Pour l'amour du ciel

As per 'Why Worry?', Harold Lloyd once again plays an eccentric millionaire here, though one without a worry in the world compared to his earlier hypochondriac. It is refreshing to see Lloyd as something other than his usual nebbish self and the film gets off to a strong start with Lloyd causing chaos everywhere while never being phased, not even when bandits are shooting at him from a speeding car. The plot soon veers in a very different direction though as Lloyd meets and falls in love with the daughter of a preacher who he accidentally donated to. It is a plot turn that comes without any character progression and it almost feels as two different films have been spliced together as Lloyd jumps from being cool and detached to energetically drumming up business for the preacher's mission 'Never Weaken' style. There is also a weird kidnapping subplot that comes out of nowhere and never quite feels right (despite leading to a good chase scene). Indeed, clocking in at under one hour, it feels as if a significant chunk of the film is missing - and according to some reports, Lloyd trimmed the movie himself after being dissatisfied with the final product. The film is not quite as poor as all that, but coming on the back of the well developed narrative comedy that 'The Freshman' was, this feels like a step back towards the skits-based plotting of his earlier works.

This is one of Harold Lloyd's least-known films and, consequently, perhaps his most underrated feature; I was first made aware of this factor by Leonard Maltin's awarding it the full **** rating in his Film Guide and, ever since that time, I've been pining to catch up with it!

Now that I've watched it for myself, I can say that the film is an undoubted classic (certainly among Lloyd's best work) and the only reason that I didn't quite go all the way with my own rating is the fact that, even for its brief 58-minute running-time, the plot line is somewhat thin:

Harold is a millionaire who becomes the unwitting benefactor of a modest mission; believing himself to have been conned into such a position, he determines to put a stop to it - that is, until he meets and falls for pretty missionary's daughter Jobyna Ralston. Then, he resolves to attract customers to the joint - which, considering that the neighborhood is filled with tough guys and gangsters, this will take considerable resource on his part. Nevertheless, he succeeds and the men eventually become fond of him so that, when Lloyd's impending marriage to Ralston is announced in the papers and his rich society-pals decide to 'save' him from such a fate, the gang take action to bring the couple back together again.

While clearly reminiscent of what is perhaps Charlie Chaplin's greatest short, EASY STREET (1917), the film's level of gags and the star's typical ingenuity is extremely high - with only the gangsters' drunken havoc during its last third overstaying its welcome; this section, however, leads to one of Lloyd's most hair-raising stunts - actually inspired by similar scenes in both GET OUT AND GET UNDER (1920) and GIRL SHY (1924) - as a double-decker bus (with atop it the star and his 'flock') races driverless along busy city streets on its way to Harold's wedding. Other hilarious highlights include: the early destruction of two cars owned by our reckless hero - the first happens because of a crate of cat food in the middle of the street, which the black chauffeur mistakes for the real thing and tries to avoid but ends up slamming straight into another car, while the second contrives to run out of gas on a railway track and is summarily scuttled by an oncoming train; as well as another re-used (this time from GRANDMA'S BOY [1922]) but undeniably irresistible routine involving the indigestible 'cakes' which Lloyd is made to eat by his beloved at the mission.

Six months ago I had barely seen a Harold LLoyd feature (except "The Kid Brother" 35 years ago) - now I know that whenever I feel down I can put on a Harold Lloyd movie and laugh myself silly from start to finish!! It is such a comforting feeling. This is not a typical Harold Lloyd comedy and I was a bit concerned initially - instead of the poor boy who makes good or the eager, hopeful go-getter who by the film's end is everyone's hero, this movie has Lloyd as J. Harold Manners, an idle rich boy who accidentally becomes the patron of a mission for down and outs.

There are two fantastic chases in this movie - the first where Harold pledges to get the "Pool Hall Boys" to the Mission -he does (and a whole lot of other thugs as well) and by the time the police arrive they are all singing hymns and liking it!!! The other one is reminiscent of the hilarious chase in "Girl Shy" - in this chase he has been kidnapped by his well meaning rich friends, his "pool room" mates find him and then he has the job of getting himself and his inebriated friends to the church on time.

Jobyna Ralston, as Hope, can't be over-estimated. Even though her role is usually "the girl", either rich girl, poor girl or working girl, she compliments Harold Lloyd so much and brings so much to his movies on her own, it would be hard for me to imagine any other actress in the role. Noah Young also adds immensely to the laughs as the leader of the thugs. And three cheers for the wonderful Robert Israel and his Orchestra - if only he could score the music for all the silent movies that are available.

Highly, Highly Recommended.

"For Heaven's Sake" was double-billed with "Grandma's Boy" on Turner Classic Movies' Silent Sunday, 12 July 2015, and it was a glorious pairing.

Harold Lloyd was working with Hal Roach for "GB" and was independent "For Heaven's Sake."

The first was, and was intended to be, more of a character study, as the alleged experts call it, while the second was more of a purely gag-filled romp.

"Sake" also had Lloyd's loveliest -- in my opinion -- co-star in the Tennessee girl, Jobyna Ralston, of South Pittsburg. (Some of her family is still there. I've tried, unsuccessfully, to talk the lifeless chamber of commerce into having a Jobyna Ralston film festival. It's a sad town but in a beautiful part of the country, not too far from Chattanooga. South Pittsburg is the home of the Cornbread Festival, featuring the Lodge iron skillets.)

"For Heaven's Sake" also has some wonderful stunts, with Lloyd's frequent foil Noah Young performing yeoman work, as do several excellent stunt performers.

It is, after all, Harold Lloyd, so you know there will be athletic performances and great sight gags, but the directing is quite an eye-opener, too, with that moving camera referred to in this review's title.

Both these films intrigued and delighted me with the moving camera, visually quite fascinating and very inventive and clever.

There is more story here than some supposed experts and even some reviewers here admit to and, combined with the sight humor, they make this a great movie, one I highly recommend.

Callous millionaire playboy Harold Manners (Harold Lloyd) mistakenly burns down street preacher Brother Paul's coffee cart for the poor. He overpays a $1000 cheque and Paul builds a mission in his name. Harold's horrified to find his name associated with the do-gooder and intends to take down his name. Instead he falls for Paul's daughter Downtown Girl Hope and works to win her heart by creating a thriving mission. When their marriage is announced, his rich friends from the old days kidnap him for his own good.

The train running over his car is hilarious. Lloyd's unflinching deadpan delivery absolutely sells it. There are great comedy bits throughout. The romance isn't that bad either although it's pretty straight forward. There are a few big stunts but nothing as iconic as his building climb. The bus ride during the climax is impressive at times. This is good fun.