Le pirate noir

THE BLACK PIRATE (1926) tells the story of a mysterious figure (Douglas Fairbanks) who survives a pirate raid. Sworn to avenge his dead father, he takes command of the pirates responsible, and secretly strives to free the princess whom they have kidnapped. A power-hungry lieutenant who tries to incite the men against him complicates his plans. Directed by Albert Parker.

The script is quite interesting, following The Black Pirate's skillful command of his pirate band, as well as his resourcefulness and ingenuity. The scenario offers plenty of action – pirate raids, duels, underwater photography – as well as a little bit of rather unlikely romance that always seems to pop up in films like these.

Perhaps the greatest cinematographic interest is provided by the film's use of two-strip Technicolor. There are some lovely sweeping shots of the ocean and the ships at sea. The film could benefit from more dynamic editing and variety between close-ups and long shots during the other scenes, though. The camera work feels very restrained for much of the film's running time, as if the crew were aiming to evoke the tableaux style of earlier films. In my opinion this diluted the impact of the action scenes and caused the film to feel somewhat detached. The direction of the movie was competent rather than brilliant, and greater use of the cinematographic resources available at the time would have given the film more impact. After all, this was made in 1926, after such pioneering classics as THE LAST LAUGH and BATTLESHIP POTEMKIN. However, there were very dynamic moments as well, mostly due to the stunt work.

THE BLACK PIRATE boasts fine performances, particularly by the charismatic and athletic Fairbanks, as well as by Sam de Grasse, the lieutenant who chafes under The Black Pirate's leadership. There's a scene where the Black Pirate takes over a ship by himself, and the athleticism shown by Fairbanks is astounding. Billie Dove plays a fairly typical damsel in distress type as the Princess.

Overall, THE BLACK PIRATE is entertaining, but it could have packed more of a punch with more imaginative direction. However, the color cinematography is generally lovely to look at, and Fairbanks gives a splendid performance. SCORE: 7/10

Douglas Fairbanks Snr., can quite fairly be given credit for the first movie action star. 'The Black Pirate' has a number of sequences which highlight his magnificent athletic ability. I found myself marveling at the extended sequence where he seizes a merchant ship singlehandedly. What strength and skill, what agility and courage! I loved watching him scale the stern of the ship and was extremely impressed by his cutting open of the sails from top to bottom with a knife. Some of the work was quite funny and you could tell that the filmed footage was being shown in reverse but that doesn't stop the stunts themselves from being extremely entertaining. He's got more guts than me, I'll say that much!

'The Black Pirate' is difficult to evaluate. Do we grade a film based upon:

a) other pirate films b) silent films c) on a general level of enjoyment against all films

As a silent film, and for that matter a two strip Technicolor silent film, 'The Black Pirate' is a landmark for innovation. Fairbanks had misgivings about the use of colour but felt a pirate film MUST be shown in colour. He gets great benefit. There is a great deal of implied violence (duh, a pirate film!) and the bright red colour of blood is almost shocking to see. There's a scene where a captive tries to hide a ring he's wearing by swallowing it. Unfortunately for him he's seen. After a little off camera ... searching... for the ring, a pirate presents a bloodied ring in bloodied hands as he wipes a bloodied dagger on his tunic to the captain. Pretty thrilling stuff for the 1920's. This was also a film where very serious philosophy and training were put to great effect with the fencing. You can see how it out-steps a lot of earlier swordplay films and influenced the style in films that would follow. According to film historian Rudy Behlmer on an excellent commentary track with the Kino DVD, the fencing master hired by Fairbanks became a staple of the industry. Many of the great sword fight movies from the next 25 years were his handiwork -- including 'The Adventures of Robin Hood,' and 'Captain Blood.'

Against other pirate films, 'The Black Pirate' has perhaps more value as a curiosity. Even by the late 1930's and 40's it was being outdistanced by Errol Flynn films like 'Captain Blood' and 'The Seahawk,' Tyrone Power in 'The Black Swan,' or Burt Lancaster in 'The Crimson Pirate.' Today it gets totally wiped off the board by the 'Pirates of the Caribbean' series. Though still fun to watch, these later films are better and more enjoyable.

This is definitely worth tracking down on the Kino DVD if you can find it. Rudy Behlmer has an excellent commentary track that is of great value to people who are interested in early Hollywood and Douglas Fairbanks. I recommend it highly for the student or the general enthusiast based upon that reason. And it is a good movie to! 'The Black Pirate' has a great sense of adventure to it with thrilling stunt work. Silent movie fans shouldn't be disappointed. Fans of pirate movies should give it a try to see what helped popularize the genre.

Seeking revenge, an athletic young man joins the pirate band responsible for his father's death.

"The Black Pirate" was the third feature to be filmed in an early two-tone Technicolor process that had been first introduced in the 1922 feature "Toll of the Sea". This reproduces a limited but pleasing range of colors. "Ben-Hur", filmed around the same time, contains two-tone sequences but is shot primarily in black-and-white with tinting and toning in many scenes.

This is really a defining film in the career of Douglas Fairbanks. I mean, really, it is closing in 100 years later and he is still remembered as a swashbuckler. This is the very definition of a swashbuckler film. And the color! I couldn't say much about the two-color process, but I think this looks phenomenal.

This was an excellent pirate movie and was better than many sound pirate films. However, it's really hard to rate the movie---compared to other silent pirate films, it might just be the best. But, compared to THE SEA HAWK, CAPTAIN BLOOD or THE BLACK SWAN (all wonderful sound pirate films from the 30s and 40s), it isn't as good a film.

So what does the movie do that worked so well for me? First, being a Douglas Fairbanks film, it had wonderful stunts and impeccable production values--something he was known for in his silent films. Second, this film had excellent sets and was the best film money could buy in its day. In fact, it was such a lavish production that it was supposedly the first full-length film made in 2-color Technicolor--an early and somewhat crude way of producing a color movie. Because the film was dyed with green-blue and orange-red dyes, the film mostly looks reddish-green--definitely NOT true color. But, it doesn't look that bad--certainly much better than the horrid colorized films destroyed in the 1980s. Plus, if it hadn't been for films like this, the infinitely better 3-color system might never have been developed by Technicolor. And, finally, the plot is pretty good for a silent film--not the most complex when compared to later films, it's not nearly as simplistic as most other silents.

This video was produced by KINO FILMS. Some of their silent films in the past were less than wonderful (especially some of their Buster Keaton videotapes), but this videotape is top quality and has nice extras at the end of the tape. Some cheaper prints apparently are only black and white, not color. Nice job for the restoration, KINO! However, despite what the video box said, it was apparently NOT the first full-length two-color Technicolor film. I recently saw a restored print from TOLL OF THE SEA (1922) and it was in fact made using this process four years earlier than THE BLACK PIRATE.

Fun silent pirate movie , plenty of action , thrills , exciting sword-play , luxurious costumes , athletic feats , fabulous scenarios ; all meld together under Albert Parker's right direction . This exciting swashbuckling deals with the love story of a bold Buccaneer (Douglas Fairbanks) and a gorgeous princess (Billie Dove) and a subsequent vengeance . As a shipwrecked mariner vows vendetta on the pirates who destroyed his father's ship .As he writes on his father's tomb : ¨My father I solemnly vow¨. Seeking revenge, the athletic young man joins the pirate band led by a nasty captain (Randolf) responsible for his father's death . As Fairbanks uses all kind of shrewdness in order to penetrate a well-defended ship and take the command .

Amusing pirate movie , plenty of emotion , astounding adventures , realistic miniature work , evocative cinematography in black and white and luxurious costumes ; this is the quintaessential pirate movie . This classic story of romantic adventure come to life enriched by fabulous scenarios and adapted rightly to the screen . Overwhelming battle ships , sword-play and full of villainy , romance , swashbuckler and heroism . The picture is fast-moving , exciting and thrilling right up to the climatic confrontation between Douglas Fairbanks and his villain enemies . Big budgeted film by United Artists Pictures , using appropriate ship shots and miniature sets when possible . ¨Black pirate¨ results to be Douglas Fairbanks's swashbuckling best and has achieved a classic status . Charming Douglas Fairbanks steals the show when he bounds and leaps , flies and run ; in addition he is the screenwriter of this rollicking adventure . Fairbanks executes athletic feats , moving sword-play and spectacular acrobatics similarly he demonstrated in other classics such as The Mark of Zorro (1920), Robin Hood (1922), Three musketeers , Don Q Son of Zorro , The gaucho , The iron mask , The Taming of the Shrew , Don Juan , Mr Robinson , among others . Douglas performed most of the stunts in his films himself. He was an excellent athlete and used his physical abilities to his best advantage. Douglas was king of Hollywood by that time and he formed his own production company ; during a Liberty Bond tour with Charles Chaplin he fell in love with Mary Pickford with whom he, Chaplin and Griffith had formed United Artists in 1919. In fact, there is a cameo appearance by Mary Pickford as Princess Isobel in Final Embrace . Furthermore , there appears Nino Cochise, grandson of the famous Apache chief Cochise as an extra in this movie , it was his second extra job in Hollywood, his first one being in Douglas Fairbanks' Robin Hood . The crew of Douglas Fairbanks' longboat in the climactic chase and battle were members of the crew of the USS Arizona .

Bright black and white cinematography , though also available in color .This silent version was accompanied with an appropriate piano musical score . The motion picture was professionally realized by Albert Parker who directed some vehicles for Douglas Fairbanks . However , Donald Crisp -who plays a secondary role- was the original director, but after a few days of filming had a falling-out with star Douglas Fairbanks and was replaced by Parker.