L'homme qui rit

This was our first Conrad Veidt experience. The Man Who Laughs is a spellbinding piece of visual art. Veidt's acting is sensational. I knew the plot of the story and wondered how he would portray feelings of sadness and regret with a permanent smile carved on his face. After viewing the tape, we were amazed how the emotions exuded from the TV screen. This is our second Mary Philbin experience and both of us prefer her acting in this movie to her role in The Phantom of the Opera.

We have viewed silents on the TV screen as well as the big screen. We discovered that there is more of the "larger than life" emotions projected and felt by the audience through the larger screenings that is somewhat missed on the 27" TV screen. Not so with this performance. My wife and I were both moved to watch it from the beginning...one more time.

I always think that Paul Leni's "The Man Who Laughs" was another silent horror piece with a lot of good ideas and thrilling scenes. Well... i was not wrong, except in the "horror" thing, and I lack to think of the beauty that could give me. Actually, "The Man Who Laughs" is one of the best silent films (With "Broken Blossoms" and "Metropolis") that i have ever seen ever. As too one of the most beautiful films that i have ever seen too.

"The Man Who Laughs", based on Victor Hugo's novel, told us the story of Gwynplaine (Great performance of Conrad Veidt, who too appeared as Cesare in famous "Cabinet of Dr. Caligari", participate in the first gay themed film in history "Diffrent from the Others" and "Casabalanca") a man that, when he was little, was operated by an evil man and now, his face always have a long smile. When he was little, he finds a death mother with a newly born one, a beautiful girl, but she is blind. Then he finds help, home and food with Ursus. Years later, he grown up, as the lovely girl, now a beautiful woman named Dea. With Ursus (Now, he is old) go with a fair. For their side there is the evil Barkilpehdro, who was the responsible of our dear main character's sad circumstances. This evil character do it for one thing, power... Gwynplaine doesn't know that he could be a powerful man. Now, back with Gwynplaine, we find a big saddest by him, he don't want to be a clown. And Dea is the only person who see the real Gwynplane. Then we find the story of a beautiful but evil and rebel duchess (Perfomed perfectly by Olga Baclanova, who appeared too in "Freaks"),she has as pupil: the evil Barkilphedro. So, what do you think that happen if all this characters find them in a fair? Just watch it out, and be prepared, because is a thrilling experience.

In my personal opinion, "The Man Who Laughs" is an important piece of the history of cinema, maybe , of their time too. First of all, the love story is so tender, so beautiful... that i don't think yet that exist such movie!!! Then, the stages, all the scenario is perfect, makes us to feel what it wants. Is here too another personal opinion, i think that "The Man Who Laughs" it was early to their time, Paul Leni (Director of "The Cat and the Cannary" and "Waxworks"). Its just that the movie present topics that in that time was very difficult to show, or was too (talkin about film technique) novel, or in other word: new. For example, there is a scene when a man watch through the bolt of a door to the duchess taking a bath, yes it doesn't show her nude, but certainly, what they show it was much for this time, i think. In film technique i can give a lot of examples, for example, mix of sounds in a lot of scenes, camera moves... etc... i can put a lot of examples. In few words, "The Man Who Laughs" is a real masterpiece, a real must see. This is a beautiful film, and i loved it. Try to see it if you have not see it yet. If you love excellent films, if you love silent films, if you love beautiful films, if you love thrilling films, if you love touching films... you must see "The Man Who Laughs"

*Sorry for the mistakes, well... if there any.

The first time I encountered The Man Who Laughs was a photo in a horror movie catalog that I had when I was a very easily-spooked 8-year-old. For some reason that grotesque grin frightened me more than the Hunchback, the Phantom of the Opera, and Nosferatu combined. I couldn't bear to look at it, so I carefully marked the page so that I wouldn't accidentally catch a glimpse of it. However, if I had actually seen the movie I wouldn't have been frightened at all. I wouldn't consider The Man Who Laughs a horror movie, but a touching melodrama about a man whose appearance is horrific.

Gwynplaine is a very sympathetic, likeable character, and Conrad Veidt does an excellent job of conveying his inner torment and sadness with subtle eye movements and gestures. Gwynplaine's innate goodness is very clear, despite his macabre appearance. We root for him to overcome all obstacles to find happiness and true love, as we root for the evil jester Barkilphedro to meet with a bitter end. We are not disappointed. I was impressed with the beautiful cinematography, which is exceptional for the time. The score and sound effects are used very well, so well that sometimes you forget that you are watching a silent picture. With the outstanding performances, particularly Veidt's, this is a classic of silent cinema that deserves to have a much wider audience.

Seriously, I was expecting a horror or creepy mystery film like "Caligari". And in the beginning, it feels strange and weird like a nightmare. The scene in the snow with the corpses hanging from from the gallows is pure apocalyptic nightmare fuel.

But from the moment we see Conrad Veidt in full make-up and smiling himself into the hearts of two women, it becomes something else entirely. It's funny, a bit sad but alltogether a pretty simple love story.

Not a bad film for sure! What Veidt did to his face is scarier than all of the scenes together. I just expected something else.

Like most artistic "isms," expressionism is somewhat difficult to define; in general, however, it refers to a style in which the artist is much less interested in capturing external realities than in portraying emotional and psychological states; consequently, expressionism is often fantastic in a visual sense--and when it combined with the darker edges of Germanic folklore it gave rise to a series of classic and near-classic silent films, including THE CABINET OF DR. CALIGARI, NOSFERATU, THE GOLEM, and WAXWORKS.

Over time, the style began to creep into American film. This was most particularly true of films made at Universal Studios, which had major successes with such Gothic-inflected films as THE HUNCHBACK OF NOTRE DAME and THE PHANTOM OF THE OPERA, both of which starred Lon Chaney. Drawn from a minor work by Victor Hugo, THE MAN WHO LAUGHS was first intended as a Chaney vehicle; by the time it began production, however, Chaney had decamped to Metro-Goldwyn-Mayer--and Universal assigned Conrad Veidt to the starring role under director Paul Leni. Both men had been deeply involved in the German expressionist movement, and the resulting film was a melodrama so deeply steeped in the grotesque that it came to be regarded as a horror film.

THE MAN WHO LAUGHS concerns a child named Gwynplaine who is caught up in royal intrigue and is deliberately disfigured, his mouth cut into a ghastly, inflexible grin. Abandoned, he rescues an blind infant girl; both are taken in by the kindly Ursus (Cesare Gravina.) Years later, and entirely unaware of his aristocratic origin, Gwynplaine (Veidt) and the beautiful blind maiden Dea (Mary Philbin) are popular carnival actors, appearing in a play written by Ursus--but although he loves Dea, Gwynplaine is deeply humiliated by his eternal grin and feels he can never marry. Ironically, it is not until he is once more caught up in a royal powerplay and recognized as a peer that he realizes the depth of Dea's love.

In some ways the plot is simplistic and occasionally too much so, but the look of the thing is relentlessly fascinating. Director Leni endows his world with grotesque faces, vulgar sexuality, and deliberately twisted visuals--particularly so in the first half of the film, which is greatly famous for the sequence in which the abandoned child stumbles through a snow storm beneath gallows bearing rotting corpses to find the infant Dea. Veidt's hideous grin, an early creation by make up genius Jack Pierce, is remarkably effective; the performances are memorable, and although the second half of the film is excessively predictable the whole thing goes off with a bang.

Although it was hardly a failure, in 1928 THE MAN WHO LAUGHS proved too gruesome for many audiences, and the rise of sound films drove it into a too-rapid obscurity. Even so, it would cast a very long shadow: it is an important link in the chain between German expressionism and the great Hollywood horror classics of the early 1930s. The Kino DVD presents a reasonable but far from flawless transfer of the film, along with several bonus features, most significantly a "making of" documentary that details the film's stylistic importance. Recommended for fans of classic horror.

GFT, Amazon Reviewer