Le Roi des rois

I first experienced Cecil B. DeMille's beautiful telling of the Life of Christ, his 1927 THE KING OF KINGS, in a local theatre in the late 1950s. It impressed me then as a teenager and it impresses me even more now, having just experienced a special viewing of the double disc DVD that is being released on December 7, 2004 under The Criterion Collection label.

I purchased a 16mm print of this film many years ago as well as buying the Criterion Laser Dics release a few years back, so I am well versed in this classic. Until now, everything shown theatrically, on 16mm, VHS tape and Laser Discs has been of the re-edited version that DeMille prepared in 1928, a year after the film played its roadshow engagements. Millions of people the world over have seen the shorter 112 minute cut, which is included on the Criterion disc with both the original Hugo Riesenfeld score (and sound effects) as issued in 1928, and an outstanding newly recorded pipe organ score by Timothy J. Tikker, done especially for this release.

For years I have been aware that the roadshow version as shown at the Grauman's Chinese Theatre in LA and at the Gaiety in NY, ran 155 minutes, some 37 minutes longer then I had ever seen it. From James D'Arc at the Brigham Young University Archives (which houses the DeMille collection) I learned that the full length version still existed and was in the possession of the DeMille family. That complete version is now the highlight of the Criterion DVD release and it is MARVELOUS!

I've always thought highly of DeMille's THE KING OF KINGS -- but now seeing it in this wonderfully preserved full-length print, complete with an outstanding original orchestra score by Donald Sosin, I can say without hesitation that it is a more spiritually uplifting experience in this version then it ever was in the fine shorter cut. This is a MASTERPIECE, not only of the silent cinema, but of all-time!

And that's not all -- the EXTRA's included on the two DVD's are also a marvel. There is almost 15 minutes of priceless behind-the-scenes footage on the set of the film. You'll see DeMille directing a huge cast and at times view three cameras being hand-cranked. There are shots of D.W. Griffith and Douglas Fairbanks visiting with DeMille on set. There are production and costume sketches by renowned artist Dan Sayre Groesbeck as well as a stills gallery of rare production and publicity photos. The original illustrated theatre program and press book are pictured also -- and there's more. In short this is the finest DVD ever released on a film from the silent era, even surpassing Fox's marvelous job on F.W. Murnau's SUNRISE (also a 1927 release).

In my opinion, DeMille's THE KING OF KINGS in this full version is the finest rendering of the Life of Christ ever put on film! Criterion, known as the leader of fine DVD's, has done it again. Don't hesitate on picking up a copy of this if you love great movies and want a spiritual experience!

This may be one of the very best movies made about Christ. In the beginning I didn't really know what they were doing. It looked like they were making their own story up. But things got better and better as the movie went on. There were so many effective images in this movie that it is unforgettable.

The magic starts when Jesus is finally introduced. What an entrance he makes. A blind girl goes to Jesus for help. There is a bright light and you can tell by the little girl's performance that something is happening. Our view gets blurry because we are seeing through the little girl's eyes. Then the picture comes into focus and we can see Jesus standing in front of her. From that moment on the movie was amazing.

H.B. Warner is one of the greatest actors to portray Jesus. He has such a commanding presence in the movie. He does look a little old to be playing Jesus. At the time of Christ's crucifixion he was around 30. Warner was around 50. But this does not hurt the film at all. Warner does not look like an old man one bit and he had the perfect eyes and perfect face for the part he was playing. In the crucifixion scene when you see H.B. Warner without his shirt it's amazing how he has the perfect built to play Christ.

There were so many things that amazed me. The movie was silent, but it didn't even matter. There were so many effective images. This is what people went to the movies for before there were talking pictures. The first amazing scene was the scene when Jesus cures the blind girl. That was very well done. Every scene of Jesus performing a miracle was amazing. The Last Supper scene was very well done. When everyone leaves the table, the cup that Jesus was drinking from is shimmering. That would later become the Holy Grail. Throughout the movie Jesus is a glowing image. This added to Warner's presence in the film. The scene when Jesus is condemned was very well done and accurate. I was glad they got Pontius Pilate right in the movie. Pilate did not want to kill Jesus. The film also shows you how his wife truly felt. In this movie you see Pilate send Christ to be chastised rather than put to death. After the scourging, you see the people condemn him. You even get to see Pilate washing his hands. People complained about how Gibson's Passion of the Christ made Pilate look, but no one complained when they did the same in this. It is widely known that Pilate was not a villain. The King of Kings that came later in 1961 failed miserably in how it portrayed Pontius Pilate, not to mention a lot of other things. Seeing this makes you wonder what King of Kings with Jeffrey Hunter would've been like if Demille made it. Too bad he didn't.

My favorite scene in the movie would have to be the Resurrection. You will know why when you see the movie. Seeing everyone hugging Jesus in the end was so heartwarming. In the end you even get to see Jesus ascend into heaven. That was all very well done. The special effects in the movie were unbelievable. I was surprised how great they were. The movie was made in 1927. The storm after Christ commends his spirit is an awesome display. Amazing special effects. Seeing H.B. Warner on the cross is also a haunting sight. He really looked the part.

The final thing that I must praise is the performances by the actors. Everyone was great. Every single person in the cast. Everybody looked the part that they were playing. It was amazing. Dorothy Cumming was the perfect choice to play the Virgin Mary. Ernest Torrence was great as Peter. Victor Varconi was great as Pontius Pilate. Joseph Schildkraut was great as Judas. I couldn't believe that was the old man I saw on the Twilight Zone. In this movie Judas is a handsome young man and it is also the first movie were I've seen Judas without a beard. Schildkraut's interpretation of Judas will be something very new to you, but it turns out great. His performance was especially good when you see him in agony over betraying Jesus until you finally see him hang himself. Jacqueline Logan was a great choice to play Mary Magdalene. She was very attractive and great in the scene when Jesus casts the seven deadly sins out of her. Great effects in that scene too. Joseph Schildkraut's father Rudolph Schildkraut was also great as Caiaphas. This movie shows him for the villain that he was. Again, nobody complained about that in this, but they complained about Gibson's movie. Finally, H.B. Warner was great. I couldn't believe that was Mr. Gower from It's A Wonderful Life.

This is one of the greatest movies you will ever see about Jesus Christ. This is way better than King of Kings with Jeffrey Hunter. This movie was for the most part, very accurate. The special effects were great. The direction by Cecil B. DeMille was great. Again, too bad he didn't do the Jeffrey Hunter one. The performances by the actors were great. The King of Kings is an amazing movie and you will not soon forget the images that you see. Be sure to see this one. I promise you will not be disappointed.

I'm not a religious man. Nevertheless, I found this to be a very moving picture.

Or series of pictures. So many of the shots are very clearly carefully set up, often to evoke famous paintings.

The use of light, though simple given the techniques of the day, is often very effective.

The story is told to include all the well-known episodes in the story of Christ. The pace is leisurely, but never too slow. Each scene is developed to its fullest.

And the acting - which is to say the faces - are sometimes remarkable.

If you're used to action movies, you'll never get through this. But if you can adopt yourself to its pace, you'll be amazed how effective this movie is.

What a masterpiece! Visually stunning and deeply moving, even for the non-religious. DeMille was at his best in the silent era, and I have never seen the story of Christ told so beautifully. With more than a passing nod to nineteenth century Biblical painting, DeMille recreates the last days of Jesus' life in painstaking detail. He takes some liberty with chronolgy, and there is his trademark combination of religious fervour and delicious decadence. But the passion and sincerity are so strong that I'll be surprised if you don't shed a tear once or twice. And Joseph Schildkraut is stunning as Judas.

Eye-popping sets and superb photography combine with huge crowds of extras and excellent costumes to create one of the great epic films. And dig that opening orgy scene involving a scantily clad Mary Magdalene, a couple of old men, a leopard and a hunky charioteer leading a team of zebra! Wow! The first shot of Jesus is also cinema magic, an unforgettable moment. This film is superb.

This Cecil B. DeMille silent classic is still well worth seeing. It is creative and interesting, while remaining respectful to its subject, and thus it is among the best of the many movies made about Jesus. Unlike most directors (especially today), DeMille did not think that he was bigger than his subject, and thus he uses his skills to illustrate the well-known story and to make it memorable, rather than expending time and energy in trying to push some trivial perspective of his own. He makes it lavish when it should be lavish, and keeps it simple when it should be simple.

The opening scene, with Mary Magdalene and her admirers hearing bits of news regarding Jesus and Judas Iscariot, is a good introduction to the rest of the story, and also sets the tone for what follows. While it is a fictionalized scene not found in the Bible, it seems natural and works well. The rest of the movie likewise does not always follow the biblical narratives exactly, but the added material is always in keeping with the main themes. The cast is pretty good, although given the nature of the story, most of them have limited screen time. H.B. Warner looks just a little too old to be fully convincing as Jesus, but otherwise he is good enough in a difficult role. Probably the best performance is given by Joseph Schildkraut as Judas. He is quite believable, and is especially good in the Last Supper scene. His father Rudolph is also good in a smaller role as the high priest Caiaphas.

With the vast number of movies that are always being made about religious subjects, no doubt it will only be silent movie fans who will seek out this version of "The King of Kings", but that's unfortunate because it is nicely made and has many positives that make it worth seeing.