening scene of 12 year-old Mary and the closing scenes. However, if you ignore this, the rest of the film is very worth seeing.

The first part of the film is mostly light comedy with Mary playing a plucky trouble-maker with a heart of gold at the orphanage. Some of the stuff she gets into is pretty funny and she is about the most unwanted orphan in the film. However, about halfway through the movie, it abruptly changes to a romance. Mary is sent to college by an anonymous benefactor who does not want to be known to her, and so she labels him "Daddy Long Legs" and sends update letters to him telling him her progress--never knowing exactly who it is.

Both parts of the film work very well, but some might be bothered by it being almost like two totally different films--since the tone is so different in each. However, both elements DO work and work well. While this isn't my favorite Pickford film (I liked SUDS better and I still have a lot more of her films to see), this is among the better silent films I've seen (and I've seen a lot). A good story, excellent acting and a general likability of Pickford's character make this a good example of the genre.

This film has all the elements of the quintessential Mary Pickford film. The little girl. Spunky. Full of love and against the odds. Willing to risk. From the "ash cans" and down to earth but capable of walking with high society with her head held high. Her profile shots by Charles Rosher are the ones we've learned to remember "Little Mary" by. The cupid scenes are incredible not so much for their content but their originality and sentiment in a film made in 1919.

A wonderful and multi-faceted performance by Mary Pickford turns a pleasant but somewhat routine story into a fine film that is very enjoyable to watch. The story gives her a chance to use a lot of different talents, and whenever she is on-screen, which is most of the time, there is something worth seeing.

Pickford is equally charming (it seems impossible to write about a Pickford film without using that word) and equally believable as a young orphan and as a college girl. And she is equally good at creating laughs, expressing feelings, and evoking sympathy - often all at the same time, especially in the orphanage scenes, which have some of this film's best material. There is some excellent comedy that keeps the story from becoming overly cute or sentimental, and she makes the most of all of it.

They put some real work into the title cards for this one, filling them with some good art work and also using them at times for some well-chosen commentary. A couple of the other cast members are pretty good, too, although it is definitely Pickford that makes this so worthwhile.

This is an engaging little gem from the silent era, and a great example of what it was that made "America's Sweetheart" so popular.

This movie made me happy and not a lot of movies do that nowadays. Even though the mood of the movie changed halfway through, I think it helped differentiate between the 12 year old and the adult. I highly recommend this movie to everyone!

The first time I saw this movie was late at night. My dad was flipping through channels and came across this movie and said that I would love it. Not just because it has Mary Pickford in it. So I was allowed to stay up until midnight on a school night, and back then it was a big deal! That suddenly became my dad's and my thing, to stay up late and watch old movies. I will always love this movie for itself and now it's sentimental value.

I've always been a big fan of the musical Fred Astaire and Leslie Caron version of Daddy Long Legs, but Mary Pickford's silent version is quite pleasant as well. It drags in a few spots, and I didn't find the actor who played Jarvis very handsome, but Mary was her usual winsome self and enjoyable to watch. Except for the drunk scene near the beginning (I've never found alcohol's effects amusing) the scenes at the orphanage were quite moving, especially when a child dies in Jerusha's (Mary's) arms.

Unlike the comments of a previous reviewer I found that Jerusha's motivations were always crystal clear: they are the motivations of any orphan: to find love and happiness. I found the ending kind of sexy too, and perfectly understandable; of course it was not as adorable and sophisticated as the ending with Fred and Leslie, but why quibble?

Unlike the comments of other reviewers as well, I didn't care for the tinting on the film in this DVD. It annoys me when the tinting keeps changing in a silent film. Just leave it sepia tones throughout or straight black and white. The updated musical score was ok, but not brilliant. All in all I give this silent a 7 out of 10.