Après la tourmente

Titre original : Blaze o' Glory

1929
1h 18min

MA NOTE

Betty Compson, Frankie Darro, and Eddie Dowling in Après la tourmente (1929)

Ajouter une intrigue dans votre langueOn trial for the murder of Carl Hummel, Eddie Williams tells his story, which begins just before the World War: Eddie, a Broadway star, marries Helen and almost immediately goes to the front... Tout lireOn trial for the murder of Carl Hummel, Eddie Williams tells his story, which begins just before the World War: Eddie, a Broadway star, marries Helen and almost immediately goes to the front. Gassed while saving the life of a German soldier (Hummel), Eddie cannot find work when h... Tout lireOn trial for the murder of Carl Hummel, Eddie Williams tells his story, which begins just before the World War: Eddie, a Broadway star, marries Helen and almost immediately goes to the front. Gassed while saving the life of a German soldier (Hummel), Eddie cannot find work when he returns. Helen finds a job, and Eddie grows more despondent. One day he finds Helen in H... Tout lire

Voir les informations de production sur IMDbPro

MA NOTE

Voir les informations de production sur IMDbPro

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Surviving Soundtrack Suggests This May Be A Genuine Loss

A young man, a Broadway star, goes to war. He survives the war -- but can he survive the Peace, when the war has robbed him of his health and his sanity, and all of his hopes that when it all ends, he would go out in a BLAZE O'GLORY?

This movie is lost -- but its soundtrack lives on the internet. Despite some eyebrow rising coincidences in the final reel (and a real jaw dropper at the end), what one hears suggests an effective courtroom drama that has, nonetheless been fused with, of all things, a bleak, antiwar, operetta. I am not sure how all of this would look on film -- since this was released by Sono-Art Worldwide, a penny-pinching Gower Gulch studio. But the frank anti-war slant, a sad Henry B Walthall performance as a defense attorney defending our hero against a murder charge, and the good quality vocalizing by Eddie Dowling, suggest this might have been a film that aged well, even though it was much disliked by critics when released.

Search your attics. There are not a lot of non-comic musical movies from the studio era (some late 40s Warners movies come to mind), and this film's very uniqueness would qualify it for a TCM premiere, should the film elements be found.