Sportif par amour

This film reminded me a lot of Harold Lloyd's "The Freshman," in which Harold goes out for sports in college to impress a girl - same story - and made two years earlier. I am partial to Lloyd's version but I enjoyed this, too.

Keaton's version starts off with the high school graduation ceremony. "Ronald" (Keaton), the scholar of the class, gives a speech denouncing athletics as a total waste of time and promoting being a bookworm over anything else. This speech is so offensive to the crowd that everyone leaves but Keaton's mom, who applauds. By the way, all the high school graduates look between 25-35 years of age. These are the oldest-looking high school seniors in history!!

Anyway, a girl Buster is trying to impress "Mary Haynes" (Anne Cornwall), was among those not impressed with his snobby "scholar" speech. She'd rather have an athletic man. So, upon entering college, "Ronald" tries a variety of sports, to gain the approval of the girl. (Does this theme sound familiar, not just in the Lloyd film but so many of Keaton's other films?)

He attempts to play baseball but is so clueless he puts on all the catcher's equipment to play third base. Suffice to say, after a number of plays ensue, it's more than evident that "Ronald" is a little bit out of his element! Next, he goes out for track, but gets discouraged when two little kids speed by him on the track. Throwing the discus and javelin are not good ideas, either. His high-jumping routine is very funny. He isn't bad in the hurdles, however. Obviously, pole vaulting doesn't work and the hammer throw almost gets his teammates killed, so he's told to leave.

He gets a call from the Dean's office. The Dean, who liked him from the start because he preferred studies over sports, is distressed because Buster's grades are bad. Buster explains his problems and the Dean (played by the always-funny Snitz Edwards) sympathizes because, being a wimpy little guy, he same problem years ago with a woman he liked. So, as a favor, Dean Edwards orders the rowing coach to install Buster as the coxswain of the team. The coach and the crew don't want this, as "Little Lord Fauntleroy" or "Mama's Boy" and other names he's called, has a reputation already at college as an athletic loser. They try to sabotage his attempt at being part of their crew, but he turns the tables. The funniest scene is when the new coxswain literally becomes the boat's rudder.

The neatest part of the film is the ending, which is usually the case in silent comedies. Suffice to say that Buster puts all of his athletic talents, which were not effective on the sports fields, to good use to get the girl. It's a memorable ending.

COLLEGE (United Artists, 1927), directed by James W. Horne, is something of a sort-after silent classic inspired by Harold Lloyd's more successful college comedy, THE FRESHMAN (1925), starring Buster Keaton demonstrating on how to fail as an athlete without really trying.

The story opens one rainy afternoon with Ronald (Buster Keaton), carrying his umbrella, walking along side with his mother (Florence Turner) to attend his high school graduation ceremony along with his other classmates: Mary Haines (Anne Cornwall), the girl he loves, and Jeff Brown (Harold Goodwin), his rival for Mary's affection and star athlete who is finally graduating after seven years. Ronald, the school's "most brilliant scholar," receives his diploma, and is asked by the members of the faculty to speak on the "Curse of Athletics," which he does. After degrading sports by saying "The student who wastes his time on athletics rather than study, shows ignorance" and "Where would I be without my books," wins approval with the teachers but not with his classmates, especially Mary, who finds his speech ridiculous. Because Ronald loves Mary, he finds he might now really lose her to Jeff (Harold Goodwin). As Mary and Jeff register at Clayton College, Ronald decides to enroll there also, and with no financial support from his mother, he decides to work his way through college where he intends to win back Mary's affection by becoming an athlete himself.

In true Keaton fashion, he tries out in all sports imaginable, ranging from baseball, track and field events, shot-put and finally as a coxswain on a varsity crew team in an important race, and flunks. Even while working as a soda jerk and as a waiter, he fails at that, too. But after he learns that his girl is in trouble does he pull out all stops in making himself a success without realizing how good he actually is.

COLLEGE may not be as well known as Buster Keaton's other silent film comedies, including two of which come to mind, SHERLOCK Jr. (1924) and, of course his masterpiece, THE GENERAL (1926), but it's a simple-minded story set against a college backdrop that features plenty of sight gags and sports activity to make this one enjoyable, especially to any avid sports fan.

The supporting players include: Snitz Edwards as the college dean; Grant Withers, Sam Crawford, Buddy Mason and Flora Bramley. While these names are not particularly well-known, it's the Buster Keaton name heading the cast that has generated interest in this comedy, then and now.

COLLEGE was one of the twelve selected films to appear during the summer months on public television's 1975 weekly presentation of "The Silent Years" as hosted by Lillian Gish, with a piano score and color tints from the Paul Killiam collection. Before the airing of the feature-length silent comedy, Gish would talk a little about Keaton's career and how he became known as "Buster,", present a 20-minute comedy short, ONE WEEK (1920), and then ask for the viewers awaiting to see COLLEGE to not be offended with one particular scene where Keaton's character of Harold is working in a restaurant disguised as a "colored" waiter. This plea would still reflect upon viewers of today.

COLLEGE, which is available on video cassette and DVD, can be seen in various ways, depending on the distributor, especially with its time length. Blackhawk Video's version accompanied with the same piano score that was used in "The Silent Years," runs at 60 minutes; while Video Yesteryear's accu-speed version with organ score runs close to 100 minutes. A more recent and recommended (1992) restored version with clearer picture and a fine new organ score by John Muri, running at 65 minutes, was the one formerly shown on cable television's American Movie Classics (1997-2001), and later on Silent Sunday Nights on Turner Classic Movies.

In spite of a handful of college-sports films produced during this period, it's interesting to point out that such legends of screen comedy as Charlie Chaplin and/or WC Fields have never attempted this. Future film comedians as Lou Costello and Jerry Lewis have done such, and probably were inspired by the likes of Lloyd or Keaton. However, COLLEGE is minor but enjoyable Keaton at best that would be a fine addition to any film buff's video or DVD library. (***)

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While this may seem a rather lightweight effort considering it came in the same year that produced 'The General (1927),' 'College' is an excellent little film in which Buster Keaton exploits the endless slapstick possibilities offered by sporting activities. Keaton plays Ronald, an unpopular bookworm whose public condemnation of athletics leads his girlfriend (Anne Cornwall) to dump him in favour of a more physically-capable jock (Harold Goodwin). In an attempt to win back the love of his life, Ronald enrolls himself in college and tries his hands at every sport in sight, with hilarious consequences. The two preceding sentences pretty much summarise the entire film. However, this inkling of a narrative is more than enough to open up a vast range of entertaining gags, and Keaton snatches a laugh at every opportunity.

How do I begin to list my favourite moments from 'College?' Though some have complained of the repetitiveness of the sequence in which Keaton tries every athletics activity in the book, I thought it was the highlight of the film. The scenes follow a very strict comedic routine: first we see how it is supposed to be done, then we see Ronald's absurdly inept attempt. Wash, rinse, repeat; this time with a completely different sport. Of course the routine becomes somewhat predictable, but Buster Keaton is always the uncertain variable. We don't know how his next effort is going to fail, but we know it is, and that it's going to be a spectacular failure. Ronald is a hopeless case, but you can't deny that he's got heart. Whether he is being out-sprinted by a pair of young children, falling short of the long-jump sandpit, snapping a pole-vaulting stick in half or planting his face two feet underground after clearing the high-jump bar, he is always courageous enough to get up, brush himself off and try again.

I've read that Harold Lloyd explored similar territory two years earlier with 'The Freshman (1925),' a film I haven't seen yet, so that one's probably a good film to look up if you, like me, enjoyed this one. It is also believed that there was originally a sequence showing Ronald's attempts to play American football, though this was ulimately cut to avoid comparisons with Lloyd's movie. Additionally, I was interested to read that Ronald's pole-vault through the window was one of the few times in Keaton's career that he didn't perform his own stunts. I'm certain that the danger-level was definitely not the problem {anybody who's seen 'Steamboat Bill, Jr. (1928)' will attest to that}, but pole-vaulting must have been one activity that he simply couldn't pull off. I don't blame him.

"In films that combined comedy with extraordinary physical risks, Buster Keaton played a brave spirit who took the universe on its own terms, and gave no quarter" (Roger Ebert)

Among many silent movies which we are lucky to see these days (and which have not been lost after all), COLLEGE by James W. Horne and Buster Keaton was a real surprise for the audiences in my town's movie theater. Seeing silent comedies on the big screen exceptionally proves to be an uncommon experience. I think that there are hardly any viewers who may leave the cinema disappointed. Simply because the humor of COLLEGE seems to have stood a test of time combining comedy features with some notions of what a good movie entertainment is all about. What is it about?

It is to amuse us, to bring relief, to educate a bit being at the same time not too tense. Roger Ebert, in the quotations that marks the beginning of my review, nicely observes that Keaton was able to execute tremendous physical abilities, which makes his films interesting even today. That is particularly noticeable in COLLEGE and calls our attention throughout. His character of young Ronald who does anything to make himself attractive to Mary (Anne Cornwall), the girl he loves, executes much of timeless humor. Combined with wit, the effect is outstanding: awe and laughter go in pairs and substitute each other. Who can forget the hilarious scenes on the sports field? How can you remain indifferent to his efforts? A lot of such moments when he moves like a true athlete do not allow you to concentrate elsewhere. That makes COLLEGE vibrant and surprising.

Keaton's character is quite different than Charlie Chaplin's roles. He is quite a flamboyant young man who makes us laugh but ALSO makes us identify with his dilemma. Just to note what there is at the heart of his efforts: to win the heart of his 'sweetheart.' Consider the scenes with his mother (Florence Turner) when the humor is somehow directed towards his umbrella but also supplied with a clue of such a young man's personality, his dealing with the world and his dealing with simple situations. When he is in the arms of his Mary at last (the moment that he reaches thanks to extraordinary pains taken), it is a truly genuine moment, a moment of a dream fulfilled...expressed in the face of a performer.

Among the supporting cast, Snitz Edwards is fabulously funny as the Dean, the old bachelor who only claims to be indifferent to a woman's love.

To draw a humorous conclusion, COLLEGE is a light hearted entertainment which, though it is silent, does not let you resort to silence. Having seen it, you still feel a desire to share your thoughts with other people. A gem of its time!

College (1927) was an interesting film that Buster Keaton made during the later days of the silent movie period. In "College", he plays a student who tries all kinds of school sports just so he could impress a girl he's fallen head over heels for. As usual the film is a showcase for Buster Keaton's talents as a stuntman, comedian and director. A little known film but it's one of his better ones. If you're a fan of the silent cinema or a Buster Keaton fan I advise you to pick up a copy of "College". A nice little film that has a "sweet" ending.

Recommended.

A I don't know how many different running times there are for this movie.

The one I saw clocked in at a little over an hour.