Ajouter une intrigue dans votre langueA masked criminal who dresses like a giant bat terrorizes the guests at an old house rented by a mystery writer.A masked criminal who dresses like a giant bat terrorizes the guests at an old house rented by a mystery writer.A masked criminal who dresses like a giant bat terrorizes the guests at an old house rented by a mystery writer.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires au total
George Beranger
- Gideon Bell
- (as André de Béranger)
Arthur Housman
- Richard Fleming
- (as Arthur Houseman)
Sôjin Kamiyama
- Billy - The Butler
- (as Sojin Kamiyama)
Stanton Heck
- Police Officer
- (non crédité)
Avis à la une
This superb silent thriller finds the malevolent fiend of the title lurking about in a dark mansion, competing with -as well as terrifying!- a host of treasure hunters, cops, and family members. Everyone is desperately searching for almost a quarter of a million dollars (a fortune in 1926) in embezzled money.
Director Roland West creates an unsettling atmosphere, using the grand, creepy sets and wonderful Menzies miniatures to full effect.
THE BAT is a twisty tale with a surprise ending, perfectly overblown characters, and a memorable villain.
See if you can guess the Bat's true identity by movie's end...
Director Roland West creates an unsettling atmosphere, using the grand, creepy sets and wonderful Menzies miniatures to full effect.
THE BAT is a twisty tale with a surprise ending, perfectly overblown characters, and a memorable villain.
See if you can guess the Bat's true identity by movie's end...
This film, like the play that it comes from asked the audience to keep the secret of the Bat secret so I will do the same and so I'll only speak in generalities.
One of the grand old dark house films this is the story of the super criminal known as The Bat and his attempt to steal a great fortune.
This film isn't the best ever made. The passage of time has diminished its impact a bit. Part of the problem is that at times the film has to wrestle with its stage origins, things seem to stagnate and you become bored. However at other times this film soars with a visual style that has rarely been matched. The mask of the villain for example hasn't been equaled. Thankfully its always watchable.
Certainly worth a look.
One of the grand old dark house films this is the story of the super criminal known as The Bat and his attempt to steal a great fortune.
This film isn't the best ever made. The passage of time has diminished its impact a bit. Part of the problem is that at times the film has to wrestle with its stage origins, things seem to stagnate and you become bored. However at other times this film soars with a visual style that has rarely been matched. The mask of the villain for example hasn't been equaled. Thankfully its always watchable.
Certainly worth a look.
No hesitation in giving this movie a 10.In the past I've given some movies an 8 but compared to them "The Bat" deserves an 15,honestly.Taking into consideration that it's vintage it does so much without the benefit of modern technology.The viewer is given the impression that the main setting takes place in a huge mansion with 3 or 4 levels(I lost count),with it's dark shadows and at tmes slanted looking scenery it can be dreamy looking.The setting is only one of the ingredients that makes this movie so entertaining,it goes back and forth from being funny to scary smoothly,it seems to have the viewer at it's mercy.One of the interesting characters is Bloodhound Anderson-super sleuth,with his derby hat he resembles Mr.McNab the truant officer from "little lulu" comic books.He does his share of trembling while holding two six shooters.Adding plenty of comedy also is the maid played by the very popular Louise Fazenda.The movie overall is eerie and suspenseful with the Bat fierce looking.Watch it by yourself in a dark room.
She might not have been a critic's darling, but the reading public loved author Mary Roberts Rinehart (1876-1957.) Her 1907 novel THE CIRCULAR STAIRCASE was among her most popular works, and in 1917 Rinehart joined forces with playwright Avery Hopwood to adapt it to the stage. After three years of work and much revision, THE BAT's combination of eccentric characters, spooky effects, slapstick humor and mystery took the New York stage by storm. And in 1926 it became one of the most popular films of the late silent era.
The plot was clichéd even in 1920, and considerably more so by 1926--but this is actually part of the film's charm. New York is beset by a vicious killer and brilliant thief called "The Bat," whose crime spree has left police baffled. Cornelia Van Gorder (Emily Fitzroy) and her niece Dale (Jewel Carmen) have leased a mansion in the countryside, but it soon transpires that their choice has been unfortunate: the owner has died, his bank has been robbed, the money is concealed in the house... and The Bat wants it! Before you can say "It's the BAT!" there are secret passages, suspicious characters, screaming maids, and shots in the dark. According to film lore, THE BAT was actually filmed at night, the better to emphasize the gloomy atmosphere; if so, director Roland West (husband of actress Jewel Carmen) made a good decision here, for the film is memorable for its shadowy look. The miniatures of the opening scenes have been widely praised and the sets are elaborate and extremely well photographed (Cedric Gibbons, no less, was the art director of note); the costume for the elusive Bat is lots of 1920s fun; and the cast is quite good besides.
The cast is particularly noteworthy for its inclusion of Jack Pickford, the wild and scandal plagued brother of silent star Mary Pickford. The combination of sound, drugs, alcohol, and sex would destroy his career before the decade ended, and although Mary Pickford certainly promoted his career he shows that his talents warranted her support. He's quite good. Most memorable, however, is actress Louise Fazenda, who chews scenery as the comically hysterical maid Lizzie--but indeed the entire cast is very fine and you find little of the broad acting style that troubles many silent films.
For many years THE BAT was considered a "lost" film, but not only did a single copy survive, it proves in extremely good condition as well, and the transfer on the Alpha Video DVD release is quite good. What isn't good is the original score, credited to Paul David Bergel. Not only is it utter atrocious in terms of music, it actually works against the film, making the action feel a great deal slower than it really is. Even so, this is the long-thought-lost THE BAT, it's quite good, and you can always turn the sound off! While it isn't quite as stylish as the slight later THE CAT AND THE CANARY, to which it is often compared, THE BAT was quite an influential film in its own right and will likely charm fans of silent film. It also had a long life: not only would receive at least one major remake, author Mary Roberts Rinehart would actually rewrite the play into yet another novel--and no less than Agatha Christie would borrow a bit of the plot for the legendary play THE MOUSETRAP. Thoroughly enjoyable for fans of silent cinema.
Gary F. Taylor, aka GFT, Amazon Reviewer
The plot was clichéd even in 1920, and considerably more so by 1926--but this is actually part of the film's charm. New York is beset by a vicious killer and brilliant thief called "The Bat," whose crime spree has left police baffled. Cornelia Van Gorder (Emily Fitzroy) and her niece Dale (Jewel Carmen) have leased a mansion in the countryside, but it soon transpires that their choice has been unfortunate: the owner has died, his bank has been robbed, the money is concealed in the house... and The Bat wants it! Before you can say "It's the BAT!" there are secret passages, suspicious characters, screaming maids, and shots in the dark. According to film lore, THE BAT was actually filmed at night, the better to emphasize the gloomy atmosphere; if so, director Roland West (husband of actress Jewel Carmen) made a good decision here, for the film is memorable for its shadowy look. The miniatures of the opening scenes have been widely praised and the sets are elaborate and extremely well photographed (Cedric Gibbons, no less, was the art director of note); the costume for the elusive Bat is lots of 1920s fun; and the cast is quite good besides.
The cast is particularly noteworthy for its inclusion of Jack Pickford, the wild and scandal plagued brother of silent star Mary Pickford. The combination of sound, drugs, alcohol, and sex would destroy his career before the decade ended, and although Mary Pickford certainly promoted his career he shows that his talents warranted her support. He's quite good. Most memorable, however, is actress Louise Fazenda, who chews scenery as the comically hysterical maid Lizzie--but indeed the entire cast is very fine and you find little of the broad acting style that troubles many silent films.
For many years THE BAT was considered a "lost" film, but not only did a single copy survive, it proves in extremely good condition as well, and the transfer on the Alpha Video DVD release is quite good. What isn't good is the original score, credited to Paul David Bergel. Not only is it utter atrocious in terms of music, it actually works against the film, making the action feel a great deal slower than it really is. Even so, this is the long-thought-lost THE BAT, it's quite good, and you can always turn the sound off! While it isn't quite as stylish as the slight later THE CAT AND THE CANARY, to which it is often compared, THE BAT was quite an influential film in its own right and will likely charm fans of silent film. It also had a long life: not only would receive at least one major remake, author Mary Roberts Rinehart would actually rewrite the play into yet another novel--and no less than Agatha Christie would borrow a bit of the plot for the legendary play THE MOUSETRAP. Thoroughly enjoyable for fans of silent cinema.
Gary F. Taylor, aka GFT, Amazon Reviewer
There certainly is a lot happening in this film. Trap doors. Secret passages. Staircases. A "Bat" man. A hysterical maid who screams and leaps and circles and points. She must have been totally worn out when this film ended. Having seen the later version, I kind of knew the ropes a little bit. The idea is to get people out of an old mansion in order to grab a bunch of money that was embezzled from a local bank. The title character harasses the inhabitants, but doesn't know he has a real foe in the tough, matronly, unflappable owner of the mansion. She holds her own no matter what transpires. We have lots of suspects and that bat costume is pretty good. We can see elements of the Batman character of the early comic books. For a silent film this is very high quality and wears very well.
Le saviez-vous
- AnecdotesThis film was highly regarded for its visuals, especially for its cinematography, elaborate sets and special effects. Roland West could only top it by remaking it four years later as The Bat Whispers (1930) with sound and in an early 70mm process.
- ConnexionsFeatured in Batman and Robin and the Other Super Heroes (1989)
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- How long is The Bat?Alimenté par Alexa
Détails
- Durée
- 1h 26min(86 min)
- Mixage
- Rapport de forme
- 1.33 : 1
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