Le jardin du plaisir

The Pleasure Garden is notable for being the first complete film of Alfred Hitchcock, one of the greatest and most influential directors in film, so it is one of great historical interest. It's not one of his best, there is somewhat of a primitive look, some of the pacing does get pedestrian in the middle and the scripting at times suffers from being overly talky. Hitchcock has definitely done worse though, and The Pleasure Garden is a decent film. Even for such an early effort, Hitchcock's direction does shine through with great use of camera angles and directorial flourishes. No signs of phoning in. The story is intelligently explored, the script serves the actors and Hitchcock competently(though of course there have been much better scripts since) and while the pacing is uneven the beginning and ending are solid enough. The acting give their all, maybe with some over-playing here and there, but there is signs of effort. All in all, a quite decent first complete film, though Hitchcock definitely went on to much better since. 7/10 Bethany Cox

'Pleasure Garden' is Alfred Hitchcock's real firs movie as a director. He directed 'Number 13' before, but that shooting was shot down and the little of the footage he managed to shoot is now declared lost. 'The Pleasure Garden' is sweet little gem and is total pleasure to watch. It doesn't feel like Hitchcock's movie and there are very little his trademarks visible (how could there be, he was just beginner director). The story is very straightforward and simple melodrama, but it is not silly. Nothing is hidden under the surface. All the elements are well put together. Besides being Hitchcock's first movie as a director, there is nothing special, but it is a sweet film that definitely deserves to be seen. Especially by the fans of the legendary director.

P.S. Alma Reville and Alfred Hitchcock got engaged during the shoot and what a couple they became.

This was Hitchcock's first ever film as director to be completed and it is indicative of his huge talent. Despite its age and therefore somewhat primitive production the young Hitch does a superb, professional and classy job. The film maintains interest throughout and is still funny, entertaining and impressive when viewed today! Hitchcock imbues it with directorial flourishes of brilliance with clever, interesting camera shots, intelligent storytelling and little bits of his psychological themes which strengthen all his films.

In conclusion this is a superb film considering its age and the fact it is Hitchcock's debut.

The Pleasure Garden is the first film that Alfred Hitchcock directed to completion. It's a nice look into the earliest directorial thoughts and techniques of the master. Even in this earliest film, we can see signs of what would become some of his signature trademarks. I enjoyed some of the point of view shots early in the film with the blurred view of the man looking through his monocle as well as the gentleman looking through the binoculars at the show girls legs. There is also a spiral staircase in the opening of this movie. Not that it was used like the staircase in Vertigo, but it made me smile thinking of how important that would be in his later film. The story deals with the idea of infidelity. Jill (Carmelita Geraghty) is an aspiring dancer who gets engaged to Hugh (John Stuart) who has to leave for work overseas. Patsy (Virginia Valli), who has helped Jill get her start, starts to worry about Jill keeping her promise to wait for Hugh. Jill's career is taking off and she begins to fool around with other guys. Patsy marries Levett (Miles Mander), Hugh's friend who also goes overseas to work with Hugh. Unlike Jill, Patsy remains true to her husband, thinking only of being with him. She receives a letter that her husband has taken ill and scrapes up the money to go be with her husband in his time of need. When she arrives, she finds that he has taken to drinking and island women. That's when the trouble ensues. I enjoyed Hitch's first film. It's a little slow starting, but picks up pace as it goes along. I liked seeing Cuddles, the dog, thrown in for a little comic relief to contrast the seriousness of the film, which of course is another of Hitchcock's trademarks. There was also a nice, subtle score by Lee Erwin, that fit the film well.

*** (Out of 4)

At the age of 25, Alfred Hitchcock, who had been an assistant director to Michael Balcon, was given the chance to direct his first film, which was of course silent. It is very good and showed at once that he had talent. Assistant director on the film was a girl named Alma Reville, who was to become Hitchcock's wife and lifelong partner in all of his film projects. The film is based on a popular novel by 'Oliver Sandys', which was the pen name of a woman whose real name was Marguerite Jarvis, and who in this same year appeared as an actress under the name of Marguerite Evans in the comedy film STAGESTRUCK, with Gloria Swanson. The title of this film is the name of a music hall in London, where two girls are in the chorus together, and share a room in Brixton. The melodrama concerns the adventures of their lives and respective fates. The film was shot at Babelsburg Studios in Germany and had an international cast. The American actress Virginia Valli plays Patsy, the good girl of the two. And Jill, the girl who goes to the bad, is played by another American actress, Carmelita Geraghty. The German actor Karl Falkenberg plays the unpleasant and sinister Prince Ivan, who leads Jill astray. Falkenberg acted in 100 films between 1916 and 1936, after which he disappears from history. Probably he was Jewish, was banned from the screen by the Nazis, and then sent to a death camp. Possibly the best performance in the film is by British actor Miles Mander, who outdid Falkenberg by appearing in 107 films, between 1920 and 1947, including WUTHERING HEIGHTS (1939). In this film he plays a cad who married Patsy and then betrays her with a mistress and goes to pieces with drink and decadence. He delivers a very finely judged performance, and does not overact. Carmelita Geraghty is very convincing in her downward spiral into immorality, selfishness, and selling herself for fame and fortune. The film is not particularly creaky with age, and is well worth seeing.